Marina Abramovic

David Elliott

RoseLee Goldberg

Thomas McEvilley

Chrissie Iles

"Marina Abramovic (born 1946) is one of the foremost contemporary performance artists. She has used her body and personal history both as a social metaphor and as a material for her work. This publication examines the whole range of her large production to date and establishes the common ground between her installations, videos, performances and objects. A series of articles written by leading art critics and specialists discuss the earliest paintings, sound installations and performances made in Yugoslavia during the 1960s and early 1970s; the years of collaborative performances with Ulay (1976-88); the videos, made both collaboratively and singly throughout her career; the so-called transitional objects which demand the participation of the viewer in order for them to be activated (1988-); the new, baroque and violently "theatrical" meta-performances Biography (1992) and Delusional (1994) and, most recently, the power objects, which indicate a new departure."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Objects, Performance, Video, Sound

Marina Abramović

Klaus Biesenbach

Kristine Stiles

"Since the early 1970s, Marina Abramovic (b. 1946) has pioneered the use of performance as a visual art form, exploring her physical and emotional limits in some of the most iconic works in contemporary art. Her body is her primary subject and medium, and she has withstood pain, exhaustion, and danger in her ongoing quest for emotional and spiritual transformation. As a vital member of the generation of pioneering performance artists that includes Bruce Nauman, Vito Acconci, and Chris Burden, Abramovic created some of the most historic early performance pieces. Of these artists, she is the only one still making important durational works." "Abramovic features prominently in virtually every survey published on performance art, and her works are held in the permanent collections of many of the world's top museums, including the Musee Nationale d'Art Moderne, Centre Pompidou, Paris; the Stedelijk Museum, Amsterdam; and the Museum of Modern Art, New York. In November 2005 at New York's Guggenheim Museum, Abramovic staged a landmark weeklong series of performances entitled Seven Easy Pieces. Her twelve-day 'living installation', The House with the Ocean View was on numerous critics' lists as the best exhibition of 2002, and she was awarded the Golden Lion at the 1997 Venice Biennale for her video installation/performance Balkan Baroque."--BOOK JACKET.

Naomi Beckwith

Thelma Golden

Kellie Jones

The ultimate monograph on the work of celebrated artist Lorna Simpson, a trailblazer who continues to influence and inspire Lorna Simpson is a multimedia artist known for her pioneering approach to conceptual photography. In 1993 Simpson was the first African-American woman ever to show in the Venice Biennale and to have a solo exhibition at the Museum of Modern Art, New York. This landmark book documents Simpson's career in its entirety, up to her most recent work. In doing so, it sheds light on the remarkable path that Simpson paved to global critical acclaim and art-world stardom.

Lorna Simpson - Revised and Expanded Edition

Accompanied by stunning images of projects spanning the artist's career, this book, featuring original contributions from Sharon Hayes that provide insight into the complex motivations and development of her projects, discusses how her works modify or appropriate the language and tools of politcal dissent. Original.

There's So Much I Want to Say to You

Sharon Hayes

Whitney Museum of American Art

Paul McCarthy

"This catalogue was published on the occasion of the exhibition Paul McCarthy: Central Symmetrical Rotation Movement - Three Installations, Two Films, at the Whitney Museum of American Art, New York."--BOOK JACKET.

Central Symmetrical Rotation Movement : Three Installations, Two Films

A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience. The essays published here offer an intensive look at the themes of cinematic space, formats of the screen, animation and CGI, the body and the cyborg, and the materiality of film. Contributors place particular emphasis on the idea of the cinema as a sensorium and on the ways in which it defines the human body, both through representation and in relation to the projected image. An immersive plate section brings together rarely seen and previously unpublished stills, in addition to concept drawings from historic and contemporary films.

Immersive Cinema and Art, 1905-2016

Dreamlands

Des Moines Art Center

Guy Brett

Olga M. Viso

Ana Mendieta

Julia P. Herzberg

Laura Roulet

Miami Art Museum

Essays by Olga M. Viso, Guy Brett, Julia P. Herzberg, Chrissie Iles and Laura Roulet.

Earth Body : Sculpture and Performance, 1972-1985

Chrissie Iles

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