Christine Schöpf

Gerfried Stocker

This is the catalogue for the 2007 Ars Electronic Festival, held in Linz, Austria. It presents theoretical reflections by participating artists and scholars, along with descriptions of exhibited art projects in a current survey of the fields of interaction between art, technology, and society.

Goodbye Privacy

Hannes Leopoldseder

For 30 years, the interconnections of art, technology and society have been at the center of the activities of the extraordinary organization known as Ars Electronica. Ars Electronica is not only a festival and a prize but has, since 1996, also functioned as a laboratory and a museum. What began in Linz, Austria, in 1979, as a modest experiment in art and local politics now annually sets new standards as an influential forum around the development of new-media art and in the discourse on technological culture. Richly illustrated and with numerous exploratory texts, a comprehensive account of Ars Electronica's numerous projects to date and some entertaining asides, this definitive anniversary publication offers a full retrospective of a project that has consistently focused on developing the future in the present.

the first 30 years ; Ars Electronica 1979-2009

The network for art, technology and society

Edited by Gerfried Stocker, Christine Schopf.

Ars Electronica 2009 ; [Festival für Kunst, Technologie und Gesellschaft]

Human Nature

Edited by Gerfried Stocker and Christine Schapf.

Festical Für Kunst, Technologie und Gesellschaft

Ars Electronica 2005

Sir Thomas Brassey (1836–1918), later Earl Brassey, was a politician with a particular interest in maritime affairs. He was a keen sailor, and his wife's accounts of their many voyages (also reissued in this series) were bestsellers. He subsequently became a Lord of the Admiralty and Lord Warden of the Cinque Ports, and Brassey's Naval Annual was for many years the authoritative survey of worldwide navies. This five-volume survey of the state of the British Navy was published between 1882 and 1883. Brassey was much involved with questions of the modernisation and reform of the Navy, at a time when international relations were marked by a maritime arms race. The books provide much technical detail about the different types of ship and weapons available to the Navy. Volume 1 surveys the development of armoured ships and mastless ships.

CyberArts 2005

The Prix Ars Electronica is the most richly traditional media art competition in the world and is considered a trend barometer for global media art. Containing many pictures, essays, and statements from the jury, Cyber Arts 2019 gathers together the works awarded prizes in 2019 in the categories of Computer Animation, Digital Music & Sound Art, Artificial Intelligence & Life Art, and u19- Create Your World as well as the STARTS Prize, sponsored by the European Commission.

CyberArts 2019

If you have an interest in things entrepreneurial and wonder if you have what it takes to be a successful entrepreneur, then this book is written for you. Authors Bill Bolton and John Thompson offer aunique focus, seeing everything through the eyes of the entrepreneur. Thisrefreshed thirdedition is split into two fascinating parts. Part I builds an understanding of the entrepreneur as a person based on the key factors of talent and temperament - a unique framework for understanding and exploiting entrepreneurial opportunities. The process of starting and growing a business and the infrastructure and environment in which the entrepreneur has to operate, are described in detail. Part II tells the stories of famous entrepreneurs including classic figures such as Henry Ford, through to social entrepreneurs and even anti-social entrepreneurs such as Al Capone! This insightful, empirically based, originaltake on the entrepreneur, and therebyentrepreneurship, provides students with a new and challenging way into the subject.

Kunst Als Schauplatz Globaler Konflikte

Ars Electronica has been accompanying and analyzing the digital revolution and its manifold implications since 1979. It has consistently focused and focuses on processes and trends at the interface between art, technology, and society. This artistic-scientific research becomes visible in the form of a festival that is organized every year in Linz (Austria). Its five-day program comprises conferences, panel discussions, workshops, exhibitions, performances, interventions, and concerts. The event is planned, organized, and produced in collaboration with international artists and scientists. Each festival addresses a different volatile future issue. This year it is the "Radical Atoms and the Alchemists of the Future." The volume uses images and texts to sketch this year's edition of the Ars Electronica Festival. Ars Electronica Festival, Linz 8.-12.9.2016

Radical Atoms and the Alchemists of Our Time

Ars Electronica 2016

Ars Electronica has been following and analyzing the digital revolution and its multiple effects since 1979. Then as now, processes and trends occurring at the intersection of art, technology, and society are the focus. The results of this artistic and scientific research can be seen in the form of an annual festival in Linz, which features a five-day-long program of conferences, talks, workshops, exhibitions, performances, interventions, and concerts. The festival is planned, organized, and carried out in collaboration with artists and scientists from around the globe, and each year the festival addresses different controversial themes. Richly illustrated and full of insightful essays, Ars Electronica 2019 is a companion to the 40th Ars Electronica Festival.

Festival for Art, Technology, and Society

Ars Electronica 2019

The Ars Electronica 2006 catalog brings together the theoretical reflections of participating artists and elaborations on projects presented at the Ars Electronica Festival 2006, thus providing a dynamic overview of the entire range of facets and levels of significance of the festival theme Simplicity - the art of complexity. Simplicity is not the opposite of complexity - it is its complementary key.

Festival Für Kunst, Technologie und Gesellschaft

Ars Electronica 2006

Edited by Gerfried Stocker and Christine Schepf. Essays by Peter J. Bentley, Erkki Huhtamo, Friedrich Kittler and Pierre Levy.

The Language of Our Time : Code

Code

Die medizinisch, gentechnische Einflussnahme auf die menschliche Reproduktion wird in absehbarer Zeit die gewohnten ZusammenhAnge von Sex, Liebe, Fortpflanzung und Familie aufheben. In der Zusammenschau von wissenschaftlichen und kA1/4nstlerischen Positionen wird den Konturen einer Gesellschaft nachgespA1/4rt, in der Menschen genetisch konfiguriert, nicht einfach geboren, sondern gemacht werden, in der Sex seiner funktionalen Notwendigkeit fA1/4r die Fortpflanzung entledigt ist und damit der Kampf der Geschlechter, aber auch die moralische Steuerung unserer Gesellschaft neu geordnet werden. Ein Ausflug in die Zukunft des Menschen, um aus der Diskussion des MAglichen EntwA1/4rfe fA1/4r die Gestaltung unseres Weges dorthin zu entwickeln. Ein Unterfangen, in dem Kunst nicht auf das moralische Gewissen der Gesellschaft beschrAnkt bleiben darf. In dieser weit A1/4ber die wissenschaftlichen Aspekte des Themenkomplexes Reproduktionsbiologie hinausgehenden Publikation stehen gesellschaftspolitisch brisante Fragen im Vordergrund. Der kA1/4nstlerische Kontext bietet Platz fA1/4r Visionen und eine Asthetische AnnAherung an das Thema.

sex in the age of its procreative superfluousness

Next sex

Compendium of Computer Arts from the Competition Prix Ars Electronica.

Cyberarts 2000

Der Prix Ars Electronica ist eine offene Plattform für die unterschiedlichen Disziplinen im Bereich digitaler Mediengestaltung an der Schnittstelle von Technologie, Kunst, Wissenschaft und Gesellschaft. Die neue Wettbewerbssparte Net Vision/Net Excellence öffnet sich verstärkt dem kulturellen Diskurs um das Medium Internet. Cyberarts 2001 bietet einen aktuellen Überblick über digitale Mediengestaltung am Beispiel der Wettbewerbsbereiche Net Vision/Net Excellence, Digital Musics, Interaktive Kunst und Computeranimation/Visual Effects ebenso wie einen Überblick über die breite Palette von Produktionen Jugendlicher.

Christine Schöpf

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