Christopher J. Lebron

The #BlackLivesMatter movement has become a media and political phenomenon, but, as Christopher J. Lebron points out in this book, it is part of an older and richer tradition arguing for the equal dignity of black people. Lebron lays out the genesis of the ideas that have built the movement, presenting a foundational blueprint of sorts that can help us make sense of the emotions, demands, and arguments of present-day activists and public thinkers as well as recastthe role of historical black thinkers in American life.

A Brief History of an Idea

The Making of Black Lives Matter

The Color of Our Shame argues that political thought must supply the arguments necessary to address the moral problems that attend racial inequality and make those problems salient to a democratic polity.

Race and Justice in Our Time

The Color of Our Shame

Lebron

"An introduction for the second edition of a book like The Making of Black Lives Matter: A Brief History of an Idea is a less straightforward thing than it might first seem. Typically, when an author revisits a book, some years later, their ruminations center on how they may have become clearer on the ideas in their book, taken into consideration critical corrections, or maybe, generally how their own thinking has matured thanks to the miracle of living a life. But as I sit here, towards the end of 2021, experiencing a late fall in which the leaves seem to refuse to quit the trees, I am reflecting in the midst of an entirely different set of considerations"--

A Brief History Of An Idea

The Making Of Black Lives Matter

Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and uncompromising campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that "Black Lives Matter" comes out of a much older and richer tradition arguing for the equal dignity - and not just equal rights - of black people. The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that "Black Lives Matter" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and argument of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America.

For many Americans, the election of Barack Obama as the country's first black president signaled that we had become a post-racial nation - some even suggested that race was no longer worth discussing. Of course, the evidence tells a very different story. And while social scientists are fully engaged in examining the facts of race, normative political thought has failed to grapple with race as an interesting moral case or as a focus in the expansive theory of social justice. Political thought's under participation in the debate over the status of blacks in American society raises serious concerns since the main academic task of political theory is to adjudicate discrepancies between the demands of ideal justice and social realities. Christopher J. Lebron contends that it is the duty of political thought to address the moral problems that attend racial inequality and to make those problems salient to a democratic polity. Thus, in The Color of Our Shame, he asks two major questions. First, given the success of the Civil Rights Act and the sharp decline in overt racist norms, how can we explain the persistence of systemic racial inequality? Second, once we have settled on an explanation, what might political philosophy have to offer in terms of a solution? In order to answer these questions Lebron suggests that we reconceive of racial inequality as a condition that marks the normative status of black citizens in the eyes of the nation. He argues that our collective response to racial inequality ought to be shame. While we reject race as a reason for marginalizing blacks on the basis of liberal democratic ideals, we fail to live up to those ideals - a situation that Lebron sees as a failure of national character. Drawing on a wide array of resources including liberal theory, virtue ethics, history, and popular culture, Lebron proposes a move toward a "perfectionist politics" that would compel a higher level of racially relevant moral excellence from individuals and institutions and enable America to meet the democratic ideals that it has set for itself.

Christopher J. Lebron

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