Andrew Radford

Christine Ferguson

Between 1875 and 1947, a period bookended, respectively, by the founding of the Theosophical Society and the death of notorious occultist celebrity Aleister Crowley, Britain experienced an unparalleled efflorescence of engagement with unusual occult schema and supernatural phenomena such as astral travel, ritual magic, and reincarnationism. Reflecting the signal array of responses by authors, artists, actors, impresarios and popular entertainers to questions of esoteric spirituality and belief, this interdisciplinary collection demonstrates the enormous interest in the occult during a time typically associated with the rise of secularization and scientific innovation. The contributors describe how the occult realm functions as a turbulent conceptual and affective space, shifting between poles of faith and doubt, the sacrosanct and the profane, the endemic and the exotic, the forensic and the fetishistic. Here, occultism emerges as a practice and epistemology that decisively shapes the literary enterprises of writers such as Dion Fortune and Arthur Machen, artists such as Pamela Colman Smith, and revivalists such as Rolf Gardiner

The Occult Imagination in Britain, 1875-1947

Christine Ferguson's timely study is the first comprehensive examination of the importance of language in forming a crucial nexus among popular fiction, biology, and philology at the Victorian fin-de-siècle. Focusing on a variety of literary and non-literary texts, the book maps out the dialogue between the Victorian life and social sciences most involved in the study of language and the literary genre frequently indicted for causing linguistic corruption and debasement - popular fiction. Ferguson demonstrates how Darwinian biological, philological, and anthropological accounts of 'primitive' and animal language were co-opted into wider cultural debates about the apparent brutality of popular fiction, and shows how popular novelists such as Marie Corelli, Grant Allen, H.G. Wells, H. Rider Haggard, and Bram Stoker used their fantastic narratives to radically reformulate the relationships among language, thought, and progress that underwrote much of the contemporary prejudice against mass literary taste. In its alignment of scientific, cultural, and popular discourses of human language, Language, Science, and Popular Fiction in the Victorian Fin-de-Siècle stands as a corrective to assessments of best-selling fiction's intellectual, ideological, and aesthetic simplicity.

The Brutal Tongue

Language, Science and Popular Fiction in the Victorian Fin-de-Siècle

Examines the Spiritualist movement's role in disseminating eugenic and hard hereditarian thoughtStudying transatlantic spiritualist literature from the mid-19th to the early 20th century, Christine Ferguson focuses on its incorporation and dissemination of bio-determinist and eugenic thought. She asks why ideas about rational reproduction, hereditary determinism and race improvement became so important to spiritualist novelists, journalists and biographers in this period. She also examines how these concerns drove emerging Spiritualist understandings of disability, intelligence, crime, conception, the afterlife and aesthetic production. The book draws on rare material, including articles and serialized fiction from Spiritualist periodicals such as Light, The Two Worlds and The Medium and Daybreak as well as on Spiritualist healing, parentage and sex manuals.

Christine Ferguson

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