Pablo Picasso

Christopher Riopelle

Neil Cox

Elizabeth Cowling

Simonetta Fraquelli

Anne Robbins

Susan Grace Galassi

This volume tells the story of Picasso's artistic development and his passionate relationship with the European art tradition.

Challenging the Past

Picasso

Paul Smith

Cornelia Homburg

A beautifully illustrated investigation of Neo-Impressionism in late 19th-century Paris and Brussels This stunning catalogue explores the creative exchange between Neo-Impressionist painters and Symbolist writers and composers in the late 1880s and early 1890s. Symbolism, with its emphasis on subjectivity, dream worlds, and spirituality, has often been considered at odds with Neo-Impressionism's approach to portraying color and light. This book repositions the relationship between these movements and looks at how Neo-Impressionist artists such as Maximilien Luce, Georges Seurat, Paul Signac, and Henry van de Velde created evocative landscape and figural scenes by depicting emptiness, contemplative moods, Arcadia, and other themes. Beautifully illustrated with 130 color images, this book reveals the vibrancy and depth of the Neo-Impressionist movement in Paris and Brussels in the late 19th century.

Painting, Poetry, Music

Neo-Impressionism and the Dream of Realities

Xavier Bray

Charlotte Gere

More than forty years ago, John and Charlotte Gere, both distinguished art historians, pioneered the collecting of small-scale landscape oil sketches created by eighteenth- and nineteenth-century artists working out of doors in nature. Such paintings, created quickly to capture subtle atmospheric effects and the fleeting play of light, played a vital role in the visual training of generations of European artists. The pictures were not conceived of as finished works of art, were rarely if ever exhibited during the artists' lifetimes, and were often kept in the studio for later consultation. This beautiful book presents the Gere collection, which today numbers some 70 works. These include paintings by Valenciennes, Frederic, Lord Leighton, and Thomas Jones, as well as by less well-known artists such as Gilles Closson and Simon Denis. While the majority were painted in Italy, there are also works by British, French, Italian, German, Belgian, and Scandinavian artists. These intimate and compelling documents of artists at work form what is perhaps the most comprehensive private collection of its kind.

The Gere Collection of Landscape Oil Sketches

A Brush With Nature

Marit Ingeborg Lange

Knut Ljogodt

In 1832, the Norwegian painter Peder Balke (1804–1887) traveled to the far north of Norway to the dramatic coastline of the North Cape. The experience was so profound that he built his career painting isolated Arctic Circle seascapes. His pictures were originally rooted in the 19th-century romanticism of artists such as Caspar David Friedrich and his compatriot, Johan Christian Dahl. Later in his career Balke created improvised seascapes with roughly applied brushwork—sometimes using his hands, a technique that was prescient of early modern expressionism. His profile as an artist had fallen into obscurity outside of Norway, but now this book brings together a group of Balke's pictures from collections in Europe and the United States, and introduces readers to a unique artist and personality whose works bridged 19th-century romanticism and early modern expressionism.

Paintings by Peder Balke

David Peters Corbett

Katherine M. Bourguignon

Catalog of an exhibition held at the National Gallery, London, Mar. 3-May 30, 2011.

George Bellows and the Ashcan Painters

An American Experiment

Patrick Noon

A handsome volume exploring Delacroix s works, his artistic contemporaries, and the generations of great artists he inspired "

And the Rise of Modern Art

Delacroix

Andrzej Szczerski

Owen Gingerich

Largely unknown outside his homeland, Jan Matejko (1838-1893) is widely regarded as the national painter of Poland, where he is revered for his huge, teeming, minutely detailed depictions of key moments in the nation's history. This volume, by Polish, British, and American experts, introduces the artist to a wider public with this monumental painting. It celebrates the achievements of Polish astronomer Nicolaus Copernicus (1473-1543), the first astronomer since the Ancient Greeks to realize that the sun rather than the earth stands at the center of our planetary system and that we rotate around it. Rather than depicting Copernicus at the moment of his discovery--his chart of the heavens is already there by his side--Matejko chose to paint him on a rooftop in his hometown of Frombork, discussing the matter with God. Unlike Galileo three-quarters of a century later, Copernicus was never excommunicated for challenging the authority of the church; indeed, enlightened clerics of the day celebrated his breakthrough.

Conversations with God: Jan Matejko's Copernicus

Metropolitan Museum of Art (New York, N.Y.)

Helene Barbara Weinberg

National Gallery (Great Britain)

David Park Curry

Kathleen Adler

Erica E. Hirshler

John White Alexander, Cecilia Beaux, James Carroll Beckwich, Frank Weston Benson, Nelson Norris Bickford, John Leslie Breck, Dennis Miller Bunker, Mary Stevenson Cassatt, Jefferson David Chalfant, William Merritt Chase, Charles Courtney Curran, Thomas Eakins, Mary Fairchild, Elizabeth Jane Gardner, Abbott Fuller Graves, Ellen Day Hale, Frederick Childe Hassam, Winslow Homer, Thomas Hovenden, William Morris Hunt, Anna Elizabeth Klumpke, Willard Leroy Metcalf, Hermann Dudley Murphy, Elizabeth Nourse, Charles Sprague Pearce, Maurice Brazil Prendergast, Theodore Robinson, John Singer Sargent, Julius LeBlanc Stewart, Henry Ossawa Tanner, Edmund Charles Tarbell, John Henry Twachtman, Harry van der Weyden, Frederic Porter Vinton, Robert Vonnoh, Julian Alden Weir, James Abbott McNeill Whistler.

Americans in Paris, 1860-1900

Christopher Riopelle

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