Christopher Reid

Christopher Logue

""Your life at every instant up for-- / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips" writes Christopher Logue in his original adaption of Homer's Iliad, the uncanny "translation of translations" that won ecstatic and unparalleled acclaim as "the best translation of Homer since Pope's" (The New York Review of Books). Logue's account of Homer's Iliad is a radical reimagining and reconfiguration of Homer's tale of warfare, human folly, and the power of the gods in language and verse that is emphatically modern and "possessed of a very terrible beauty" (Slate). Illness prevented him from bringing his version of the Iliad to completion, but enough survives in notebooks and letters to assemble a compilation of War Music, Kings, The Husbands, and All Day Permanent Red, along with previously unpublished material, in one final illuminating volume arranged by his friend and fellow poet Christopher Reid. The result comes as near as possible to representing the poet's complete vision and confirms what his admirers have long known: that "Logue's Homer is likely to endure as one of the great long poems of the twentieth century" (The Times Literary Supplement)"--

An Account of Homer’s Iliad

War Music

I've rounded up a rowdy assembly Of my own Consequential Dogs As counterparts to Eliot's mogs. Mine are a rough and ready bunch: You wouldn't take them out to lunch . . . But if they strike you as friendly, funny, Full of bounce and fond of a romp, Forgetful of poetic pomp, I trust you'll take them as you find them And, at the very least, not mind them. T. S. Eliot's best-selling collection of practical cat poems has been one of the most successful poetry collections in the world. For the first time in company history a companion volume will be published. Originally conceived by Eliot himself, Old Toffer's Book of Consequential Dog poems are a witty, varied and exquisitely compiled as Eliot's cats.

Old Toffer's Book of Consequential Dogs

Lunch in Soho with a former lover, but Zanzotti's is under new management, and as the wine takes effect fond nostalgia gives way to something closer to the bone. A mock elegy for the heady joys of old-time Soho, 'The Song of Lunch' displays the full range of Reid's wit, craft and human sympathy.

The Song of Lunch

Lunch in Soho with a former lover - but Zanzotti's is under new management, and as the wine takes effect fond memories give way to something closer to the bone . . . Christopher Reid's poem, which since its first publication has been filmed by the BBC and presented on stage in numerous venues, follows the lunchtime reunion of two long-separated lovers. Every smallest detail is cherished, as step by step the narrative moves towards its tragicomic outcome.

Song of Lunch

"An anthology of poems from the middle ages to the present on the subject of London"--

Poems of London

Valerie J. Lewis Coleman

What your father didn't tell you and your mother didn't know. Successful. Beautiful. Intelligent. Yet a satisfying relationship eludes Debra Hampton. At thirty-five years old, she can't figure out why her philosophy on men-and what they want from women-isn't working. She's trapped in a cycle of shattered relationships, until a friend refers her to a relationship guru. After some resistance, Debra finds refuge in his counsel as he helps her navigate through the storms of rejection and failed love. Once he reveals the error of her ways, will Debra master the forbidden secrets to attract her soul mate or continue to keep love at bay? Valerie J. Lewis Coleman is the multi-bestselling author of Blended Families An Anthology and award-winning publisher of more than twenty titles. This problem-solving expert is on a mission to restore stepfamilies, empower women and equip writers to be greater. ValerieJLColeman.com TheGoodyBoxBook.com

The Forbidden Secrets of the Goody Box

A tribute to the author's wife consisting of poems written during her final illness and after her death.

A Scattering

This edition brings together A Scattering and Anniversary into a single book of lamentation and remembrance, its subject being Christopher Reid's wife, the actress Lucinda Gane, who died of cancer at the age of fifty-five. A Scattering was first published in the UK in 2009 to wide acclaim, winning the Costa Book of the Year Award. This moving and fiercely self-reflective collection is divided into four poetic sequences. The first was written during a holiday a few months before Gane's death with the knowledge that the end was approaching; the second recalls her last courageous weeks, spent in a hospice in London; the third continues the exploration of bereavement from a variety of perspectives; and the fourth addresses her directly, celebrating her life, personality and achievements. Pairing A Scattering for the first time with Anniversary, which was written to commemorate the tenth anniversary of Gane's death, this volume brings Reid into dialogue, again, with the wife he loved. A moving exploration of the stages of grief and how the 'weighty emptinesses' that remain after bereavement change us, A Scattering andAnniversary show us what it means to love, lose and - forever changed - continue on.

A Scattering and Anniversary

Matthew Mauger

Richard Coulton

This study offers an authoritative and readable account of the hidden history of book theft in eighteenth-century London. It exploits a rich primary source, the compelling narratives of crime contained in the digitised Proceedings of the Old Bailey. The authors explain how cases of book theft came to court, and how in the ensuing trials the nature of the book itself became a question for legal debate. They assess the motives which led Londoners to steal books and the methods they employed in thefts from households and booksellers. Finally, the authors ask what the Proceedings tells us about the social ownership of books, and how the phenomenon of book theft differently affected book producers and consumers. Stealing Books in Eighteenth-Century London will appeal to readers interested in the connected histories of metropolitan life, crime, and the book in this period, and in the uses of digital resources in humanities research.

Stealing Books in Eighteenth-Century London

The Curiosities is the eleventh book of poems from this most inventive and celebrated of British poets. Clustering around the letter 'C', the seventy-some poems that comprise this collection celebrate a lexicon of lived experience through a single letter of the alphabet. Here we find tales of cufflinks and costume, cougars and cochineal, catapults and cavalry, even canoodlings in canoes. With a characteristic sleight of hand, Christopher Reid shifts deftly between seriousness and play, elegy and anarchy in this sometimes-zany, sometimes-haunting compendium of bright-eyed verses. Here and there the story-telling roams and sweeps: here are tales 'for' friends and loved ones, there are tales 'after' the great poets of history. But whoever and whatever the mode of address, these poems are frequently underpinned by a unifying humanity. The Curiosities is a temptatious read, full of wisdom and surprise, humour and lament, and is a poignant and convincing reminder that in a world where 'nobody's allowed to live forever', life is for celebrating, and grasping by the collar.

The Curiosities

A collection of some of the most beautiful poems in the English language.

101 Poems to be Heard

Sounds Good

Arcadia

Lunch in Soho with a former lover - but Zanzotti's is under new management, and as the wine takes effect fond memories give way to something closer to the bone. A mock-elegy for the heady joys of old-time Soho, The Song of Lunch displays the full range of Christopher Reid's wit, craft and human sympathy.

The Late Sun asserts a balance between memorialisation of the recently dead and celebration of the vitality of the living. Early in the collection is a set of poems about the poet's mother, who died in great age after a life of exotic travel, and the poet's own travels, his sense of both place and displacement, are vibrantly explored in other pieces. The city where he lives - particularly, and somewhat unusually, in a sequence titled 'Smells of London' - provides many of the themes, but the civic glades and sparkling vistas of the Mediterranean are just as important, and the book adds up to an affirmation of international perspectives at a time when civilised values are increasingly threatened.

Christopher Reid

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