Colby Dickinson

This book provides a view of the work of philosopher Giorgio Agamben in relation to his own most basic theological premises and the discipline of theology.

Agamben and Theology

By delving into the history of the fetish-object among both modern and contemporary commentators, this book highlights the fetish-object’s role as a philosophical and religious concept of the highest significance. Historically, fetishes are implicated in specific struggles for sovereign (political) and/or religious (hierarchical) power, with their interwoven symbols defined as the primary location for transcendence in our world. This book defines the political consequences of fetish-objects within a western cultural, and primarily theological context through a comparative approach of various literatures on fetish-objects—anthropological to the psychological, Marxist to the theological. It reconceives of fetishes as a form of resistance to oppressive structures, something which motivated Christians themselves historically, and shaped our western understanding of the sacraments far more than has been acknowledged. Taking up this conversation likewise holds forth the possibility of reconceptualizing how fetish-objects and sacramental presences both speak profoundly to our late-modern selves.

The Challenge of the Fetish-Object to Modernity

The Fetish of Theology

Adam Kotsko

In this book, Dickson and Kotso examine Agamben’s more recent theologically-focused writing and its implications for philosophical thought.

Finding a New Use for Theology

Agamben's Coming Philosophy

Autobiographical writings on faith frequently come from the lives of ordinary persons whose struggles with faith are often lived at the margins of the church, academy, and society. Yet these voices have the potential to reshape the ways in which each of these fields function. To find out what it means to stand before God with all of one's humanity on display is to engage in not only the act of confession, but to demonstrate a bold theological reflection that needs to be more explicitly understood. By turning to spiritual autobiographies as theological source texts, we learn to place our emphasis where it matters most, on the people whose lives of faith move us deeply and cause us to re-examine our own lives in light of their witness. Moving through a range of ancient, early modern, and contemporary spiritual writers in order to demonstrate a profound connection that unites them all, this book portrays how a critical self-examination of one's most personal, internal fractures (our "poverty" as it were) is the only way to develop a life of faith--the dual meaning of the word "confession," which expresses both a revealing of one's sins, or brokenness, and the articulation of what one believes.

The Centrality of Confession, Relationship, and Prayer to the Life of Faith

Theology as Autobiography

Autobiographical writings on faith frequently come from the lives of ordinary persons whose struggles with faith are often lived at the margins of the church, academy, and society. Yet these voices have the potential to reshape the ways in which each of these fields function. To find out what it means to stand before God with all of one’s humanity on display is to engage in not only the act of confession, but to demonstrate a bold theological reflection that needs to be more explicitly understood. By turning to spiritual autobiographies as theological source texts, we learn to place our emphasis where it matters most, on the people whose lives of faith move us deeply and cause us to re-examine our own lives in light of their witness. Moving through a range of ancient, early modern, and contemporary spiritual writers in order to demonstrate a profound connection that unites them all, this book portrays how a critical self-examination of one’s most personal, internal fractures (our “poverty” as it were) is the only way to develop a life of faith—the dual meaning of the word “confession,” which expresses both a revealing of one’s sins, or brokenness, and the articulation of what one believes.

Stéphane Symons

In the Arcades Project, Walter Benjamin writes that his work is “related to theology as blotting pad is related to ink. It is saturated with it.” For a thinker so decisive to critical literary, cultural, political, and aesthetic writings over the past half-century, Benjamin’s relationship to theological matters has been less observed than it should, even despite a variety of attempts over the last four decades to illuminate the theological elements latent within his eclectic and occasional writings. Such attempts, though undeniably crucial to comprehending his thought, remain in need of deepened systematic analysis. In bringing together some of the most renowned experts from both sides of the Atlantic, Walter Benjamin and Theology seeks to establish a new site from which to address both the issue of Benjamin’s relationship with theology and all the crucial aspects that Benjamin himself grappled with when addressing the field and operations of theological inquiry.

Colby Dickinson

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