Christopher Benfey

"Rudyard Kipling once towered over not just English literature, but indeed the entire literary world. In 1907, at just forty-two, he was awarded the Nobel Prize for Literature, becoming its youngest winner and the first in the English language. Today, however, when he is read, if indeed he is read at all, it is regarding the history of colonial India, his birthplace and the setting of some his most famous work, and to a lesser extent England, his ancestral home. But, in fact, Kipling's most prodigious and creative period took place in America, which was also his preferred home. It was here, on the crest of a Vermont hillside overlooking the Connecticut River, that Kipling wrote both The Jungle Book and Captains Courageous. And here where his ascent to fame was most rapid. Almost certainly, he would have stayed in the United States, understanding himself not just to be an American but a particularly American artist, had a family dispute not forced his departure in 1896. Steeped in the history of the Gilded Age, Christopher Benfey brings to life in fresh revelatory detail American Kipling, tracing a great but today deeply unfashionable writer's intense personal, political, and artistic involvement with the United States. He offers an overdue reminder of Kipling's extraordinary influence in his own lifetime, as well as a compelling portrait of the American artists and writers he both influenced and was influence by, including William James and, in particular, Mark Twain--who Kipling sought out specifically as kindred spirit when he first arrived, and before long had eclipsed in literary fame and critical estimation. Intertwining biography, criticism, and history, IF restores judiciously a true story of great American artistry"--

The Untold Story of Kipling's American Years

Allen Tate

One of the early-twentieth century Southern intellectuals and artists of the early twentieth century known as the Agrarians, Allen Tate wrote poetry that was rooted strongly in that region's past--in the land, the people, and the traditions of the American South as well as in the forms and concerns of the classic poets. In "Ode to the Confederate Dead"-- generally recognized as his greatest poem--he delineates both the horror of the sight of rows of tombstones at a Confederate cemetery and the honor that such sacrifice embodies, resulting in "a masterpiece that could not be transcended" (William Pratt).

Collected Poems, 1919-1976

Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan

The Great Wave

"An unforgettable voyage across the reaches and the depths of memory, Red Brick, Black Mountain, White Clay tells the story of America's artistic birth. Following his family back through the generations, renowned critic Christopher Benfey unearths an ancestry--and an aesthetic--that is quintessentially American. His mother descends from colonial craftsmen, such as the Quaker artist-explorer William Bartram. Benfey's father--along with his aunt and uncle, the famed Bauhaus artists Josef and Anni Albers--escaped from Nazi Europe by fleeing to the American South. Struggling to find themselves in this new world, Benfey's family found strength and salvation in the rich craft tradition grounded in America's vast natural landscape. Threading these stories together into a radiant and mesmerizing harmony, Red Brick, Black Mountain, White Clay is an extraordinary quest to the heart of America and the origins of its art"--Provided by publisher.

Reflections on Art, Family, and Survival

Red Brick, Black Mountain, White Clay

A New York Times Notable Book of 2019 A unique exploration of the life and work of Rudyard Kipling in Gilded Age America, from a celebrated scholar of American literature At the turn of the twentieth century, Rudyard Kipling towered over not just English literature but the entire literary world. At the height of his fame in 1907, he was awarded the Nobel Prize for Literature, becoming its youngest winner. His influence on major figures—including Freud and William James—was pervasive and profound. But in recent decades Kipling’s reputation has suffered a strange eclipse. Though his body of work still looms large, and his monumental poem “If—” is quoted and referenced by politicians, athletes, and ordinary readers alike, his unabashed imperialist views have come under increased scrutiny. In If, scholar Christopher Benfey brings this fascinating and complex writer to life and, for the first time, gives full attention to Kipling's intense engagement with the United States—a rarely discussed but critical piece of evidence in our understanding of this man and his enduring legacy. Benfey traces the writer’s deep involvement with America over one crucial decade, from 1889 to 1899, when he lived for four years in Brattleboro, Vermont, and sought deliberately to turn himself into a specifically American writer. It was his most prodigious and creative period, as well as his happiest, during which he wrote The Jungle Book and Captains Courageous. Had a family dispute not forced his departure, Kipling almost certainly would have stayed. Leaving was the hardest thing he ever had to do, Kipling said. “There are only two places in the world where I want to live,” he lamented, “Bombay and Brattleboro. And I can’t live in either.” In this fresh examination of Kipling, Benfey hangs a provocative “what if” over Kipling’s American years and maps the imprint Kipling left on his adopted country as well as the imprint the country left on him. If proves there is relevance and magnificence to be found in Kipling’s work.

Lafcadio Hearn

The writings of Hearn's American years reveal an omnivorous curiosity and an always eclectic sensibility. Some Chinese Ghosts (1887) is a stylized retelling of ancient legends, foreshadowing Hearn's later fascination with Asian themes. The exquisitely crafted novels Chita (1889), about the devastation wrought by a Louisiana hurricane, and Youma (1890) about a slave rebellion in Martinique, epitomize his writing at its most luxuriantly romantic. His extraordinary travel book Two Years in the French West Indies (1890) provides a richly impressionistic account of his long stay on Martinique and other Caribbean islands.

Some Chinese Ghosts / Chita / Two Years in the French West Indies / Youma / Selected Journalism and Letters

Lafcadio Hearn: American Writings (LOA #190)

The country's most noted writers, poets, and artists converge at a singular moment in American life, a great companion to fans of the film A Quiet Passion, starring Cynthia Nixon as Emily Dickinson. At the close of the Civil War, the lives of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade intersected in an intricate map of friendship, family, and romance that marked a milestone in the development of American art and literature. Using the image of a flitting hummingbird as a metaphor for the gossamer strands that connect these larger-than-life personalities, Christopher Benfey re-creates the summer of 1882, the summer when Mabel Louise Todd-the protégé to the painter Heade-confesses her love for Emily Dickinson's brother, Austin, and the players suddenly find themselves caught in the crossfire between the Calvinist world of decorum, restraint, and judgment and a new, unconventional world in which nature prevails and freedom is all.

Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain , Harriet Beecher Stowe, and Martin Johnson Heade

A Summer of Hummingbirds

An incisive study of cultural identity and the implications--good and bad--of cultural cross-pollination describes the historical and cultural reciprocity that existed in the era following the Civil War between the United States and Japan, a country looking to reinvent itself as a cosmopolitan modern state. Reprint. 14,000 first printing.

One of the foremost critics in contemporary American letters, Christopher Benfey has long been known for his brilliant and incisive essays. Appearing in such publications as the New York Review of Books, the New Republic, and the Times Literary Supplement, Benfey's writings have helped us reimagine the American literary canon. In American Audacity, Benfey gathers his finest writings on eminent American authors (including Emerson, Dickinson, Whitman, Millay, Faulkner, Frost, and Welty), bringing to his subjects---as the New York Times Book Review has said of his earlier work---"a scholar's thoroughness, a critic's astuteness and a storyteller's sense of drama." Although Benfey's interests range from art to literature to social history, this collection focuses on particular American writers and the various ways in which an American identity and culture inform their work. Broken into three sections, "Northerners,""Southerners," and "The Union Reconsidered," American Audacity explores a variety of canonical works, old (Emerson, Dickinson, Millay, Whitman), modern (Faulkner, Dos Passos), and more contemporary (Gary Snyder, E. L. Doctorow). Christopher Benfey is the author of numerous highly regarded books, including Emily Dickinson: Lives of a Poet; The Double Life of Stephen Crane; Degas in New Orleans: Encounters in the Creole World of Kate Chopin and George Washington Cable; and, most recently, The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan. Benfey's poems have appeared in the Paris Review, Pequod, and Ploughshares. He has held fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, and the American Council of Learned Societies. Currently he is Mellon Professor of English at Mount Holyoke College. "In its vigorous and original criticism of American writers, Christopher Benfey's American Audacity displays its own audacities on every page." ---William H. Pritchard

Literary Essays North and South

American Audacity

Christopher E. G. Benfey

00 Edgar Degas traveled from Paris to New Orleans during the fall of 1872 to visit the American branch of his mother's family, the Mussons. This war-torn, diverse, and conflicted city elicited from Degas some of his finest paintings. He arrived at a key moment in the cultural history of this most exotic of American cities, still recovering from the agony of the Civil War. This decisive period of Reconstruction, in which his American relatives were importantly involved, was also the time when the American writers Kate Chopin and George Washington Cable were beginning to mine the resources of New Orleans culture and history. Edgar Degas traveled from Paris to New Orleans during the fall of 1872 to visit the American branch of his mother's family, the Mussons. This war-torn, diverse, and conflicted city elicited from Degas some of his finest paintings. He arrived at a key moment in the cultural history of this most exotic of American cities, still recovering from the agony of the Civil War. This decisive period of Reconstruction, in which his American relatives were importantly involved, was also the time when the American writers Kate Chopin and George Washington Cable were beginning to mine the resources of New Orleans culture and history.

Christopher Benfey

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