Colin Dickey

Colin Dickey embarks on a journey across the continental United States to decode and unpack the American history repressed in the most famous haunted places. Dickey conjures the dead by focusing on questions of the living - how do we deal with stories about ghosts, and how do we inhabit and move through spaces that have been deemed haunted?

An American History in Haunted Places

Ghostland

"Absolutely perfect for the current moment." --Buzzfeed America's favorite cultural historian and author of Ghostland takes a tour of the country's most persistent "unexplained" phenomena In a world where rational, scientific explanations are more available than ever, belief in the unprovable and irrational--in fringe--is on the rise: from Atlantis to aliens, from Flat Earth to the Loch Ness monster, the list goes on. It seems the more our maps of the known world get filled in, the more we crave mysterious locations full of strange creatures. Enter Colin Dickey, Cultural Historian and Tour Guide of the Weird. With the same curiosity and insight that made Ghostland a hit with readers and critics, Colin looks at what all fringe beliefs have in common, explaining that today's Illuminati is yesterday's Flat Earth: the attempt to find meaning in a world stripped of wonder. Dickey visits the wacky sites of America's wildest fringe beliefs--from the famed Mount Shasta where the ancient race (or extra-terrestrials, or possibly both, depending on who you ask) called Lemurians are said to roam, to the museum containing the last remaining "evidence" of the great Kentucky Meat Shower--investigating how these theories come about, why they take hold, and why as Americans we keep inventing and re-inventing them decade after decade. The Unidentified is Colin Dickey at his best: curious, wry, brilliant in his analysis, yet eminently readable.

Mythical Monsters, Alien Encounters, and Our Obsession with the Unexplained

The Unidentified

A collection of essays that recounts the strangest stories of the Christian saints, including those who committed murder, gouged out their own eyes, spontaneously combusted and discussed the dangers of masturbation and the pleasures of castration.

Stories from the Ends of Faith

Afterlives of the Saints

Presents a history of cranioklepty, the desire to possess the skulls of the brilliant and famous, either for study, for sale, or for display. Includes the after-death stories of Haydn, Beethoven, Emanuel Swedenborg, Thomas Browne, and others.

Grave Robbing and the Search for Genius

Cranioklepty

Joanna Ebenstein

Presents a eclectic collection of essays on death and the intersection of anatomy and medicine, including pieces on such topics as post-mortem photography, books bound in human skin, eroticized anatomical wax models, and taxidermied humans.

The Morbid Anatomy Anthology

From beloved cultural historian and acclaimed author of Ghostland comes a history of America's obsession with secret societies and the conspiracies of hidden power The United States was born in paranoia. From the American Revolution (thought by some to be a conspiracy organized by the French) to the Salem witch trials to the Satanic Panic, the Illuminati, and QAnon, one of the most enduring narratives that defines the United States is simply this: secret groups are conspiring to pervert the will of the people and the rule of law. We’d like to assume these panics exist only at the fringes of society, or are unique features of the internet age. But history tells us, in fact, that they are woven into the fabric of American democracy. Cultural historian Colin Dickey has built a career studying how our most irrational beliefs reach the mainstream, why, and what they tell us about ourselves. In Under the Eye of Power, Dickey charts the history of America through its paranoias and fears of secret societies, while seeking to explain why so many people—including some of the most powerful people in the country—continue to subscribe to these conspiracy theories. Paradoxically, he finds, belief in the fantastical and conspiratorial can be more soothing than what we fear the most: the chaos and randomness of history, the rising and falling of fortunes in America, and the messiness of democracy. Only in seeing the cycle of this history, Dickey says, can we break it.

Colin Dickey

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