Collier Schorr

There I Was marks a shift in medium and a conceptual departure for Collier Schorr. She is best known for her photographic studies of a real and imagined town in southern Germany, works which tease the accepted artifice of photography to forge an appropriated remembrance of German histories. Schorr found drawing a more acute medium to describe events that took place in the neighbourhoods of her childhood, specifically the muscle car counter culture of the 1960s in Long Island and Queens, NY. This history is related through the short but spectacular life of charismatic 19 year-old drag car racer Charlie Astoria Chas Synder and his 67 Ko-Motion Corvette. At the age of four Schorr accompanied her father, an automotive photographer and journalist, to a local race track where she watched Astoria Chas work on his car. A subsequent article followed, with the now eerie headline While Astoria Chas is doing his thing in Vietnam his friends are racing his L-88. By the time the article was published, Charlie Snyder had died in action in Vietnam. There I Was is Snyder's story and Schorrs dilemma. He was there, she was not. The project examines the role of the photograph as proof of the photographer's presence, territory and view, and the difficulty of representing any past without the theatricality of re-staging it. Based entirely on photography, the book engages with the medium and simultaneously challenges the role of the photograph as document of the past. Using a collision of source materials for the drawings, beginning with her fathers images and Snyders own snapshots taken in Vietnam, Schorr then draws from professional reportage pictures, so as to describe, literally sketch out, one monumental trip from Queens to Vietnam and back. These drawings are contrasted by reproductions of vintage car magazine articles and Schorrs own photograph portraits. There I Was is a complex and multi-faceted look at escape, culture, dreams and mortality, conjuring up an expressionistic portrait of the dichotomies of the late 1960s in a fractured wartime America.

There I was

Essay by Collier Schorr. Interview with Jens. F.

Jens F.

Tiré du site Internet http://exilebooks.com: "Known for her stunning, emotionally charged images of androgynous youth and for her documentary-style portrayals of teen boys in Germany - Collier is one of the few fine art photographers that has seamlessly interpreted her vision into fashion magazine spreads and ad campaigns. The title 8 1/2 Women plays on a combination of Ozen's "8 Women", Fellini's "8 1/2", and Altman's "3 Women", and utilizes Collier's own fashion photography, outtakes, appropriations, drawings, notes and other reference materials. Printed in a xerox style undulating between black and white and color, this mezmerizing artist's book is filled with images of desire and induces a conversation about the female gaze into a debate about female representation."

8 Women

Créateur de la plupart des couvertures du Saturday Evening Post et des illustrations de Tom Sawyer, Norman Rockwell est l'un des plus célèbres illustrateurs des Etats-Unis. Peintre de l'Amérique profonde, cet autodidacte est devenu l'un des emblèmes de la culture populaire. Saviez-vous que : - il fait partie des " peintres de genre " américains ? - il est à l'origine des Quatre Libertés, symbole du plus authentique " way of life " américain ? - il a été l'un des premiers artistes à faire campagne pour les droits civils ? - il était un grand admirateur de Jackson Pollock ?

Norman Rockwell

Dave Hickey

Billy Name

Billy Name was the principal photographer of Andy Warhol's Factory. Now, All Tomorrow's Parties reproduces for the first time Billy Name's recently discovered photos of Warhol, his crowd, and the Factory years, images that give the era another dimensions. These color photos with their experimental use of weird color balances and diptych printing are uncannily contemporary. Together with Dave Hickey's essay and Collier Schorr's interview, Billy Name's photos reveal the Factory in all its intimate grunge and glamour. 135 photos, 122 in color.

Billy Name's Photographs of Andy Warhol's Factory

All Tomorrow's Parties

Collier Schorr met Paul Hameline, a young French artist and model, in New York in 2015. A friend of friend, he came to her home for a "go-see", which is when a photographer gets to see how a model looks in front of the camera. Paul's family lives in the Marais section of Paris around the corner from the hotel Collier stays at while in Paris, so they began to meet and to make a project that lasted two years in which Collier would visit Paul at his parents' house and take pictures and talk. The idea was for Paul and Collier to experience photography as a social space, a conversation in which his body and her eyes could try and understand each other's fascinations and fantasies. Many of the pictures were published in 'Re Edition' magazine. 'Paul's Book' expands that magazine story to form a larger piece about the way in which a photographer and model can search for some greater revelations with the simplest movements and various states of undress. --

Collier Schorr

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