Joel Meyerowitz

Colin Westerbeck

A fascinating celebration of street photography features works by such renowned masters as Atget, Stieglitz, Cartier-Bresson, and Robert Frank, as well as unknown photgraphers, and is filled with detailed text that chronicles the history of this energetic movement. Reprint. 10,000 first printing.

A History of Street Photography : with a New Afterword on Street Photography Since the 1970's

Bystander

The first definitive monograph of color photographs by American street photographer Vivian Maier. Photographer Vivian Maier’s allure endures even though many details of her life continue to remain a mystery. Her story—the secretive nanny-photographer who became a pioneer photographer—has only been pieced together from the thousands of images she made and the handful of facts that have surfaced about her life. Vivian Maier: The Color Work is the largest and most highly curated published collection of Maier’s full-color photographs to date. With a foreword by world-renowned photographer Joel Meyerowitz and text by curator Colin Westerbeck, this definitive volume sheds light on the nature of Maier’s color images, examining them within the context of her black-and-white work as well as the images of street photographers with whom she clearly had kinship, like Eugene Atget and Lee Friedlander. With more than 150 color photographs, most of which have never been published in book form, this collection of images deepens our understanding of Maier, as its immediacy demonstrates how keen she was to record and present her interpretation of the world around her.

Vivian Maier: The Color Work

Where I Find Myself is the first major single book retrospective of one of America's leading photographers. It is organized in inverse chronological order and spans the photographer's whole career to date: from Joel Meyerowitz's most recent picture all the way back to the first photograph he ever took. The book covers all of Joel Meyerowitz's great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground Zero, his trips in the footsteps of Robert Frank across the US, his experiments comparing color and black and white pictures, and of course his iconic street photography work. Joel Meyerovitz is incredibly eloquent and candid about how photography works or doesn't, and this should be an inspiration to anyone interested in photography.

A Lifetime Retrospective

Joel Meyerowitz: Where I Find Myself

An introduction to the pioneering work of the innovator and teacher.

This landmark book chronicles the development of a kind of photography that is created out of the energy and chance juxtapositions found in everyday life on the street. Street photography is at the heart of what makes photography unique. An unprecedented study that is the first history of this tradition ever published, Bystander explores street photography through a discussion of the medium's masters - Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Evans, Levitt, Frank, Arbus, Winogrand, and many others - and reveals along the way much about the craft and creative process of photography. Profusely illustrated with the work of more than eighty photographers, the book is composed of four parts separated by lively folios of pictures. Each part discusses a different era - from the early days of the medium in nineteenth-century Europe, to America in the late twentieth century - and devotes entire chapters to the key figures of that period.

A History of Street Photography

Irving Penn

Rosamond Bernier

Colin Eisler

Now available in paperback Irving Penn’s photographs have become iconic documents of an era––from his fashion and commercial editorials to his series of nudes and portraits of artists, musicians, writers, celebrities, and tribesmen of New Guinea, Peru, and Morocco. Originally published in 1997 to accompany an exhibition celebrating the Irving Penn Collection and Archives at the Art Institute of Chicago, this book examines Penn’s remarkable and wide-ranging career and his uncompromising artistic vision. With nearly 200 captivating photographs that span the entire scope of his artistic production––including poetic portraits of Cecil Beaton, Marcel Duchamp, Arshile Gorky, Elsa Schiaparelli, Georgia O’Keeffe, and Truman Capote––the book features essays by distinguished scholars and reflections by individuals who have known him well or collaborated with him. They also discuss Penn's particular genius for demonstrating how a profound and humane art can be created at the center of a society increasingly dominated by and enthralled with mass media.

A Career in Photography

Colin Westerbeck's criterion in choosing the 100 photographs published here was to seek out underappreciated work by great photographers and great work by underappreciated photographers. These 100 prints have all been drawn from the many thousands in the inventory of Howard Greenberg Gallery. Westerbeck was particularly drawn to Greenberg's wide-ranging taste in both American and European photography of the twentieth century. The resulting book bears the name A Democracy of Imagery because Westerbeck believes all the works it contains should be considered equal. Each has been selected for its individuality -- indeed, its idiosyncrasy -- rather than its similarity to or compatibility with other images. In this spirit, works chosen for commentary are discussed individually. Westerbeck explores the background stories of particular photographs, as opposed to generalizing about the photos as a whole.

A Democracy of Imagery

An accessible monograph on the work of the American photographer who is best known for his color photos of Cape Cod seascapes.

Vivian Maier a colori. Ediz. illustrata

Kenneth A. Breisch

Anne Lacoste

Judith Keller

This is a collection of more than 150 images from the Bruce and Nancy Berman Collection of contempory photographs. These images concentrate on the American landsape and the people and structures to be found in it.

Photographs of America from the Berman Collection

Where We Live

Phillip Prodger

Emil Otto Hoppé

A volume of early modernist photography reflects its creator's noteworthy views of the United States in the 1920s as a brave new nation whose grand-scale achievements are marked by pockets of trouble between its multicultural and economic diversities.

Colin Westerbeck

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