Claudio Magris

"In this fascinating journey Claudio Magris, whose knowledge is encyclopaedic and whose curiosity limitless, guides his reader from the river's source in the Bavarian hills through Austro-Hungary and the Balkans to the Black Sea. Along the way he raises the ghosts that inhabit the houses and monuments - from Ovid and Marcus Aurelius to Kafka and Canetti - and in so doing sets his finger on the pulse of Central Europe, the vital crucible of a culture that draws on influences of East and West, of Christendom and Islam."--Publisher description.

Danube

Early this century Enrico, a young intellectual, leaves the abundantly diverse Austro-Hungarian city of Gorizia to spend several years living on the Patagonian pampas, alone with his ancient Greek texts, his flocks and every now and then a woman. He has been taught by his closest friend, Carlo, a philosopher/poet who commits suicide in his early twenties, to search for an authentic life, free of social falsehoods. But in his search for this unattainable goal, Enrico destroys every chance he has of a normal existence; even after his return to a life of isolation by the Istrian seashore, his attempts at human intercourse, are thwarted. In recounting the life of Enrico, Magris paints a remarkably shrewd picture of a whole world in ferment, that of the decaying Austro-Hungarian empire, shaken to its foundations by the Great War, and emerging from the German occupation and the Communist revolution ripe for disintegration and forever seeking, as does Enrico, for a reason to go on living.

A Different Sea

Manuel Poppe

Danúbio

Microcosmi

Lei dunque capirà

Blindly

El Conde y otros relatos

Microcosms (Panther)

Three Plays (Green Integer)

Voices

Danubio

Tuna Boyunca

In this fascinating journey Claudio Magris, whose knowledge is encyclopaedic and whose curiosity limitless, guides his reader from the river's source in the Bavarian hills through Austro-Hungary and the Balkans to the Black Sea. Along the way he raises the ghosts that inhabit the houses and monuments - from Ovid and Marcus Aurelius to Kafka and Canetti - and in so doing sets his finger on the pulse of Central Europe, the vital crucible of a culture that draws on influences of East and West, of Christendom and Islam.

Robert Walser

L'assistente

El infinito viajar

Cover -- Half Title -- Title -- Copyright -- Dedication -- CONTENTS -- Preface -- In Don Quixote's Footsteps -- Marionettes in Madrid -- The Bibliophage -- At the "Mentitoio -- A Father, a Son -- Spoon River in Cantabria -- Don Serafin's First Flight -- In London, at School -- The Fortunate Isles -- The Prussian Road to Peace -- The Old Prussia Puts On a Show -- The Wall -- On Lotte's Tomb -- In Freiburg the Day of German Unity Is Remote -- The Dying Forest -- Ludwig's Castles in the Air -- Among the Sorbs of Lusatia -- The Anonymous Viennese -- Schoenberg's Table -- The Rabbi's Dance -- Musical Automatons in Zagreb -- Istrian Spring -- Cici and Ciribiri -- In Bisiacaria -- A Fateful Hyphen -- On the Charles Bridge -- The Country Without a Name -- The Tragedy and the Nightmare -- Poland Turns the Page -- On Raskolnikov's Landing -- The Birch Whistle -- A Hippopotamus in Lund -- The Woodland Cemetery -- The Fjord -- Parish of the North -- Water and Desert -- Is China Near? -- The Borders of Vietnam -- The Great South -- Note -- Translator's Notes

Journeying

From one of Europe's most revered authors, a tale of one man's obsessive project to collect the instruments of death, evil, and humanity's darkest atrocities in order to oppose them Claudio Magris's searing new novel ruthlessly confronts the human obsession with war and its savagery in every age and every country. His tale centers on a man whose maniacal devotion to the creation of a Museum of War involves both a horrible secret and the hope of redemption. Luisa Brooks, his museum's curator, a descendant of victims of Jewish exile and of black slavery, has a complex dilemma: will the collections she exhibits save humanity from repeating its tragic and violent past? Or might the display of articles of war actually valorize and memorialize evil atrocities? In Blameless Magris affirms his mastery of the novel form, interweaving multiple themes and traveling deftly through history. With a multitude of stories, the author investigates individual sorrow, the societal burden of justice aborted, and the ways in which memory and historical evidence are sabotaged or sometimes salvaged.

Blameless

Who is the mysterious narrator of Blindly? Clearly a recluse and a fugitive, but what more of him can we discern? Baffled by the events of his own life, he muses, "When I write, and even now when I think back on it, I hear a kind of buzzing, blathered words that I can barely understand, gnats droning around a table lamp, that I have to continually swat away with my hand, so as not to lose the thread." Claudio Magris, one of Europe's leading authors and cultural philosophers, offers as narrator of Blindly a madman. Yes, but a pazzo lucido, a lucid madman, a single narrative voice populated by various characters. He is Jorgen Jorgenson, the nineteenth-century adventurer who became king of Iceland but was condemned to forced labor in the Antipodes. He is also Comrade Cippico, a militant anti-communist, imprisoned for years in Tito's gulag on the island Goli Otok. And he is the many partisans, prisoners, sailors, and stowaways who have encountered the perils of travel, war, and adventure. In a shifting choral monologue—part confession, part psychiatric session—a man remembers (invents, falsifies, hides, screams out) his life, a voyage into the nether regions of history, and in particular the twentieth century.

Se Danubio abbracciava una vastissima area geografica e storica, in Microcosmi Claudio Magris ci guida alla scoperta di luoghi circoscritti, via via più piccoli. Dalla descrizione del paesaggio – anche nei dettagli più sfuggenti – al racconto delle esistenze minime o grandi, dei destini, delle passioni, delle comiche o tragiche vicende che lo hanno segnato, sgorga una narrazione randagia e fluttuante che segue un suo percorso nascosto, come la corrente di un fiume. Ciascuno di quei mondi così diversi – che tuttavia si rispecchiano e si integrano nella parabola di un’esistenza – vive nella compresenza di presente e di passato, epifania dell’attimo e memoria, ore fuggitive o secoli lontani. Protagonisti sono gli uomini, ma anche gli animali, gli abitanti dei caffè o delle isole, l’orso del Monte Nevoso e il cane abbandonato nella laguna, rivoluzionari indomiti e dimenticati, vagabondaggi e manie di figure che hanno perso la loro esistenza come una partita a carte. Protagonisti sono anche le pietre e le onde, la neve e la sabbia, le frontiere, una presenza amata, un’inflessione della voce o un gesto magari inconsapevole... Diversi fili conduttori tessono la trama del libro e accompagnano il lettore, quali immagini o figure ricorrenti: i rapporti fra paesaggi e senso del tempo, l’identità e la sua incertezza, l’amore, il continuo attraversamento di confini d’ogni genere, l’ombra della morte. Riaffiorano, a punteggiare quest’esplorazione che s’immerge nel presente con un senso dell’effimero e insieme dell’eterno, le immagini di Medea e del viaggio degli Argonauti. E si disegna – appena evocata – la storia del nascosto e mimetizzato personaggio che li percorre, scoprendo in essi il proprio volto, il senso o il filo della propria esistenza, del proprio labile e appassionato passaggio sulla terra.

Book: Claudio Magris talks about his life and work.

il mondo di Claudio Magris

Fra il Danubio e il mare

L'assagista, novel•lista, poeta i dramaturg Claudio Magris (Trieste, 1939) va aconseguir el reconeixement literari internacional amb la seva novel•la El Danubi l'any 1986, una obra extraordinària que és, alhora, narració, llibre de viatges, evocació autobiogràfica, assaig sobre la història i la geografia del Danubi i veritable metàfora sobre la complexitat de la identitat europea contemporània. Magris és un escriptor amb una ètica i un estil ben definits, sempre atent amb els seus traductors i pacient amb els seus lectors, als quals demana que es respecti la dificultat de la seva prosa perquè és la de la vida mateixa. Tot i la seva enorme cultura, els premis internacionals i una agenda carregada d’intervencions arreu del món, Magris és encara un home que sap escoltar. El 15 de novembre de 2006 Claudio Magris va ser a la Universitat de Girona en una jornada de reflexió sobre la seva obra titulada "Els llocs de l'escriptura". Aquest llibre, que recull un article seu inèdit i les intervencions d'alguns dels seus interlocutors privilegiats entre nosaltres, n'és ara el testimoni i el resultat.

Millicent Bell

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