Christine Kondoleon

Featuring 118 objects excavated from the city's ruins, all reproduced in full color, Antioch: The Lost Ancient City recreates the spatial sensation, visual splendor, and cultural richness of this urban center."--Jacket.

The Lost Ancient City

Antioch

John Herrmann

The Museum of Fine Arts, Boston, proudly presents the original Olympics in all their sweaty, heroic glory. Like today, sports were a vital part of daily life in ancient Greece. "Games for the Gods" unearths the original traditions of athletics, highlighting both the fascinating similarities and the jarring differences between the ancient ways and our own. We might not be used to such Classical customs as associating athletic festivals with certain gods, seeing our athletes compete in the nude, or having them indulge in dirty fighting as accepted practice (then again...), but the excitement of competition, admiration for athletic skill, and adoration of champions--as well as several of the sports--are just as familiar to fans today as they were to the ancients. The Greek Games here come to life in a series of texts that explore the Olympics then and now, the origins of the games and various athletic events, and the ways in which the contests were prepared for and the victors honoured. With stunning illustrations of over 140 sculptures, vases, and coins, as well as photographs of modern athletes, "Games for the Gods" is a unique celebration of the Olympic spirit through the ages.

The Greek Athlete and the Olympic Spirit

Games for the Gods

Built on the southwestern coast of Cyprus in the second century A.D., the House of Dionysos is full of clues to a distant life—in the corner of a portico, shards of pottery, a clutch of Roman coins found on a skeleton under a fallen wall—yet none is so evocative as the intricate mosaic floors that lead the eye from room to room, inscribing in their colored images the traditions, aspirations, and relations of another world. In this lavishly illustrated volume, Christine Kondoleon conducts us through the House of Dionysos, showing us what its interior decoration discloses about its inhabitants and their time. Seen from within the context of the house, the mosaics become eloquent witnesses to an elusive dialogue between inhabitants and guests, and to the intermingling of public and private. Kondoleon draws on the insights of art history and archaeology to show what the mosaics in the House of Dionysos can tell us about these complex relations. She explores the issues of period and regional styles, workshop traditions, the conditions of patronage, and the forces behind iconographic change. Her work marks a major advance, not just in the study of Roman mosaics, but in our knowledge of Roman society.

Roman Mosaics in the House of Dionysos

Domestic and Divine

Museum of Fine Arts, Boston

Phoebe C. Segal

San Antonio Museum of Art

Jacqueline Karageorghis

Published in conjunction with the exhibition organized by the Museum of Fine Arts, Boston and held at the Museum of Fine Arts, Boston, Oct. 26, 2011-Feb. 20, 2012, J. Paul Getty Museum at the Getty Villa, Malibu, Mar. 28-July 9, 212, and San Antonio Museum of Art, Sept. 15, 2012-Feb. 17, 2013.

Aphrodite and the Gods of Love

Dorothy H. Abramitis

Ariel Herrmann

Seán Hemingway

Carmelo Malacrino

Christopher S. Lightfoot

Joan R. Mertens

Olga Palagia

Agnes Schwarzmaier

Dominique Robcis

Andreas Scholl

Susan I. Rotroff

Lillian Bartlett Stoner

Karen Stamm

R. R. R. Smith

Jeffrey Spier

Alessandro Viscogliosi

Mark Wypyski

Ute Wartenberg

Paul Zanker

Kiki Karoglou

Sophie Descamps-Lequime

Marsha Hill

This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

From Pergamon to Rome

Art of the Hellenistic Kingdoms

Christine Kondoleon

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