Claire Jones

Meredith May

Margaret Murdin

Anne Rowberry

A comprehensive guide on establishing and maintaining beehives Beekeeping is a popular pastime that more and more people are taking up for fun or even modest profit. Today, you will find hives not only in large fields or rural spaces, but also in city gardens and on rooftops—to the benefit of both bee and beekeeper. If you’re at the early or middle stages of your beekeeping journey and need a go-to guide on establishing and maintaining your hives, The Beekeeper’s Guide is the perfect companion. It offers invaluable information about a wide range of bee species and their life cycle, behavior, and optimal habitat, and covers the practicalities of beekeeping, from personal safety and hive hygiene to feeding methods and record keeping. Complete with an extensive troubleshooting section and a directory of useful resources, The Beekeeper’s Guide is a comprehensive tool for all beekeepers.

Building Skills and Knowledge

The Beekeeper's Guide

Bob Varga

Too Many Monsters

Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.

Sculpture and the Decorative Arts

"Sculptors and Design Reform in France, 1848 to 1895 "

Imogen Hart

By foregrounding the overlaps between sculpture and the decorative, this volume of essays offers a model for a more integrated form of art history writing. Through distinct case studies, from a seventeenth-century Danish altarpiece to contemporary British ceramics, it brings to centre stage makers, objects, concepts and spaces that have been marginalized by the enforcement of boundaries within art and design discourse. These essays challenge the classed, raced and gendered categories that have structured the histories and languages of art and its making. Sculpture and the Decorative in Britain and Europe is essential reading for anyone interested in the history and practice of sculpture and the decorative arts and the methodologies of art history.

Seventeenth Century to Contemporary

Sculpture and the Decorative in Britain and Europe

Emily Brontë

Building on the formula of York Notes, this Advanced series introduces students to more sophisticated analysis and wider critical perspectives. The notes enable students to appreciate contrasting interpretations of the text and to develop their own critical thinking. Key features include: study methods; an introduction to the text; summaries with critical notes; themes and techniques; textual analysis of key passages; author biography; historical and literary background; modern and historical critical approaches; chronology; and glossary of literary terms.

Wuthering Heights

Jr. Style

A Midsummers Night's Dream

The York Notes series covers major works from medieval to modern English literature, and classic and contemporary works from Europe, America, the Commonwealth and the Third World.

Claire Jones

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