Chavisa Woods

"Chavisa Woods' Things to Do When You're Goth in the Country is part Flannery O'Connor, part Kelly Link: darkly funny and brilliantly human, urgently fantastical and implacably realistic. This is one of the best short story collections I've read in years, and it should be required reading for anyone who's trying to understand America in 2017." --Paul La Farge, author of The Night Ocean (Penguin) Things to Do When You're Goth in the Country (Seven Stories Press, 2017; 200 pages) paints a vivid image of the bizarre characters that live on the fringes in America's heartland. They don't do what you expect them to do. These aren't typical stories of triumph over adversity, but something completely other. It's "Murakami meets the meth heads" says National Book Foundation award winner Samantha Hunt. "Reader, you have never before seen anything like this." The eight stories in this literary collection present a brilliantly surreal and sardonic landscape and language, and offer a periscope into the heart of the rural poor. Among the singular characters, you'll meet: a "zombie" who secretly resides in a local cemetery; a queer teen goth who is facing ostracism from her small town evangelical church; a woman who leaves New York City once a year to visit her little brothers in the backwoods Midwest, only to discover they've been having trouble with some meth dealers and UFOs that trouble the area. In the backdrop of all the stories are the endless American wars and occupations, overshadowed, for these characters, by the many early deaths of their friends and family, that occur regularly for a whole host of reasons.

Things to Do When You're Goth in the Country

Emerging author Chavisa Woods has been noted for capturing a "strange, troubling vision of domestic life in the rural U.S." (Go Magazine). Here she presents a technicolored vision of rural adolescence, the story of a girl with an unpronounceable name—a fiery, unhinged, growling, big-hearted country girl in a dirty black tutu and combat boots who travels along all the bizarre yet familiar byways of human desire from the cornfields of Louisiana and the big brass sound of Mardi Gras to the heights of the Empire State Building. Turning the tradition of the southern gothic novel on its head, Woods presents a new land of contemporary misfits including fire-dancers, pseudo-Nazis who breed albino animals, Catholic workers, horse thieves, and the archangel Gabrielle.

A Novel

The Albino Album

Shirley Jackson Award-winning author and three-time Lambda Finalist, Chavisa Woods presents one hundred personal stories of sexism, harassment, discrimination, and assault. Recounting her experiences with sexist discrimination, sexual harassment, and sexual violence—beginning in childhood, through the present—Woods lays out clear and unflinching personal vignettes that build in intensity as the number of times grows. Individually, and especially taken as a whole, these stories amount to powerful proof that sexual violence and discrimination are never just one-time occurrences, but part of a constant battle all women face every day. In these extraordinary pages, sexual violence and sexist discrimination occur regardless of age, in all spheres of society, in rural and urban areas alike, in the US and abroad, from Woods' youth through adulthood. Demonstrating how often people are conditioned to endure sexism and harassment, and how thoroughly men feel entitled to women’s spaces and bodies, 100 Times forces the reader to witness the myriad ways in which sexism and misogyny continuously shape women’s lives, and are built-in facets of our society.

A Memoir of Sexism

100 Times

Originally published in 2008, Love Does Not Make Me Gentle or Kind is a collection of short stories by up-and-coming author Chavisa Woods. It explores the formative and tumultuous moments in the lives of two women as children and as adults in rural America. Filled with themes of incest, abuse, prejudice, sexuality and escape, Love Does Not Make Me Gentle or Kind is a gripping and intimate work that pushes the boundaries of contemporary fiction.

Chavisa Woods

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