Christoph Lehner

In the course of 750 years, Dante Alighieri has been made into a universally important icon deeply engrained in the world’s cultural memory. This book examines key stages of Dante’s appropriation in Western cultural history by exploring the intermedial relationship between Dante’s Divina Commedia, the tradition of his iconography, and selected historical, literary and artistic responses from British artists in the 19th and 20th centuries. The images and iconographies created out of Dantean appropriations almost always centre around the triad of allegory, authority and authenticity. These three important aspects of revisiting Dante are found in the Dantean image fostered in Florence in the 14th and 15th centuries and feature prominently in the works of Dante Gabriel Rossetti, T. S. Eliot and Tom Phillips. Their appropriation of Dante represents landmarks in the productive reception of the Florentine, and is invariably linked to a tradition of Dante studies established in Britain during the middle of the 19th century. For Dante Gabriel Rossetti the Florentine provides a model for Victorian Dantean self-fashioning and becomes an allegory of authenticity and morality. For T. S. Eliot, Dante represents the voice of literary authority in Modernist poetry and serves as the allegory of a visionary European author. For Tom Phillips, the engagement with Dante and his text represents an intertextual and intermedial endeavour, which provides him with a rich cultural tapestry of art, thought and ideas on the Western world. The main focus of this study, therefore, is on how Dante’s image was fixed in the first 200 years of his appropriation in Florence, how fruitfully the Dantean images and his text have been taken up and used for creative and intellectual production in Britain over the course of the past centuries, and what moral, literary, or political messages they continue to convey.

Allegory, Authority and Authenticity

Depicting Dante in Anglo-Italian Literary and Visual Arts

Christoph Singer

Dante Alighieri and John Milton, two composers of vernacular epic poems, undoubtedly hold prominent positions in the literary canons of Italy and England respectively. Both authors have been made into universally important icons deeply engrained in the world’s cultural memory; their importance, however, extends vastly beyond their mere literary and political influence. This anthology explores the synchronic and diachronic constructions of Dante and Milton as such culturally produced icons. The main focus of the contributions in this collection is the production of cultural memory regarding Dante and Milton. The juxtaposition and comparison of the two authors invites a broader perspective that goes beyond merely national contexts as it touches on the question of the emergence of a European Dante and a European Milton. At the same time, the comparison of both allows for an exploration of various processes, namely of appropriating, forgetting and side-lining parts of their histories and politics – processes which the works and legacies of both authors have been subjected to throughout their literary and cultural reception.

Envisioned Visionaries

Dante and Milton

Jürgen Renn

Matthias Schemmel

This volume reviews conceptual conflicts at the foundations of physics now and in the past century. The focus is on the conditions and consequences of Einstein’s pathbreaking achievements that sealed the decline of the classical notions of space, time, radiation, and matter, and resulted in the theory of relativity. Particular attention is paid to the implications of conceptual conflicts for scientific views of the world at large, thus providing the basis for a comparison of the demise of the mechanical worldview at the turn of the 20th century with the challenges presented by cosmology at the turn of the 21st century. Throughout the work, Einstein’s contributions are not seen in isolation but instead set into the wider intellectual context of dealing with the problem of gravitation in the twilight of classical physics; the investigation of the historical development is carried out with a number of epistemological questions in mind, concerning, in particular, the transformation process of knowledge associated with the changing worldviews of physics.

Einstein and the Changing Worldviews of Physics

Michel Janssen

These fourteen essays by leading historians and philosophers of science introduce the reader to the work of Albert Einstein. Following an introduction that places Einstein's work in the context of his life and times, the essays explain his main contributions to physics in terms that are accessible to a general audience, including special and general relativity, quantum physics, statistical physics, and unified field theory. The closing essays explore the relation between Einstein's work and twentieth-century philosophy, as well as his political writings.

Christoph Lehner

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