Charlie Huston

Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they’re true. Only it’s not like the movies or old man Stoker’s storybook. It’s worse. Especially if you happen to be one of them. Just ask Joe Pitt. There’s a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks’ brains. Joe hates shamblers, but he’s still the one who has to deal with them. That’s just the kind of life he has. Except afterlife might be better word. From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he’s not happy about it. Yeah, he gets to be stronger and faster than you, and he’s tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that’s eating at him isn’t his idea of a good time. And Joe doesn’t make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan–it ain’t easy. It’s worse once he gets mixed up with the Coalition–the city’s most powerful Clan–and finds himself searching for a poor little rich girl who’s gone missing in Alphabet City. Now the Coalition and the girl’s high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.

Already Dead

Tending bar after a sports injury ends his baseball career, alcoholic Hank Thompson is beaten up by thugs while cat-sitting for a neighbor and discovers a hidden key to a locker stuffed with millions of dollars, a situation for which his innocence comes into question by the NYPD. A first novel. Reprint. 20,000 first printing.

Caught Stealing

Reluctant hitman Henry Thompson returns to New York City, the scene of his original mishaps, when he takes an assignment as the new bodyguard for rising baseball star Miguel Arenas, a mission that is complicated by a threat against his parents' lives, a threat that forces Henry to make a desperate and final choice. By the author of Caught Stealing and Six Bad Things. Original. 25,000 first printing.

A Dangerous Man

Working on a crime-scene clean-up crew, disaffected slacker Web Goodhue is hired by the daughter of a Malibu suicide victim who enlists his help in getting her brother out of trouble, making him the target of some gun-toting L.A. cowboys who are out for b

A Novel

The Mystic Arts of Erasing All Signs of Death

Working undercover to stop the black-market trade of a sleep-aid drug that has become aggressively sought by a world stricken by pandemic insomnia, Los Angeles cop Parker Haas finds his work compromised by pharmaceutical company corruption and the afflictions of his wife and infant daughter. By the best-selling author of The Mystic Arts of Erasing All Signs of Death.

Sleepless

In the sequel to Caught Stealing, Hank Thompson finds himself on the run from Federales, Russian mobsters, the U.S. Border Patrol, and two supposed surfer-bum allies, after he eliminates a would-be blackmailer who had threatened both Hank's parents and the money he had stolen. Original. 30,000 first printing.

Six Bad Things

Moon Knight, Volume 1

There’s only so much room on the Island, only so much blood, and Manhattan’s Vampyre Clans aren’t interested in sharing. So when the Vyrus-infected dregs of New York’s outer boroughs start creeping across the bridges and through the tunnels, the Clans want to know why. Bad luck for PI and general hard case Joe Pitt. See, Joe used to be a Rogue, used to work off his own dime, picked his own gigs, but tight times and a terminally ill girlfriend pushed him into the arms of the renegade Society Clan. Now he has all the cash and blood he needs, but at a steep price. The price tonight is crossing the bridge, rolling to Coney Island, finding the Freak Clan, and figuring out what’s driving that bunch of savages to scratch at the Society’s door. No need to look far. The answer lies around the corner in Gravesend. Convenient, all those graves. From uptown to the boardwalk, war drums are beating. Murderous family feuds and personal grudges are being drawn and brandished, along with the long knives. Blood will spill and, big surprise, Joe’s in the middle. But hey, why should this night be different from any other? Sunset to sunrise: put off a war, keep your head attached to your neck, and save your girl. Check. Joe’s on the case. Praise for Charlie Huston and his Joe Pitt novels: “In conceiving his world (a New York City divided by vampire clans, each with different reasons to hate Pitt), Huston gives a fading genre a fresh afterlife. [Grade:] A.” –Entertainment Weekly “[Huston] creates a world that is at once supernatural and totally familiar, imaginative, and utterly convincing.” –The Philadelphia Inquirer “One of the most remarkable prose stylists to emerge from the noir tradition in this century.” –Stephen King “Hard-boiled horror, pulp noir vampires, decaying urban souls– you’re gonna need a shower after this one. . . . [Huston] kicks down the door of horror.” –Fangoria, on Already Dead

Half the Blood of Brooklyn

Joe Pitt’s life sucks. He hasn’t had a case or a job in God knows how long and his stashes are running on empty. What stashes? The only ones that count to a guy like Joe: blood and money. The money he uses to buy blood; the blood he drinks. Hey, buddy, it’s that or your neck–you want to choose? The only way to lay his hands on both is to take a gig with the local Vampyre Clan. See, something new is on the streets, a new high, a high so strong it can send a Vampyre spazzing through Joe’s local watering hole. Till Joe sends him through a plate-glass window, that is. So it’s time for Joe to gut up and swallow that pride and follow the leads wherever they go. It won’t be long before he’s slapping stoolies, getting sapped, and being taken for a ride above 110th Street. Someone’s pulling Joe’s strings, and now he’s riding the A train, looking to find who it is. He’s gonna cut them when he finds them–the strings and the hands that hold them.

No Dominion

“[Charlie Huston’s] action scenes are unparalleled in crime fiction and his dialogue is so hip and dead-on that Elmore Leonard should be getting nervous.” –Publishers Weekly (starred review), on Half the Blood of Brooklyn It’s like this: a series of bullet-riddled bad breaks has seen rogue Vampyre and terminal tough guy Joe Pitt go from PI for hire to Clan-connected enforcer to dead man walking in a New York minute. And after burning all his bridges, the only one left to cross leads to the Bronx, where Joe’s brass knuckles and straight razor can’t keep him from running afoul of a sadistic old bloodsucker with a bad bark and a worse bite. Even if every Clan in Manhattan is hollering for Joe’s head on a stick, it’s got to be better than trying to survive in the outer-borough wilderness. So it’s a no-brainer when Clan boss Dexter Predo comes looking to make a deal. All Joe has to do to win back breathing privileges on his old turf is infiltrate an upstart Clan whose plan to cure the Vyrus could expose the secret Vampyre world to mortal eyes and set off a panic-driven massacre. Not cool. But Joe’s all over it. To save the Undead future, he just has to wade neck-deep through all the archenemies, former friends, and assorted heavy hitters he’s crossed in the past. No sweat? Maybe not, but definitely more blood than he’s ever seen or hungered for. And maybe even some tears–over the horror and heartbreaking truth about the evil men do no matter who or what they are. Praise for Charlie Huston and his Joe Pitt novels “In conceiving his world (a New York City divided by vampire clans, each with different reasons to hate Pitt), Huston gives a fading genre a fresh afterlife. [Grade:] A.” –Entertainment Weekly “[Huston] creates a world that is at once supernatural and totally familiar, imaginative, and utterly convincing.” –The Philadelphia Inquirer

Every Last Drop

A thief who can travel through mirrors, a video game that threatens to spill out of the virtual world, a doomsday cult on a collision course with destiny, and a missing teenager at the center of it all. With the world on the brink of every kind of apocalypse, humanity needs a hero. What it gets is Sid Catchpenny. "I absolutely loved it. Catchpenny is a brilliant book, full of heart and the language is pitch-perfect. If Elmore Leonard had ever written a fantasy novel, this would be it.” —Stephen King Sidney Catchpenny has had a bad run. Laid low by a years-long bout of debilitating depression, he’s all but squandered his reputation as one of the most uniquely talented thieves in LA. There aren’t many who can do what Sid does. He’s a sly, a special kind of crook with the uncanny ability to move through mirrors. And the spoils he’s after are equally unusual. Forget jewels and cold cash—Sid steals curiosities—items imbued with powerful mojo, a magical essence gleaned from the accumulated emotion that seeps into interesting, though often banal objects. That spot on the carpet where your old dog used to lay at your feet? The passed-down family heirloom nobody wants but everybody refuses to throw away? These curiosities are full of mojo, which is both the currency of the criminal underground and the secret source of magic in the world. When a friend from Sid’s past comes looking for his help with an important client, and the chance to pay off old debts presents itself, Sid seizes the opportunity … as best he can. But the case he stumbles into is more complicated than it seems, and it portends a seismic shift in the world, one that will leave no one untouched. As the fog of his depression begins to lift, Sid sees connections everywhere he looks, and the once disparate threads of the case—a missing teenage girl, an entire bedroom saturated with mojo, and Sid’s own long-dead wife—begin to coalesce.

A novel

Catchpenny

Skinner founded his career in "asset protection" on fear. To touch anyone under his protection was to invite destruction. A savagely effective methodology, until Skinner's CIA handlers began to fear him as much as his enemies did and banished him to the hinterlands of the intelligence community. Now, an ornate and evolving cyber-terrorist attack is about to end that long exile. His asset is Jae, a roboticist with a gift for seeing the underlying systems violently shaping a new era of global guerrilla warfare. At the root of it all is a young boy, the innocent seed of a plot grown in the slums of Mumbai. Brought to flower, that plot will tip the balance of world power in a perilous new direction. A combination of Le Carre spycraft with Stephenson techno-philosophy from the novelist hailed by the Washington Post as "the voice of twenty-first century crime fiction," Skinner is Charlie Huston's masterpiece -- a new kind of thriller for a new kind of world.

Skinner

Seeking revenge for the theft of a bicycle, four teenage friends discover that the missing item is in the hands of the Arroyo brothers, one of whom is just out of prison, and set out to retrieve it, stumbling upon a methamphetamine lab in the process.

The Shotgun Rule

Nobody lives forever ... not even a Vampyre. Just ask Joe Pitt. After exposing the secret source of blood for half of Manhattan's Vampyres, he's definitely a dead man walking. He's been a punching bag and a bullet magnet for every Vampyre Clan in Manhattan, Brooklyn, and the Bronx, not to mention a private eye, an enforcer, an exile, and a vigilante, but now he's just a target with legs. For a year he's sloshed around the subway tunnels and sewers, tapping the veins of the lost, while above ground a Vampyre civil war threatens to drag the Clans into the sunlight once and for all. What's it gonna take to dig him up? Just the search for a missing girl who's carrying a baby that just might be the destiny of Vampyre-kind. Not that Joe cares all that much about destiny and such. What he cares about is that his ex-girl Evie wants him to take the gig. What's the risk? Another turn playing pigeon in a shooting gallery. What's the reward? Maybe one shot of his own. What's he aiming for? Nothing much. Just all the evil at the heart of his world.

My Dead Body

Mike Benson

Mark Texeira

Collects no. 14-19 of "Moon Knight," in which Tony Stark, the man responsible for designing the Initiative, is desperate to stop the destructive actions of Moon Knight, a superhero vigilante.

God and Country

David Finch

Mico Suayan

When all the bad guys come out with a vengeance, a few heroes show up as well, including Spider-Man, Frank Castle, Captain America, and a strange new force who leaves bodies wherever he goes. Collects "Moon Knight" no. 7-13.

Charlie Huston

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