Fenton Johnson

Crystal Wilkinson

From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness. The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive. Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love -- and love that's handed down -- can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

The Birds of Opulence

A lyrical culinary journey that explores the hidden legacy of Black Appalachians, through powerful storytelling alongside nearly forty comforting recipes, from the former poet laureate of Kentucky. “With Praisesong for the Kitchen Ghosts, Crystal Wilkinson cements herself as one of the most dynamic book makers in our generation and a literary giant. Utter genius tastes like this.”—Kiese Laymon, author of the Carnegie Medal-winning Heavy People are always surprised that Black people reside in the hills of Appalachia. Those not surprised that we were there, are surprised that we stayed. Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine. An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, Praisesong for the Kitchen Ghosts honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia. As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in Praisesong for the Kitchen Ghosts. She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, Praisesong for the Kitchen Ghosts weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century.

Stories and Recipes from Five Generations of Black Country Cooks

Praisesong for the Kitchen Ghosts

bell hooks

Dorothy Allison

Connie May Fowler

Jayne Anne Phillips

Michael Croley

Silas House

Carter Sickels

Chris Offutt

Jason Howard

Julia Watts

Ann Pancake

Jeff Mann

Aaron Smith

Lisa Lewis

Charles Dodd White

Pinckney Benedict

Mary Crockett Hill

Melissa Range

Kathryn Stripling Byer

Joyce Dyer

Jacinda Townsend

Jessie van Eerden

David Huddle

Sheldon Lee Compton

Sarah Einstein

Jane Springer

Richard Currey

Rob Amberg

RJ Gibson

Tennessee Jones

Ida Stewart

In Walk Till the Dogs Get Mean, Adrian Blevins and Karen Salyer McElmurray collect essays from today’s finest established and emerging writers with roots in Appalachia. Together, these essays take the theme of silencing in Appalachian culture, whether the details of that theme revolve around faith, class, work, or family legacies.

In essays that take wide-ranging forms—making this an ideal volume for creative nonfiction classes—contributors write about families left behind, hard-earned educations, selves transformed, identities chosen, and risks taken. They consider the courage required for the inheritances they carry.

Toughness and generosity alike characterize works by Dorothy Allison, bell hooks, Silas House, and others. These writers travel far away from the boundaries of a traditional Appalachia, and then circle back—always—to the mountains that made each of them the distinctive thinking and feeling people they ultimately became. The essays in Walk Till the Dogs Get Mean are an individual and collective act of courage.

Meditations on the Forbidden from Contemporary Appalachia

Walk Til the Dogs Get Mean

"Water Street" examines the secret lives of neighbors and friends who live in a small town in Kentucky. Assured and intimate, dealing with love, loss, truth and tragedy, Wilkinson weaves readers in and out of the lives of Water Street's inhabitants.

Water Street

Crystal Wilkinson combines a deep love for her rural roots with a passion for language and storytelling in this compelling collection of poetry and prose about girlhood, racism, and political awakening, imbued with vivid imagery of growing up in Southern Appalachia. In Perfect Black, the acclaimed writer muses on such topics as motherhood, the politics of her Black body, lost fathers, mental illness, sexual abuse, and religion. It is a captivating conversation about life, love, loss, and pain, interwoven with striking illustrations by her long-time partner, Ronald W. Davis.

Perfect Black

An enchanting, haunting collection of stories by Crystal Wilkinson, a self-described Black, country girl and poet from rural Kentucky. The stories explore the joys and pain of the women of "Affrilachia", and will touch the reader profoundly. "I grew up on a farm in Indian Creek, Kentucky during the seventies. I swam in creeks and roamed the knobs and hills. We had an outhouse and no inside running water. Our house was heated by coal and wood-burning stoves and we lived so far back in the woods that we could get only one television station. But it was a place of beauty - trees, green grass and blue sky as far as you could see. I am country. Being country is as much a part of me as my full lips, wide hips, dreadlocks and high cheek bones. There are many Black country folks who have lived and are living in small towns, up hollers and across knobs. They are all over the South--scattered like milk thistle seeds in the wind. The stories in this book are centered in these places." - CRYSTAL E. WILKINSON

Blackberries, Blackberries

Crystal Wilkinson

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