Craig Hugh Smyth

Mannerism and Maniera

Gian Carlo Garfagnini

Comparisons and Relations : Acts of Two Conferences at Villa I Tatti in 1982-1984

Florence and Milan

Florence and Milan: Monasteri femminili milanesi tra medioeve e età moderna

Peter Humfrey

Andrea Bayer

William F. Prizer

Alessandro Nova

Burton B. Fredericksen

Dosso Dossi

Getty Research Institute (Los Angeles, Calif.)

Giovanni Romano

Michel Hochmann

Vincenzo Gheroldi

Adriano Franceschini

Jane Bridgeman

Mauro Lucco

Andrea de Marchi

Franco Bacchelli

Jadranka Bentini

Albano Biondi

Luca D'Ascia

Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.

Painting and Court Culture in Renaissance Italy

Dosso's Fate

Craig Hugh Smyth

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