Chris Gibson

After a string of commercial disappointments, in 1986 Australian rock band The Church were simultaneously dropped by Warner Brothers in the US and EMI in Australasia. The future looked bleak. Seemingly from nowhere, their next record, Starfish, became an unlikely global hit. Its alluring and pensive lead single, 'Under the Milky Way', stood in stark contrast to the synth pop and hair metal dominating the 1980s. A high watermark of intelligent rock, Starfish musically anticipated alternative revolutions to come. Yet in making Starfish, The Church struggled with their internal contradictions. Seeking both commercial and artistic success, they were seduced by fame and drugs but cynical towards the music industry. Domiciled in Australia but with a European literary worldview, they relocated to Los Angeles to record under strained circumstances in the heart of the West Coast hit machine. This book traces the story of Starfish, its background, composition, production and reception. To the task, Gibson brings an unusual perspective as both a musician and a geographer. Drawing upon four decades of media coverage as well as fresh interviews between the author and band members, this book delves into the mysteries of this mercurial classic, tracing both its slippery cultural geography and its sumptuous songcraft. Situating Starfish in time and space, Gibson transports the reader to a key album and moment in popular music history when the structure and politics of the record industry was set to forever change.

The Church's Starfish

IBM Redbooks

Scott Vetter

Armin Röll

Brad Gough

Richard Bassemir

Thierry Fauck

Murali Neralla

Murali Vaddagiri

This IBM® Redbooks® publication focuses on the enhancements to IBM AIX® Version 7.1 Standard Edition. It is intended to help system administrators, developers, and users understand these enhancements and evaluate potential benefits in their own environments. AIX Version 7.1 introduces many new features, including: - Domain Role Based Access Control - Workload Partition enhancements - Topas performance tool enhancements - Terabyte segment support - Cluster Aware AIX functionality AIX Version 7.1 offers many other new enhancements, and you can explore them all in this publication. For clients who are not familiar with the enhancements of AIX through Version 5.3, a companion publication, AIX Version 6.1 Differences Guide, SG24-7559, is available.

IBM AIX Version 7.1 Differences Guide

'The Unassuming Collection' is an immersive poem set in a library that unfolds gently. Each right-hand page contains a striking image taken from an existing book and each left-hand page features a line of text and a QR code. When the QR code is scanned (using any barcode reading app) the reader is taken to the complete book that the image was taken from. In effect 'The Unassuming Collection' is a library within a book, each line a departure point for a new experience.

The Unassuming Collection

Creativity is said to be the fuel of the contemporary economy. Dynamic industries such as film, music, television and design have changed the fortunes of entire cities, from Nashville to Los Angeles, Barcelona to Brisbane and beyond. Yet creativity remains mercurial – it is at the heart of industrial innovation and can attract investment, but it is also an intangible, personal quality and experience. What exactly constitutes creativity? Drawing on examples as diverse as postcard design, classical music, landscape art, tattooing, Aboriginal hip-hop, and rock sculpture, this book seeks to explore and redefine creativity as both economic and cultural phenomenon. Creativity also has a peculiar geography. Beyond Hollywood, creativity is evident in suburban, rural and remote places – a quotidian, vernacular, eclectic enterprise. In seeking to redefine the creative industries, this book brings together geographers, historians, sociologists, cultural studies scholars and media/communications experts to explore creativity in diverse places outside major cities. These are places that are physically and/or metaphorically remote, are small in population terms, or which because of old industrial legacies are assumed by others to be unsophisticated or marginal in an imaginary geography of creativity. This book reveals the richness and depth, the challenges and surprises of being creative beyond city limits. This book was originally published as a special issue of Australian Geographer.

Redefining the Creative Industries

Creativity in Peripheral Places

This book examines the RAF's ground attack capabilities, the threats it faced, and the weapons, technologies and aircraft developed to counter those threats from the end of World War II to the present day, moving from the era of the Hawker Typhoon to that of the Eurofighter Typhoon. Throughout the Cold War a major RAF role was to conduct low-level attacks in support of NATO ground forces. Weapons and aircraft developed to carry out this task included the Hawker Typhoon and Hunter. Harriers and Phantoms were later used. With the increase in Warsaw Pact armored forces and their air defense capability, new weapons and aircraft were required resulting in two roles becoming RAF specialities: counter-air and anti-armor operations. The former saw Buccaneers and Jaguars armed with nuclear weapons and Tornadoes with JP.233 to be used against airfields while the latter saw Harriers, Jaguars and Phantoms with BL.755 cluster bombs and latterly Typhoons with Brimstone, against armor. Another role assigned to the RAF in support of its own, and the Army's, operations was tactical reconnaissance. This equipment evolved from the wet-film cameras of the 1940s and the IR linescan systems of the 1970s to the real-time battle management systems on the Sentinel R.1 in the new century. Thankfully the RAF never went to war in Europe but saw plenty of action around the world, where the aircraft and weapons developed to counter the Soviets were used against enemies old and new.

Typhoon to Typhoon: RAF Air Support Projects and Weapons Since 1945

John Connell

Festivals have burgeoned in rural areas, revitalising old traditions and inventing new reasons to celebrate. How do festivals contribute to tourism, community and a rural sense of belonging? What are their cultural, environmental and economic dimensions? This book answers such questions - featuring contributions from leading geographers, historians, anthropologists, tourism scholars and cultural researchers. It draws on a range of case studies: from the rustic charm of agricultural shows and family circuses to the effervescent festival of Elvis Presley impersonators in Parkes; from wildflower collecting to the cosmopolitan beats of ChillOut, Australia’s largest non-metropolitan gay and lesbian festival. Festivals as diverse as youth surfing carnivals, country music musters, Aboriginal gatherings in the remote Australian outback, Scottish highland gatherings and German Christmas celebrations are united in their emphasis on community, conviviality and fun.

Revitalising Rural Australia

Festival Places

Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts. In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.

Popular Music Identity and Place

Sound Tracks

Andrew Warren

Over the last forty years, surfing has emerged from its Pacific islands origins to become a global industry. Since its beginnings more than a thousand years ago, surfing’s icon has been the surfboard—its essential instrument, the point of physical connection between human and nature, body and wave. To a surfer, a board is more than a piece of equipment; it is a symbol, a physical emblem of cultural, social, and emotional meanings. Based on research in three important surfing locations—Hawai‘i, southern California, and southeastern Australia—this is the first book to trace the surfboard from regional craft tradition to its key role in the billion-dollar surfing business. The surfboard workshops of Hawai‘i, California, and Australia are much more than sites of surfboard manufacturing. They are hives of creativity where legacies of rich cultural heritage and the local environment combine to produce unique, bold board designs customized to suit prevailing waves. The globalization and corporatization of surfing have presented small, independent board makers with many challenges stemming from the wide availability of cheap, mass-produced boards and the influx of new surfers. The authors follow the story of board makers who have survived these challenges and stayed true to their calling by keeping the mythology and creativity of board making alive. In addition, they explore the heritage of the craft, the secrets of custom board production, the role of local geography in shaping board styles, and the survival of hand-crafting skills. From the olo boards of ancient Hawaiian kahuna to the high-tech designs that represent the current state of the industry, Surfing Places, Surfboard Makers offers an entrée into the world of surfboard making that will find an eager audience among researchers and students of Pacific culture, history, geography, and economics, as well as surfing enthusiasts.

Craft, Creativity, and Cultural Heritage in Hawaii, California, and Australia

Surfing Places, Surfboard Makers

Nag Pie (fifty More Shades of Nagging)

Life of Pie

This is a story about the skin of things. This is the story of the love of Donovan and Cade. This is the story of meeting the person you've longed to meet and not knowing what to do about it. This is a story about the pain therein. This is a story about loving who you are before you can love someone else the way you must. This is a story about learning to accept what you've done long before you ask anyone else to. This is about the lies people tell. This is a story about trying to get to some form of truth. This is a story about the desperation we feel and the desperate things we do. This is a story about sex. This is a story of loving the body and remembering the flesh. It is a story of lust and a story of innocence and how things which seem innocent on the surface are full of demons under the crust and then, in the center, wholly innocent again. This is a story about getting beneath THE SKIN OF THINGS

The Skin of Things

Professor John Connell

Sound Tracks traces the ways in which music has informed complex globalisations, the role of companies and technology in diffusion, innovation and commercialism and the wider significance of cultural industries. It links migration and mobility to new musical practices, whether in 'developing' countries or metropolitan centres, and traces the recent rise of 'music tourism'. It examines issues of authenticity and credibility, and the quest for roots within different musical genres, from buskers to brass bands, and from rap to rai. Sound Tracks emphasises music's contributions to the contradictions, illusions and celebrations of contemporary life. It situates music and the music industry within spatial theories of globalisation and local change: fixity and fluidity entangled.

Popular Music, Identity, and Place

"Guitars inspire cult-like devotion: an afficionado can tell you precisely when and where their favorite instruments were made. And she will likely also tell you about the wood they were made from and its unique effects on the instruments' sound. In Following Guitars, Chris Gibson and Andrew Warren trace guitars all the way back to the tree. It is a book about musical instrument making, the timbers and trees from which guitars are made. It chronicles the authors' journeys across the world, to guitar festivals, factories, remote sawmills, Indigenous lands, and distant rainforests, in search of the behind-the-scenes stories of how guitars are made, where the much-cherished guitar timbers ultimately come from, and the people and skills involved along the way. The authors are able to unlock insights on longer arcs of world history: on the human exploitation of nature, colonialism, industrial capitalism, and cultural change. They end on a parable of wider resonance: of the incredible but unappreciated skill and care that goes into growing and felling trees, milling timber, and making enchanted musical instruments; set against the human tendency to reform our use (and abuse) of natural resources only when it appears too late"--

Tracing the Grain Back to the Tree

The Guitar

Lesley Head

Nicholas Gill

Carol Farbotko

Gordon Waitt

ÔThe question Chris Gibson and his colleagues answer in this book is simple: ÒWhy is it not easy being green?Ó In 20 concise, focused and accessible chapters Ð from birthing to dying, from toilets to Christmas Ð they unveil the ambiguities, instabilities and paradoxes of affluent household living in the 21st century. In so doing, they temper the easy rhetoric of sustainable lifestyles with some authentic realities drawn from the affluent world. Earth system science is showing us the deep complexity of our material planet. This book brilliantly reflects back to us the complex materiality of our cultural lives.Õ Ð Mike Hulme, University of East Anglia, UK Contrary to the common rhetoric that being green is ÔeasyÕ, household sustainability is rife with contradiction and uncertainty. Households attempting to respond to the challenge to become more sustainable in everyday life face dilemmas on a daily basis when trying to make sustainable decisions. Various aspects of life such as cars, computers, food, phones and even birth and death, may all provoke uncertainty regarding the most sustainable course of action. Drawing on international scientific and cultural research, as well as innovative ethnographies, this timely book probes these wide-ranging sustainability dilemmas, assessing the avenues open to households trying to improve their sustainability. The authors engage critically, and constructively, with the proposition that households are a key scale of action on climate change. They confront dilemmas of practice and circumstance, and cultural norms of lifestyle and consumerism that are linked to troublesome environmental problems Ð and question whether they can be easily unsettled. The work also illuminates the informal and often unheralded work by households Ð frequently the poorest Ð in reducing their environmental burden. This important book is critical to understanding both the barriers to household sustainability and the ÔunsungÕ sustainability work carried out by householders. Containing a unique combination of science and cultural research, this fascinating book will appeal to researchers and students of environmental science, environmental studies, sustainability studies, climate change adaptation, geography, sociology, cultural studies, science and technology studies, as well as energy studies and housing research. Policy-makers in various levels of government working through sustainability problems, environmental educators, social planners and sustainability officers working for governments, will also find much to interest them in this unique book.

Challenges and Dilemmas in Everyday Life

Household Sustainability

This book has an original focus and is structured in two parts: the first discusses broad issues affecting music festivals globally, especially in the context of rural revitalisation.The second part looks in more detail at a range of types of festivals commonly found throughout North America, Europe and Australasia, such as country music, jazz, opera and alternative music festivals. The authors draw on in-depth research undertaken over the past five years in a range of Australian places and make clear conclusions on their significance for rural and regional change.

Music Festivals and Regional Development in Australia

In August 1945 RAF Transport Command found itself with almost 2000 C-47 Dakotas acquired under Lend-Lease that had to be returned, destroyed or paid for. This left the RAF with converted bombers such as the York and Halifax C.VIII or, in the Far East, interned Japanese aircraft including the Ki.48 Lily, Post war, Britain's aircraft industry embarked on equipping RAF with the full range of transport aircraft which could carry troops and cargo to the Far East and Australia. On Atlas' Shouldersdescribes how the lessons of WWII were absorbed and design studies and aircraft projects including the Beverley, Vickers' V.1000 and Type 799, the Argosy and HS.681 V/STOL transport or the Britannia, HP.111, VC10 and Belfast. On Atlas' Shouldersalso explains how the RAF developed their transport force from the late Sixties to today's precision delivery of equipment to forward operating bases in Afghanistan and beyond. The Mounting Base strategy followed with proposals for long-range transports such as the HP.135, Jet Belfast and VC10 developments whilst at the opposite end of the scale, liaison and observation aircraft such as the Pioneer were soon overtaken by the helicopter, culminating in the Wessex, Puma and Chinook. Illustrated throughout with photographs, drawings and specially commissioned artwork, On Atlas' Shouldersis a unique reference to the aircraft and technologies developed for logistics support of the British armed forces since 1945.

On Atlas' Shoulders

A smart and surprising political inventory for how America can reunite and revitalize in a time of crisis. Written by an admired leader of the Republican party, Rally Point: Five Tasks to Unite the Country and Revitalize the American Dream looks past the 2016 election, past the finger pointing and conventional political thinking, to focus on clear, primary principles that conservatives must debate and defend to protect the future of America. Raised in a working-class family in upstate New York, the first in his family to go to college, paid for in part by his service in the National Guard, Chris Gibson rose from Private to Colonel in the Army, including combat command in the storied 82nd Airborne Division. RALLY POINT is his story: what he's learned from the "School of Hard Knocks" and how he's applied those precious life lessons during his service in Iraq and in Congress. Drawn from a deep appreciation of history and American exceptionalism, Gibson provides incisive and frank analysis of the current political environment, including President Trump, and provides a roadmap based on time-tested Founding principles to help unite our country and revitalize the American Dream. RALLY POINT is a thoughtful, compelling, enjoyable read - a must for serious-minded Americans looking for answers in this challenging political environment.

Five Tasks to Unite the Country and Revitalize the American Dream

Rally Point

Music and Tourism is the first book to comprehensively examine the links between travel and music. It combines contemporary and historical analysis of the economic and social impact of music tourism, with discussions of the cultural politics of authenticity and identity.

Chris Gibson

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