Bruce Smith

Bianca Stone

Bruce Bond

Carolyn Finney

Colum McCann

Philip Metres

Kazim Ali

Diana Whitney

Ru Freeman

Jerome Rothenberg

Fred D'Aguiar

Jeff Talarigo

Sheryl St. Germain

William Heyen

Cynthia Hogue

Arthur Sze

Nin Andrews

Dominique Christina

Kristina Marie Darling

Remica Bingham-Risher

Shara McCallum

Shin Yu Pai

Mihaela Moscaliuc

Tanure Ojaide

Carol Moldaw

Michael Waters

Angelique Palmer

Rita Banerjee

Tim Seibles

Haleh Liza Gafori

Morowa Yejide

Christal Brown

Dante DiStefano

Claire Bateman

Nell-Lynn Perera

D. M. Aderibigbe

Christine Gelineau

H.L. Hix

Kaylynn Sullivan TwoTrees

Felice Belle

Alycia D. Jenkins

Diane Raptosh

Lynn Kozak

Steven Reese

Jeff Diteman

Damon Honeycutt

Rashidah Ismaili Abu-Baker

Sign & Breath is a new critical anthology that takes a different approach to exploring these questions: What is poetry? What defines voice? Featuring a range of contemporary artists, many of whom work across different mediums and genres, Sign & Breath introduces the reader to one page that sings in any genre – prose, fiction, poetry, spoken word, hybrid forms, and song – across diverse traditions. Rather than define poetry as a genre with conventions, traditions, codes, and modalities, this book features poetry as a faculty that thrums in all written and spoken art. Readers are introduced to a text followed by a discussion with the author about creating the piece, ties to creative lineage, and the definition of voice through their practice. This anthology contributes to the dialogue among genres which will reframe understanding of poetry as an aesthetic experience of language. With one page that sings in any genre, Sign & Breath presents a new, inclusive perspective on poetry while two questions remain: Do we have a clearer understanding of what defines poetry? Do we have a clearer understanding of voice?

Sign & Breath

Elisabeth Ann Frost

An Anthology of Contemporary Poetry and Interviews

Innovative Women Poets

Revenance

Laura Hinton

This first critical volume devoted to the full range of women's postmodern works includes some of the most respected writers and critics in the contemporary avant-garde. We Who Love to Be Astonished collects a powerful group of previously unpublished essays to fill a gap in the critical evaluation of women's contributions to postmodern experimental writing. Contributors include Alan Golding, Aldon Nielsen, and Rachel Blau DuPlessis; discussions include analyses of the work of Kathleen Fraser, Harryette Mullen, and Kathy Acker, among others. The editors take as their title a line from the work of Lyn Hejinian, one of the most respected of innovative women poets writing today. The volume is organized into four sections: the first two seek to identify, from two different angles, the ways women of different sociocultural backgrounds are exploring their relationships to their cultures' inherited traditions; the third section investigates the issue of visuality and the problems and challenges it creates; and the fourth section expands on the role of the body as material and performance. The collection will breach a once irreconcilable divide between those who theorize about women's writing and those who focus on formalist practice. By embracing "astonishment" as the site of formalist-feminist investigation, the editors seek to show how form configures feminist thought, and, likewise, how feminist thought informs words and letters on a page. Students and scholars of avant-garde poetry, women's writing, and late-20th-century American literature will welcome this lively discussion.

Experimental Women's Writing and Performance Poetics

We who Love to be Astonished

This book uses post structuralist, psychoanalytic, and feminist theories to read the poetry of Dickinson, Moore, H.D., and Rich.

Poetry, Privilege, and the Politics of Subjectivity

Scheming Women

Poetry. "I drive into an August tropic rain./ The road's behind a waterfall and I'm/ hunched squinting like a crone/ for signs. Ghosts mark time ..." (Moving to New Orleans, 1991). "I am moved by Ms. Hogue's apparent knowledge of people, and by her ability to present them convincingly in her poems. This is a quality all too rare in contemporary poetry, characterized as it is by a nearly universal self-absorption. There is wisdom here, and acute observation of the human situation"--John Haines.

The Never Wife

When the Water Came: Evacuees of Hurricane Katrina gathers the intimate recollections of eleven Louisiana and Mississippi residents and the unforgettable details of their lives during and after Hurricane Katrina. Their words, transformed by the poet's hand, are heartbreaking but ultimately inspiring stories of the human condition. Powerful black-and-white photographs of the participants and their surroundings create a lyrical conversation. Poet Cynthia Hogue and photographer Rebecca Ross convey the experience of a cross section of evacuees, their journeys from the Gulf Coast to the Arizona desert, and their efforts to make new lives. Through this combination of words and images, When the Water Came weaves a distinct narrative of Katrina and its aftermath. This book, an accounting of changed lives told in precise detail, allows us to see how the human spirit confronts and transcends trauma

Evacuees of Hurricane Katrina

When the Water Came

Cynthia Hogue

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