Gillian Flynn

Christiane Paul

Matthias Koeberlin

Gone Girl - Das perfekte Opfer ( HB als MP3-Ausgabe)

Margot Lovejoy

Victoria Vesna

Viktorija Vesna Bulajić

Blurring boundaries between many disciplines, this title supplies a context and a rationale for discussing how technological change has affected the function of art, the role of the artist, and the way artistic productions are disseminated. It is suitable art historians, theorists and curators, as well as art administrators, and grant providers.

Conditions of Meaning in Media Arts

Context Providers

"New Media in the White Cube and Beyond perceptively addresses the challenges inherent in the digital arts. The book will be a great asset to the study and practice of presenting media art for many years to come."--Barbara London, curator, Museum of Modern Art, New York "Provocative and original, New Media in the White Cube and Beyond represents an important contribution to the fields of new media, museum studies, and contemporary art."--Alexander Alberro, author of Conceptual Art and the Politics of Publicity

Curatorial Models for Digital Art

New Media in the White Cube and Beyond

Digital technology has had a major impact on the production and experience of art during the past decade and a half. Paul surveys digital art from its appearance in the early 1990s up to the present day. 180 illustrations.

Digital Art

“Paul does an impressive job of compressing the activity of a huge field, in which there are no obvious heroes and no single aesthetic line.” —Publishers Weekly Digital technology has revolutionized the way we produce and experience art today. Not only have traditional forms of art such as printing, painting, photography, and sculpture been transformed by digital techniques and media, but the emergence of entirely new forms such as internet and software art, digital installation, and virtual reality has forever changed the way we define art. Christiane Paul surveys the developments in digital art from its appearance in the 1980s to the present day and looks ahead to what the future may hold. She discusses the key artists and works in the genre, drawing a distinction between work that uses digital practices as tools to produce traditional forms and work that uses them to create new kinds of art. She explores the broader themes and questions raised by these artworks such as viewer interaction, artificial life and intelligence, political and social activism, networks and telepresence, and issues surrounding the collection, presentation, and preservation of digital art. This third, expanded edition of the popular resource investigates key areas of digital art practice that have gained prominence in recent years, including interactive public installation, augmented and mixed reality, social networking, and file-sharing technologies.

Third Edition

Blurring boundaries between many disciplines, Context Providers supplies a context and a rationale for discussing how technological change has affected the function of art, the role of the artist, and the way artistic productions are disseminated. It also explores how technologically networked environments increase the need for flexible information filters as a framework for establishing meaning. Moreover, Context Providers considers the work of media artists who are directly engaging the scientific community through collaboration and active dialogue.Context Providers will appeal to art historians, theorists and curators, as well as art administrators, grant providers and those studying both practice and theory in media arts.

Context Provider

Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast-moving discipline Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists Tackles digital art’s primary practical challenges – how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art

A Companion to Digital Art

""New Media in the White Cube and Beyond" perceptively addresses the challenges inherent in the digital arts. The book will be a great asset to the study and practice of presenting media art for many years to come."--Barbara London, curator, Museum of Modern Art, New York "Provocative and original, "New Media in the White Cube and Beyond" represents an important contribution to the fields of new media, museum studies, and contemporary art."--Alexander Alberro, author of "Conceptual Art and the Politics of Publicity"

Christiane Paul

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