Claudia Dey

In Claudia Dey’s Daughter, a woman long caught in her father's web strives to make a life—and art—of her own. To be loved by your father is to be loved by God. So says Mona Dean—playwright, actress, and daughter to a man famous for one great novel, whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half-sister, their mothers. His infidelity destroyed Mona’s childhood, setting her in opposition to a stepmother who, though equally damaged, disdains her for being broken. Then, just as Mona is settling into her life as an adult and a fledgling artist, he begins a new affair and takes her into his confidence. Mona delights—painfully, parasitically—in this attention. When he inevitably confesses to his wife, Mona is cast as the agent of disruption, punished for her father’s crimes and ejected from the family. Mona’s tenuous stability is thrown into chaos. Only when she suffers an incalculable loss—one far deeper and more defining than family entanglements—can she begin supplanting absent love with real love. Pushed to the precipice, she must decide how she wants to live, what she most needs to say, and the risks she will take to say it. Claudia Dey chronicles our most intimate lives with penetrating insight and devilish humor. Daughter is an obsessive, blazing examination of the forces that drive us to become, to create, and to break free.

A Novel

Daughter

A poignant new novel that combines humour and heartache, from the brilliant mind of Governor General’s Award finalist Claudia Dey Seventeen years after falling from a stolen car into a remote northern town, Billie Jean Fontaine is still an outsider. She may follow the stifling rules of this odd place, but no one will forget that she came from elsewhere. When Billie Jean vanishes one cold October night in her bare feet and track suit with only her truck keys, those closest to her begin a frantic search. Her daughter, Pony, a girl struggling against being a teen in the middle of nowhere; her killer dog to whom she cannot tell a lie; her husband, The Heavy, a man haunted by his past; and the charismatic Supernatural, a teenage boy longing only to be average. Each holding a different piece of the puzzle, they must come together to understand the darkest secrets of their beloved, and lay bare the mysteries of the human heart. With her luminous prose, wry humour and dead-on cultural observations, Claudia Dey has created a storytelling tour de force about what it means to love, no matter the consequences.

Heartbreaker

A searing and hypnotic tour de force about a daughter whose life is shattered repeatedly by her charismatic father, and the redemptive power of art. To be loved by your father is to be loved by God. So says Mona Dean--playwright, actress and daughter to a man famous for one great novel, and in fruitless pursuit of the next, whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half-sister, their mothers. His infidelity destroyed Mona's childhood, setting her in opposition to a cold, cruel stepmother who, though equally damaged, disdains her for being broken. Then, just as Mona is settling into her life as an adult and fledgling artist, he begins a new affair and takes her into his confidence. Mona delights--painfully, parasitically--in his attention. When he inevitably confesses to his wife, Mona is cast as the agent of disruption, punished for her father's crimes and ejected from the family. Mona’s tenuous stability is thrown into chaos. Only when she suffers an incalculable loss—one far deeper and more defining than family entanglements—can she begin supplanting absent love with real love. Pushed to the precipice, she must decide how she wants to live, what she most needs to say, and the risks she will take to say it. Claudia Dey chronicles our most intimate lives with penetrating insight and devilish humour. A novel as volatile and far-reaching as its title, Daughter is an obsessive, blazing examination of the forces that drive us to become, to create and to break free.

Nominated for the Amazon.ca First Novel Award Eugenia Ledoux, nine years old, wakes to a note from her father: 'gone to save the world. sorry. yours, sheb wooly ledoux. asshole.' Eugenia is left behind with her mother, the sharp-edged B-movie actress Mink, and her sister, the death-obsessed and hauntingly beautiful Immaculata. When Mink climbs into the family car and vanishes, Eugenia doubles in age overnight, but remains the dark and diminutive creature who earned the nickname 'Stunt.' Eugenia devotes herself to finding Sheb. She writes to the man she believes to be Sheb's father: I.I. Finbar Me The Three, a retired tightrope walker. Waiting for Finbar's response, she retreats to Toronto Island, where she meets Samuel Station, a barefoot voluptuary, world traveller and ring-maker. When Finbar does write back, Eugenia wonders if she will find what she is looking for - or something else entirely. Studded with postcards from outer space, twins, levitation, the explosion of a shoulder-pad factory, and some accomplished taxidermy, Stunt is part dirge, part cowboy poetry and part love letter to the wilder corners of Toronto and of ourselves. 'Claudia Dey's debut novel is like a snowflake, utterly unique, compellingly intricate and sparkle-riven, sharp as broken crystal and just as dazzling. Stunt is daring, poignant, full of abandon and abandonment, wistful and funny. Brilliant.' - Lisa Moore 'Dey's ... prose [is] a wondrous compression of poetry, her carnival of characters drawn in gripping detail, and the riot of fantastical yet gritty imagery all shot through with a keen and relentless sadness. The sheer density of the imagery and vivid characterizations makes you slow down to enjoy every sentence. You want to read this novel carefully; you want to read it again.' - The Globe and Mail 'Stunt is mesmerizing, rewarding, and breathtaking. Dey never lets up' - Quill & Quire.

Stunt

Heart Breaker

From her meteoric rise to her final unravelling in the grips of alcoholism, we meet a Gwendolyn with a contagious wit, a brave heart, and an endless capacity for self re-invention.

The Gwendolyn Poems

Re-imagining the life of legendary Canadian poet Gwendolyn MacEwen, from her meteoric rise to her final unravelling in the grips of alcoholism, we meet a Gwendolyn with a contagious wit, brave heart, and an endless capacity for self re-invention.

The love between a daughter and her mother—and the dark secrets they keep from each other—are at the heart of this wildly imaginative novel that combines elements of The Handmaid’s Tale, Stranger Things, and Twin Peaks. “I love Heartbreaker’s outlandishness, its sizzling energy—the bright, fierce music in every sentence.”—Leni Zumas, author of Red Clocks It’s 1985. Pony Darlene Fontaine has lived all her fifteen years in “the territory,” a settlement founded decades ago by a charismatic cult leader. In this strange town run on a sinister economic resource, the women crimp their hair and wear shoulder pads, and the teenagers listen to Nazareth and Whitesnake on their Walkmans. Pony’s family lives in the bungalow at the farthest edge of town, where the territory borders the rest of the wider world—a place none of the townspeople have ever been. Except for Billie Jean Fontaine, Pony’s mother. When Billie Jean arrived in the territory seventeen years prior—falling from the open door of a stolen car—the residents took her in and made her one of their own. She was the first outsider they had ever laid eyes on. Pony adores and idolizes her mother, but like everyone else in the territory she is mystified by her. Billie Jean refuses to describe the world she came from. One night, Billie Jean grabs her truck keys, bolts barefoot into the cold October darkness—and vanishes. Beautiful, beloved, and secretive, Billie Jean was the first person to be welcomed into the territory. Now, with a frantic search under way for her missing mother, Pony fears: Will she be the first person to leave it too? Told from the three unforgettable perspectives of a daughter, a killer dog, and a teenage boy named Supernatural, this novel is startling in its humor and wrenching in its wisdom about the powers, limits, and dangers of love. Heartbreaker is an electrifying page-turner about a woman reinventing herself in order to survive—and a daughter who must race against the clock to untangle the mysteries left in her mother’s wake. Praise for Heartbreaker “A fierce exploration of memory and zeitgeist . . . Heartbreaker is a darkly comedic weirdo of a book that pulls the string of nostalgia from one side while unraveling it from the other.”—The Paris Review “This is a book like no other. It’s eerie, it's cult-y, it's so very exciting, and I never wanted it to end.”—Buzzfeed, Best Books of Fall 2018 “Claudia Dey renders 1985 in perfectly crimped, shoulder-padded detail. . . . Come for the Shyamalanian premise. Stay for the hard-rock soundtrack.”—Chicago Tribune

In a white trash, northern Ontario gothic, we follow Beatrice 'Beaver' Jersey as she learns to grow beyond her circumscribed world, struggling with her whacky extended family, her alcoholic father, and her chain-smoking ghost of a mother.

Beaver

Set in Timmins, Ontario, the play takes place at a time between a mother's suicide and a daughter's wedding. "Dey's characters are so well drawn, you feel you can guess their lines before they can say them. That no one ever says what you expect, is ample evidence of her abilities."-Joanne Huffa, "Eye Magazine"

A Play

Eugenia Ledoux wakes one morning to a note on the kitchen table: “Gone to save the world. Sorry. Yours, Sheb Woolly Ledoux. Asshole.” Eugenia is nine years old, a synaesthesiac and a tightrope walker. She adores her father and his lunatic charms; she loves that he takes her fishing in the middle of the night and calls her Stunt. Sheb has always promised he’ll one day take her to the moonscape of northern Ontario, where astronauts train; instead he writes a note, blows up a shoulder-pad factory, and leaves. His heartbroken daughter is left behind with her mother, the sharp-edged former ingenue Mink, and her sister, the death-obsessed and hauntingly beautiful Immaculata. After a fake funeral for Sheb, Mink vanishes too. Eugenia and Immaculata, left alone, double in age overnight. Immaculata becomes a swan-like giantess, and soon finds her calling caring for Leopold, a diseased and irresistible malcontent down the street. Eugenia, however, stays the same: dark and diminutive, and bereft. She finds herself a bicycle and sets off to track down her father, encountering an astronaut and a waitress named Cupid along the way. Stunt is the first novel by one of Canada’s most acclaimed playwrights. Like synaesthetic Eugenia, your senses will be addled as Dey’s words take on colours, tastes, and smells, somehow coming to mean more than you thought they did; they depict, with compassionate hilarity and luminous heartbreak, the love between a girl and her father.

Trout Stanley

How to Be a Bush Pilot is boot camp for the modern playboy and sexual adventurer, a master class in becoming the lover that every woman wants but doesn’t know how to ask for. It is funny. It is instructive. It winks and flirts. Its unwavering purpose: getting laid. Proficiently. Ranging from remedial education to moves that will educate even the savviest Wilt Chamberlain, Claudia Dey uses female insight to turn mere men into that elusive master of the bedroom: the Bush Pilot. How to Be a Bush Pilot is studded with pop culture references, swinging between high and low art but always focusing on the art of seduction. Think Led Zeppelin meets Ted Hughes meets wood panelling meets Henry Miller meets Def Leppard. In the bedroom. With a tone that reads like Tina Fey channelling Dr. Ruth, Dey ranges from the pre-game warm-ups of flirtation and fantasy, to charming the go-go, to graduating from the regulars to the remote. How to Be a Bush Pilot is fearless, playful, always commanding yet never intimidating—the essential guide for every man who wants to be a legend and wants to laugh while trying.

Claudia Dey

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