Seán Hemingway

Christopher S. Lightfoot

Joan R. Mertens

Paul Zanker

Roman copies and adaptations of Greek sculpture / Seán Hemingway -- The decoration of house and villa / Paul Zanker -- Luxury art / Christopher S. Lightfoot -- Shrines of the lares and offerings to other divinities / Paul Zanker -- Roman Egyptomania / Christopher S. Lightfoot -- Tombs and funerary monuments / Paul Zanker -- Imperial and private portraits / Paul Zanker -- Gladiatorial games, sports, and the military / Paul Zanker -- Architectural elements / Paul Zanker -- A selection of Roman works and their modern histories / Joan R. Mertens.

A Guide Through the Metropolitan Museum of Art's Collection

Roman Art

The Cesnola Collection of antiquities from Cyprus preserves the island’s artistic traditions from prehistoric through Roman times and represents the first large group of ancient Mediterranean works to enter the museum’s collection. This publication which focuses on Ancient Glass and is the third volume in a series aimed at publishing the collection in its entirety. This catalogue contains descriptions and illustrations of 520 glass vessels and objects. Although the majority of the glass is Roman, the scope of the collection extends from the Late Bronze Age through the end of antiquity (ca. 1500 B.C.– A.D. 600). It is the first attempt in over a century to provide a detailed account of the ancient glass found on Cyprus by Cesnola.

Ancient Glass

The Cesnola Collection of Cypriot Art

Karen Stamm

Maryam Ekhtiar

Monika Bincsik

Sheila R. Canby

Iris Moon

Deniz Beyazit

Moira Gallagher

Pengliang Lu

Medill Higgins Harvey

Andrea Achi

John Byck

Kyriaki Karoglou

Amy McHugh

Annamarie Sandecki

Catherine D. Stergar

Edward C. Moore (1827–1891) was the creative leader who brought Tiffany & Co. to unparalleled originality and success during the late nineteenth century. A silversmith, designer, and prodigious collector, Moore sought out exceptional objects from around the world, which he then used as inspiration for Tiffany’s innovative silver designs. This informative, richly illustrated volume, the first study of Moore’s life, collection, and influence, presents more than 170 examples from his vast collection, ranging from Greek and Roman glass to Spanish vases, Islamic metalwork, and Japanese textiles. These are juxtaposed with sixty magnificent silver objects created by the designers and artisans at Tiffany who were inspired by Moore’s acquisitions. Included among them are the world-famous Bryant Vase drawing upon Greek examples, a love cup featuring ornate “Saracenic” decoration, and a chocolate pot incorporating novel techniques influenced by Japanese ceramics and lacquerware. The illuminating texts have been enriched by groundbreaking research into contemporary sources such as newspapers and periodicals, the Tiffany & Co. Archives, and a newly identified technical manual and supervisor’s diaries, all of which provide an intimate look at the firm’s design processes and Moore’s role in shaping them. A valuable contribution to the history of American decorative arts, Collecting Inspiration illuminates both the legendary Tiffany aesthetic and the legacy of a significant collector, designer, and entrepreneur of the Gilded Age.

Collecting Inspiration: Edward C. Moore at Tiffany & Co.

Christine Kondoleon

Dorothy H. Abramitis

Ariel Herrmann

Carmelo Malacrino

Olga Palagia

Agnes Schwarzmaier

Dominique Robcis

Andreas Scholl

Susan I. Rotroff

Lillian Bartlett Stoner

R. R. R. Smith

Jeffrey Spier

Alessandro Viscogliosi

Mark Wypyski

Ute Wartenberg

Kiki Karoglou

Sophie Descamps-Lequime

Marsha Hill

This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

From Pergamon to Rome

Art of the Hellenistic Kingdoms

Christopher S. Lightfoot

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