Kathrin Thiele

C.L. Quinan

The concepts of biopolitics and necropolitics have increasingly gained scholarly attention, particularly in light of today’s urgent and troubling issues that mark some lives as more – or less – worthy than others, including the migration crisis, rise of populism on a global scale, homonationalist practices, and state-sanctioned targeting of gender, sexual, racial, and ethnic ‘others’. This book aims to nuance this conversation by emphasising feminist and queer investments and interventions and by adding the analytical lens of cosmopolitics to ongoing debates around life/living and death/dying in the current political climate. In this way, we move forward toward envisioning feminist and queer futures that rethink categories such as ‘human’ and ‘subjectivity’ based on classical modern premises. Informed by feminist/queer studies, postcolonial theory, cultural analysis, and critical posthumanism, Biopolitics, Necropolitics, Cosmopolitics engages with longstanding questions of biopolitics and necropolitics in an era of neoliberalism and late capitalism, but does so by urging for a more inclusive (and less violent) cosmopolitical framework. Taking account of these global dynamics that are shaped by asymmetrical power relations, this fruitful posthuman(ist) and post-/decolonial approach allows for visions of transformation of the matrix of in-/exclusion into feminist/queer futures that work towards planetary social justice. This book is a significant new contribution to feminist and queer philosophy and politics, and will be of interest to academics, researchers, and advanced students of gender studies, postcolonial studies, sociology, philosophy, politics, and law. The chapters in this book were originally published as a special issue of the Journal of Gender Studies.

Feminist and Queer Interventions

Biopolitics, Necropolitics, Cosmopolitics

Situated at the crossroads of queer theory and postcolonial studies, Hybrid Anxieties analyzes the intertwined and composite aspects of identities and textual forms in the wake of the French-Algerian War (1954–1962). C. L. Quinan argues that the war precipitated a dynamic in which a contestation of hegemonic masculinity occurred alongside a production of queer modes of subjectivity, embodiment, and memory that subvert norms. Innovations in literature and cinema were also directly impacted by the long and difficult process of decolonization, as the war provoked a rethinking of politics and aesthetics. The novels, films, and poetry analyzed in Hybrid Anxieties trace this imbrication of content and form, demonstrating how a postwar fracturing had both salutary and injurious effects, not only on bodies and psyches but also on artistic forms. Adopting a queer postcolonial perspective, Hybrid Anxieties adds a new impulse to the question of how to rethink hegemonic notions of gender, sexuality, and nationality, thereby opening up new spaces for considering the redemptive and productive possibilities of negotiating life in a postcolonial context. Without losing sight of the trauma of this particularly violent chapter in history, Hybrid Anxieties proposes a new kind of hybridity that, however anxious and anticipatory, emphasizes the productive forces of a queer desire to deconstruct teleological relationships between past, present, and future.

Queering the French-Algerian War and Its Postcolonial Legacies

Hybrid Anxieties

"Hybrid Anxieties utilizes literature and film as a means to investigate the ways in which the French-Algerian War and its postcolonial legacies have precipitated a crisis in gender and sexuality"--

C.L. Quinan

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