Cristina Bacchilega

Marie Alohalani Brown

A treasury of tales about merfolk and water spirits from different cultures, ranging from Scottish selkies to Hindu water-serpents to Chilean sea fairies. All tales are accompanied by commentary that explores their undercurrents, showing us how public perceptions of this popular mythical hybrid--at once a human and a fish--illuminate issues of gender, spirituality, ecology, and sexuality. -- adapted from back cover.

The Penguin Book of Mermaids

Investigates early twenty-first-century fairy-tale transformations to explore the politics and poetics of adaptation.

Twenty-first-century Adaptations and the Politics of Wonder

Fairy Tales Transformed?

Postmodern Fairy Tales seeks to understand the fairy tale not as children's literature but within the broader context of folklore and literary studies. It focuses on the narrative strategies through which women are portrayed in four classic stories: "Snow White," "Little Red Riding Hood," "Beauty and the Beast," and "Bluebeard." Bacchilega traces the oral sources of each tale, offers a provocative interpretation of contemporary versions by Angela Carter, Robert Coover, Donald Barthelme, Margaret Atwood, and Tanith Lee, and explores the ways in which the tales are transformed in film, television, and musicals.

Gender and Narrative Strategies

Postmodern Fairy Tales

Donald Haase

Robert Irwin

Noelani Arista

Sadhana Naithani

Geert Jan van Gelder

Lee Haring

Heinz Grotzfeld

Joseph Sadan

Francesca Maria Corrao

Margaret A. Mills

Hande A. Birkalan-Gedik

Sabir Badalkham

Suzanne Enderwitz

Hasan El-Shamy

Thomas Geider

Sylvette Larzul

The follow-up to The Arabian Nights Reader, this volume investigates the transnational features of the Arabian Nights.

The Arabian Nights in Transnational Perspective

Jennifer Orme

Fairy-tale texts and images that address contemporary issues in unsettling, intersectional, and wondrous ways.

Wonder Tales in the Twenty-First Century

Inviting Interruptions

Hawaiian legends figure greatly in the image of tropical paradise that has come to represent Hawai'i in popular imagination. But what are we buying into when we read these stories as texts in English-language translations? Cristina Bacchilega poses this question in her examination of the way these stories have been adapted to produce a legendary Hawai'i primarily for non-Hawaiian readers or other audiences. With an understanding of tradition that foregrounds history and change, Bacchilega examines how, following the 1898 annexation of Hawai'i by the United States, the publication of Hawaiian legends in English delegitimized indigenous narratives and traditions and at the same time constructed them as representative of Hawaiian culture. Hawaiian mo'olelo were translated in popular and scholarly English-language publications to market a new cultural product: a space constructed primarily for Euro-Americans as something simultaneously exotic and primitive and beautiful and welcoming. To analyze this representation of Hawaiian traditions, place, and genre, Bacchilega focuses on translation across languages, cultures, and media; on photography, as the technology that contributed to the visual formation of a westernized image of Hawai'i; and on tourism as determining postannexation economic and ideological machinery. In a book with interdisciplinary appeal, Bacchilega demonstrates both how the myth of legendary Hawai'i emerged and how this vision can be unmade and reimagined.

Tradition, Translation, and Tourism

Legendary Hawai'i and the Politics of Place

Cristina Bacchilega

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