Christopher Janaway

This book gives a succinct explanation of Schopenhauer's metaphysical system, concentrating on the original aspects of thought which inspired many artists and thinkers such as Nietzsche, Wagner, Freud, and Wittgenstein. Schopenhauer's central notion is that of the will - a blind, irrational force which he uses to interpret both the human mind and the whole of nature. Christopher Janaway confronts Schopenhauer's uncompromising, pessimistic view that for the human individual non-existence would be preferable, and his claim that only aesthetic experience and saintly self-denial - escape from the will - can give life value. Schopenhauer is revealed as a challenging, progressive, and highly influential thinker.

Schopenhauer: A Very Short Introduction

Schopenhauer: A Very Short Introduction By Christopher Janaway

A Very Short Introduction

Schopenhauer

Designed for readers with no or little prior knowledge of the subject, this concise anthology brings together key texts in aesthetics and the philosophy of art. Designed for readers with no or little prior knowledge of the subject. Presents two contrasting pieces on each of six topics. Texts range from Plato’s famous critique of art in the ‘Republic’ through Nietzsche’s ‘The Birth of Tragedy’ to Barthes’ ‘The Death of the Author’ 'and pieces in recent philosophical aesthetics from a number of traditions. Interactive editorial commentary helps readers to engage with the philosophical train of thought. Explains the argumentative and historical context in which each piece was written. Includes questions for debate and suggestions for further reading.

Selected Texts with Interactive Commentary

Reading Aesthetics and Philosophy of Art

Simon Robertson

This volume comprises ten original essays on Nietzsche, one of the western canon's most controversial ethical thinkers. An international team of experts clarify Nietzsche's own views, both critical and positive, ethical and meta-ethical, and connect his philosophical concerns to contemporary debates in and about ethics, normativity, and value.

Nietzsche, Naturalism, and Normativity

Comprising eight essays, this collection examines Nietzsche's changing conceptions in response to the work of Schopenhauer, whom he called his great teacher. Also provided is a critical piece Nietzsche wrote about Schopenhauer in 1868.

Schopenhauer as Nietzsche's Educator

Willing and Nothingness

Alex Neill

Better Consciousness: Schopenhauer's Philosophy of Valuereassesses Schopenhauer's aesthetics and ethics and theircontemporary relevance. Features a collection of new essays from leading Schopenhauerscholars Explores a relatively neglected area of Schopenhauer'sphilosophy Offers a new perspective on a great thinker who crystallizedthe pessimism of the nineteenth century and has many points ofcontact with twenty-first century thought

Schopenhauer's Philosophy of Value

Better Consciousness

First published in 1818, The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion, in an attempt to account for the world in all its significant aspects. It gives a unique and influential account of what is and is not of value in existence, the striving and pain of the human condition and the possibility of deliverance from it. This new translation of the first volume of what later became a two-volume work reflects the eloquence and power of Schopenhauer's prose and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names and bibliography, and succinct editorial notes, including notes on the revisions of the text which Schopenhauer made in 1844 and 1859.

Schopenhauer: 'The World as Will and Representation':

Christopher Janaway presents a full commentary on Nietzsche's most studied work, On the Genealogy of Morality, and combines close reading of key passages with an overview of Nietzsche's wider aims. Arguing that Nietzsche's goal is to pursue psychological and historical truths concerning the origins of modern moral values, Beyond Selflessness is distinctive in that it also emphasizes the significance of Nietzsches rhetorical methods as an instrument of persuasion. Nietzsche's outlook is broadly naturalist, but he is critical of typical scientific and philosophical methods for their advocacy of impersonality and suppression of the affects. In contrast to his opponents, Schopenhauer and Paul Rée, who both account for morality in terms of selflessness, Nietzsche believes that our allegiance to a post-Christian morality that centres around selflessness, compassion, guilt, and denial of the instincts is not primarily rational but affective: underlying feelings, often ambivalent and poorly grasped in conscious thought, explain our moral beliefs. The Genealogy is designed to detach the reader from his or her allegiance to morality and prepare for the possibility of new values. Janaway shows how, according to Nietzsches perspectivism, one can best understand a topic such as morality through allowing as many of ones feelings as possible to speak about it, and how Nietzsche seeks to enable us to feel differently': his provocation of the reader's affects helps us grasp the affective origins of our attitudes and prepare the way for healthier values such as the affirmation of life (as tested by the thought of eternal return) and the self-satisfaction to be attained by 'giving style to one's character'.

Reading Nietzsche's Genealogy

Beyond Selflessness

Schopenhauer: 'The World as Will and Representation': Volume 1

Arthur Schopenhauer's central philosophical achievement was his account of the self and its relation to the world of objects. Embracing epistemological, metaphysical, psychological, and physiological concerns, his dynamic system of thought reveals in a unique way the serious philosophical conflicts that can arise when we think about the self. This book is the first full-length study of this theme, and Christopher Janaway's approach to it is historical, yet at the same time has a clear philosophical emphasis. He explores in unusual depth Schopenhauer's often ambivalent relation to Kant, seeing him as a pertinent critic, especially on the issues of idealism and free will. He shows that, while accepting transcendental idealism and the notion of a pure knowing 'I', Schopenhauer was always concerned to establish a rival view of the self as willing: primarily active, embodied, organic, and manifesting pre-rational ends and drives. In the final part of the book Janaway highlights the influence of Schop

Self and World in Schopenhauer's Philosophy

This book offers a succinct introduction to Schopenhauer's metaphysical system, concentrating on the original aspects of thought which inspired many artists and thinkers such as Nietzsche, Wagner, Freud, and Wittgenstein. Christopher Janaway confronts Schopenhauer's uncompromising, pessimistic view that for the human individual non-existence would be preferable, and his claim that only aesthetic experience and saintly self-denial - escape from the will - can give life value.

Plato was the first great figure in Western philosophy to assess the value of the arts; he famously argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound, claiming they are conducive to warped ethical standards, detrimental to the psyche, and purveyors of illusions about important matters in human life. This view has been widely rejected; but Christopher Janaway here argues that Plato's hostile case is a more coherent and profound challenge to the arts than has sometimes been supposed. Denying that Plato advocates `good art' in any modern sense, Dr Janaway seeks both to understand Plato's critique in the context of his own philosophy and to locate him in today's philosophy of art, showing how issues in aesthetics arise from responses to his charges. Plato's questions about beauty, emotion, representation, ethical knowledge, artistic autonomy, and censorship are of contemporary relevance as formerly secure assumptions about the value of art and the aesthetic come under scrutiny. Images of Excellence gives a new and original view of a famous issue in the history of philosophy; it is written not only for readers working in ancient philosophy, but for all who are interested in aesthetics, art theory, and literary theory.

Plato's Critique of the Arts

Images of Excellence

Jennifer Hornsby

John Schwenkler

Samuel Guttenplan

A key introductory philosophy textbook, making use of an innovative, interactive technique for reading philosophical texts Reading Philosophy: Selected Texts with a Method for Beginners, Second Edition, provides a unique approach to reading philosophy, requiring students to engage with material as they read. It contains carefully selected texts, commentaries on those texts, and questions for the reader to think about as she reads. It serves as starting points for both classroom discussion and independent study. The texts cover a wide range of topics drawn from diverse areas of philosophical investigation, ranging over ethics, metaphysics, epistemology, philosophy of mind, aesthetics, and political philosophy. This edition has been updated and expanded. New chapters discuss the moral significance of friendship and love, the subjective nature of consciousness and the ways that science might explore conscious experience. And there are new texts and commentary in chapters on doubt, self and moral dilemmas. Guides readers through the experience of active, engaged philosophical reading Presents significant texts, contextualized for newcomers to philosophy Includes writings by philosophers from antiquity to the late 20th-century Contains commentary that provides the context and background necessary for discussion and argument Prompts readers to think through specific questions and to reach their own conclusions This book is an ideal resource for beginning students in philosophy, as well as for anyone wishing to engage with the subject on their own.

Selected Texts with a Method for Beginners

Reading Philosophy

Arthur Schopenhauer

Thistranslation is the first English edition to reunite Schopenhauer's two major essays on ethics in one volume.

The Two Fundamental Problems of Ethics

Roger Scruton

Peter Singer

Michael Tanner

Past Masters is a series of concise, authoritative introductions to the thought of leading intellectual figures of the past whose ideas still influence the way we think today. This text contains studies of four of the most important German theorists.

German Philosophers

Arthur Schopenhauer (1788–1860) is something of a maverick figure in the history of philosophy. He produced a unique theory of the world and human existence based upon his notion of will. This collection analyses the related but distinct components of will from the point of view of epistemology, metaphysics, philosophy of mind, aesthetics, ethics, and the philosophy of psychoanalysis. This volume explores Schopenhauer's philosophy of death, his relationship to the philosophy of Kant, his use of ideas drawn from both Buddhism and Hinduism, and the important influence he exerted on Nietzsche, Freud, and Wittgenstein.

The Cambridge Companion to Schopenhauer

Janaway presents a full commentary on Nietzsche's most studied work, 'On the Geneaology of Morality', and combines close reading of key passages with an exploration of Nietzsche's wider aims. The book will be essential reading for historians of moral philosophy.

Christopher Janaway

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