Chester Brown

Presents the cartoonist's experiences with prostitution and describes how he became a vocal proponent of the controversial profession.

Paying for It

A Comic-Strip Biography

Louis Riel

"This award-winning Canadian bestseller tells the story of the charismatic, and perhaps mad, nineteenth century Metis leader, whose struggle to win rights for his people led to violent rebellion on the nation's western frontier"--P. [4] of cover.

The New Definitive Edition

I Never Liked You

The idiosyncratic master Chester Brown continues his thoughts on sex work The iconoclastic and bestselling cartoonist of Paying for It: A comic-strip memoir about being a john and Louis Riel returns and with a polemical interpretation of the Bible that will be one of the most controversial and talked-about graphic novels of 2016. Mary Wept Over the Feet of Jesus is the retelling in comics form of nine biblical stories that present Chester Brown's fascinating and startling thesis about biblical representations of prostitution. Brown weaves a connecting line between Bathsheba, Ruth, Rahab, Tamar, Mary of Bethany, and the Virgin Mother. He reassesses the Christian moral code by examining the cultural implications of the Bible's representations of sex work. Mary Wept Over the Feet of Jesus is a fitting follow-up to Brown's sui generis graphic memoir Paying for It, which was reviewed twice in The New York Times and hailed by sex workers for Brown's advocacy for the decriminalization and normalization of prostitution. Brown approaches the Bible as he did the life of Louis Riel, making these stories compellingly readable and utterly pertinent to a modern audience. In classic Chester Brown fashion, he provides extensive handwritten endnotes that delve into the biblical lore that informs Mary Wept Over the Feet of Jesus.

Mary Wept Over the Feet of Jesus

In one of the best graphic novels published in recent years, Chester Brown tells the story of his alienated youth in an almost detached, understated manner, giving I Never Liked You an eerie, dream-like quality. For the new 2002 definitive softcover edition Brown has designed new layouts for the entire book, using "white" panel backgrounds instead of the black pages of the first edition.

A Comic-Strip Narrrative

Maria pianse sui piedi di Gesù. Prostituzione e obbedienza religiosa nella Bibbia

O amor romântico? Não existe. Pagar por sexo é melhor. Realizado e emocionalmente impassível, Chester Brown, um dos monstros sagrados da HQ moderna, se revela em um relato cheio de detalhes, provocativo e irreverente da sua experiência com prostitutas. Feliz em pagar por sua felicidade.

Pagando por sexo

Io le pago. Memorie a fumetti di un cliente di prostitute

Short Strips, 1980-1995

The Little Man

a comic-strip memoir

The playboy

"Pagando por ello es un libro muy instructivo, a la par que divertido: [Chester Brown] en este sentido es un artista muy habilidoso." R. CRUMB Las memorias en cómic de Chester Brown son un relato franco y sincero de su decisión de pagar a mujeres para que practiquen sexo con él. Pagando por ello se articula en base a tres ejes: el relato gráfico pormenorizado de sus encuentros con prostitutas, la reflexión y crítica amarga de la trampa del amor romántico y la argumentación sólida a favor de la despenalización de la prostitución. En Pagando por ello Chester Brown nos narra sus experiencias con la prostitución. Desencantado del amor romántico tras la ruptura con su última novia, Chester Brown debe solucionar el problema de seguir manteniendo relaciones sexuales tras haber decidido que no quiere volver a tener novia nunca más. Como no es lo suficientemente sociable y atrevido para conseguir mantener relaciones sexuales esporádicas con desconocidas, la única manera de seguir manteniendo relaciones sexuales es recurriendo a la prostitución. Pagando por ello nos ofrece una completa exploración contemporánea del trabajo sexual: desde el cliente tímido que va en bicicleta a la búsqueda de prostitutas y se pregunta cómo dar propina sin ofender, lee a expertos en la materia para saber cómo actuar, hasta las transacciones modernas a través de reseñas on-line de prostitutas, y todo ello denunciando todos los clichés asociados a la prostitución (marginalidad, suciedad, drogas y proxenetas). En la obra no sólo describe pormenorizadamente sus encuentros con las prostitutas, sin entrar en detalles morbosos, sino que también refleja todas las discusiones que tuvo con sus allegados (entre ellos Seth y Joe Matt) sobre la prostitución, ya fuesen sus aspectos económicos, personales, morales, éticos, etc.

Memorias en cómic de un putero

Pagando por ello

Nunca me has gustado

Sidonie Van den Dries

A la fin du XIXe siècle, le territoire de la rivière Rouge est cédé au Canada, colonie de l'empire britannique. Cependant les habitants catholiques, métis d'Indiens et de Français, n'entendent pas à être gouvernés par la lointaine couronne d'Angleterre. Louis Riel, chef charismatique et passionné, mène la Rébellion Métisse jusqu'à son terme, entre la folie et la mort. De la conciliation à la lutte armée, cette aventure politique et humaine reste une des pages les plus controversées de l'histoire canadienne.

A long-out-of-print classic by a master of underground comics In the late 1980s, the idiosyncratic Chester Brown (author of the much-lauded Paying For It and Louis Riel) began writing the cult classic comic book series Yummy Fur. Within its pages, he serialized the groundbreaking Ed the Happy Clown, revealing a macabre universe of parallel dimensions. Thanks to its wholly original yet disturbing story lines, Ed set the stage for Chester Brown to become a world-renowned cartoonist. Ed the Happy Clown is a hallucinatory tale that functions simultaneously as a dark roller-coaster ride of criminal activity and a scathing condemnation of religious and political charlatanism. As the world around him devolves into madness, the eponymous Ed escapes variously from a jealous boyfriend, sewer monsters, the Royal Canadian Mounted Police, and a janitor with a Jesus complex. Brown leaves us wondering, with every twist of the plot, just how Ed will get out of this scrape. The intimate, tangled world of Ed the Happy Clown is definitively presented here, repackaged with a new foreword by the author and an extensive notes section, and, as with every Brown book, astonishingly perceptive about the zeitgeist of its time.

Ed the Happy Clown

D&Q's first ever graphic novel, published in 1992,this is an excellent companion to I Never Liked,You. Stark and expressionistic, this is Chester,Brown's frank and unsettling account of first his,adolescent and then adult relationship with,pornography. It begins in 1975 with an abandoned,copy of Playboy..

The Playboy

The early 1980s saw a revolution in mainstream comics--in subject matter, artistic integrity, and creators' rights--as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown (b. 1960) quickly developed a cult following due to the undeniable quality and originality of his Yummy Fur (1983-1994). Chester Brown: Conversations collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines. It also includes original annotations from Chester Brown, provided especially for this book, in which he adds context, second thoughts, and other valuable insights into the interviews. Brown was among a new generation of artists whose work dealt with decidedly nonmainstream subjects. By the 1980s comics were, to quote a by-now well-worn phrase, "not just for kids anymore," and subsequent censorious attacks by parents concerned about the more salacious material being published by the major publishers--subjects that routinely included adult language, realistic violence, drug use, and sexual content--began to roil the industry. Yummy Fur came of age during this storm and its often-offensive content, including dismembered, talking penises, led to controversy and censorship. With Brown's highly unconventional adaptations of the Gospels, and such comics memoirs as The Playboy (1991/1992) and I Never Liked You (1991-1994), Brown gradually moved away from the surrealistic, humor oriented strips toward autobiographical material far more restrained and elegiac in tone than his earlier strips. This work was followed by Louis Riel (1999-2003), Brown's critically acclaimed comic book biography of the controversial nineteenth-century Canadian revolutionary, and Paying for It (2011), his best-selling memoir on the life of a john.

Conversations

Mahdev Mohan

Critically discusses the increasing significance of Asian States in the field of international investment law and policy. Contains analyses of national investment law rule-making in Asia, contributions of Asian States on cutting-edge developments to the global community, and contemplates future possibilities for investor-State dispute settlement.

The Asian Turn in Foreign Investment

«Forse il miglior graphic novel insieme a Maus.» Gilbert Hernandez, Love and Rockets «Questo libro tenero e limpido è un potente sortilegio contro le illusioni amorose e le commedie romantiche.» dalla prefazione di Francesco Pacifico «Tra i fumetti più delicati mai realizzati.» Eddie Campbell, From Hell «Il memoir minimalista e inquietante di un'adolescenza difficile.» Così la «New York Times Book Review» salutò Non mi sei mai piaciuto. La storia era comparsa a puntate su «Yummy Fur», una rivista a fumetti realizzata dallo stesso Chester Brown: cinque capitoli tra il 1991 e il 1993 per un'opera che oggi è ancora tra le più brucianti autobiografie a fumetti di sempre, seminale al pari di Maus e Persepolis. Nelle pagine di questo classico contemporaneo, che nel 1994 ha esordito in volume per la canadese Drawn & Quarterly, Brown rivive i trascorsi della sua educazione sentimentale, quella di un bel ragazzino, timido e controllato, all'ombra di una madre consumata dalla schizofrenia. Rivelando con crudezza i suoi ricordi, Brown si racconta con la sintesi e la potenza di un vero poeta, scarnificando la sua intimità fino a renderla universale. Arrivato in Italia nel 1999, Non mi sei mai piaciuto è stato oggetto di culto e studio per un'intera generazione di autrici e autori allora emergenti. A lungo introvabile, oggi questa perla del fumetto indipendente viene riproposta ai lettori italiani in una nuova edizione. Un'occasione per scoprire e riscoprire queste pagine che, con la loro impetuosa chiarezza, rievocano le vibrazioni dell'adolescenza: una terra di nessuno contesa dalla voglia di passare inosservati e il bisogno di sentirsi oggetti del desiderio. *********************** Questo eBook è ottimizzato per la fruizione su tablet; se ne sconsiglia pertanto la lettura sui dispositivi eReader.

Non mi sei mai piaciuto

Model Bilateral Investment Treaties (BITs) are a state's blueprint for the investment treaties it negotiates with other states. This book compiles commentaries on the Model BITs of 19 key jurisdictions. It analyses state practice on international investment law, detailing each state's legislative regime on foreign investment and their BIT programme

Chester Brown

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