Carlos Duarte

Jan Carel Diehl

Cristina Rocha

Ana Mestre

Inês Secca Ruivo

Paulo Parra

Ana Candeias

Eduardo Côrte-Real

Luís Gil

Paulo Cortiço

Maria de Fátima Pombo

Rui Frazao

Significados da Matéria no Design

Widely perceived as an overwhelmingly Catholic nation, Brazil has experienced in recent years a growth in the popularity of Buddhism among the urban, cosmopolitan upper classes. In the 1990s Buddhism in general and Zen in particular were adopted by national elites, the media, and popular culture as a set of humanistic values to counter the rampant violence and crime in Brazilian society. Despite national media attention, the rapidly expanding Brazilian market for Buddhist books and events, and general interest in the globalization of Buddhism, the Brazilian case has received little scholarly attention. Cristina Rocha addresses that shortcoming in Zen in Brazil. Drawing on fieldwork in Japan and Brazil, she examines Brazilian history, culture, and literature to uncover the mainly Catholic, Spiritist, and Afro-Brazilian religious matrices responsible for this particular indigenization of Buddhism. In her analysis of Japanese immigration and the adoption and creolization of the Sôtôshû school of Zen Buddhism in Brazil, she offers the fascinating insight that the latter is part of a process of "cannibalizing" the modern other to become modern oneself. She shows, moreover, that in practicing Zen, the Brazilian intellectual elites from the 1950s onward have been driven by a desire to acquire and accumulate cultural capital both locally and overseas. Their consumption of Zen, Rocha contends, has been an expression of their desire to distinguish themselves from popular taste at home while at the same time associating themselves with overseas cultural elites.

The Quest for Cosmopolitan Modernity

Zen in Brazil

His book is the first ethnographic account of the global spiritual movement headed by John of God, a Brazilian faith healer. Renowned for performing surgeries using rudimentary tools such as kitchen knives and scissors, without anesthetics or asepsis, John of God is allegedly inhabited by entities, or spirits, and goes into a trance-like state in order to heal his visitors and afterwards, when he regains consciousness, does not remember the operations. Visited by thousands of the desperately ill; the wealthy; celebrities such as Oprah Winfrey, Ram Daas, Wayne Dyer, and Shirley MacLaine; and an increasing array of media, John of God has become an international faith healing superstar in just over a decade. John of God himself travels to conduct healing events in the US, New Zealand, Germany, Greece, Switzerland, Austria, and many other countries. More recently, a transnational spiritual community has developed around John of God, comprised of the ill, those who seek spiritual growth, healers, and tour guides, and according to followers, even spirits whose powers transcend national boundaries. Drawing on a decade of fieldwork in Brazil, the US, the UK, Germany, Australia, and New Zealand, Cristina Rocha examines the social and cultural forces that have made it possible for a healer from Brazil to become a global guru in the 21st century. Rocha explores what attracts foreigners to John of God's cosmology and healing practices, how they understand their own experiences, and how these radical experiences have transformed their lives.

The Globalization of Brazilian Faith Healing

John of God

Cristina Rocha

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