D. H. Lawrence

Constance Chatterley turns from a sterile marriage to a passionate relationship with a spiritually independent gamekeeper

Lady Chatterley's Lover

Women in love

The Rainbow

Sons and lovers

Aaron's Rod

D.H. Lawrence was one of the great short story writers of the 20th century. This new collection of ten stories shows the variety of his achievement as the works develop from an early realism towards myth and fairy tale, murder, and ghost stories. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Selected Stories

D. H. Lawrence's short stories portray complex, flawed interior lives, showing individuals facing momentous emotional events. In these two stories of fragile happiness and failed dreams, a tragedy forces a woman to acknowledge that she has never known her husband, and a man blinded in the First World War discovers an unexpected peace.

Odour of Chrysanthemums

The "Fanny and Annie" short story is part of D.H. Lawrence's "England, my England" short story collection. As in most of his short-stories, in "Fanny and Annie" too, D.H. Lawrence changes his manner of writing from one scene to the next, being sometimes plain and direct, sometimes lush and florid, while sometimes he intrudes in his narrative to deliver lectures in a style which is flagrantly rethorical and often incantatory. It is this aspect of Lawrence, the seer, the prophet that could most closely describe the type of narrator which he chooses for his writings. The narrative voice is omnipresent, closely focused on the main character, Fanny, as she progressively gets to the final decision of marrying Harry in spite of all the town gossip...........

Fanny and Annie

Francis Alys

Πλάτων

Francis Alÿs

Ben Power

Husbands and Sons

This volumes features to profound essays by one of the English language's most famous and controversial authors. D.H. Lawrence wrote Psychoanalysis and the Unconscious and Fantasia of the Unconscious in the early 1920s, during his most productive period.

Psychoanalysis and the Unconscious and Fantasia of the Unconscious

Fantasia of the Unconscious

Michael Herbert

Lindeth Vasey

Bethan Jones

Virgin and the Gipsy and Other Stories

Lady Chatterley's lover

This collection includes all the poems from the incomplete "Collected Poems" of 1929 and from the separate smaller volumes issued during Lawrence's lifetime; uncollected poems; an appendix of juvenilia and another containing variants and early drafts; and all Lawrence's critical introductions to his poems. It also includes full textual and explanatory notes. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Complete Poems

Lady Constance Chatterley is trapped in a loveless marriage to a man who is impotent. Oppressed by her dreary life, she is drawn to Mellors the gamekeeper. Breaking out against the constraints of society she yields to her instinctive desire for him and discovers the transforming power of physical love which leads them towards fulfilment.

Women in Love

Charlotte Brontë

Virginia Woolf

John Stuart Mill

Henry James

Charlotte Perkins Gilman

H. G. Wells

Edith Wharton

Lucy Maud Montgomery

Elizabeth Cady Stanton

Henrik Ibsen

Theodore Dreiser

Nathaniel Hawthorne

Mary Wollstonecraft

Margaret Oliphant

Mary Johnston

Nikolai Leskov

Elizabeth Gaskell

Sojourner Truth

Gene Stratton-Porter

Willa Cather

Jane Austen

Fanny Burney

Margaret Mitchell

Thomas Hardy

Louisa May Alcott

Kate Chopin

Elizabeth von Arnim

Grant Allen

Margaret Fuller

Rebecca Harding Davis

Margaret Deland

Marietta Holley

Harriet Martineau

Julia Ward Howe

Ada Cambridge

Sarah H. Bradford

Zona Gale

Elia Wilkinson Peattie

Elizabeth Burgoyne Corbett

Mary Ware Dennett

Leo Tolstoy

e-artnow presents to you this meticulously edited collection of feminist masterpieces - from fictional protagonists who influenced generations of young women to the real heroines of the past, their life stories and their legacy. _x000D_ Fiction:_x000D_ Camilla (Fanny Burney)_x000D_ Maria; Or, The Wrongs of Woman (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ The Scarlet Letter (Nathaniel Hawthorne)_x000D_ Lady Macbeth of the Mzinsk District (Nikolai Leskov)_x000D_ Hester (Margaret Oliphant)_x000D_ Life in the Iron Mills (Rebecca Davis)_x000D_ Little Women (Louisa May Alcott)_x000D_ The Portrait of a Lady (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ North and South (Elizabeth Gaskell)_x000D_ The Yellow Wallpaper (Charlotte Perkins Gilman)_x000D_ Herland (Charlotte Perkins Gilman)_x000D_ A Doll's House (Henrik Ibsen)_x000D_ Hedda Gabler (Henrik Ibsen)_x000D_ The Awakening (Kate Chopin)_x000D_ The Woman Who Did (Grant Allen)_x000D_ Miss Cayley's Adventures (Grant Allen)_x000D_ New Amazonia (Elizabeth Corbett)_x000D_ A Girl of the Limberlost (Gene Stratton-Porter)_x000D_ The Iron Woman (Margaret Deland)_x000D_ My Ántonia (Willa Cather)_x000D_ The House of Mirth (Edith Wharton)_x000D_ Summer (Edith Wharton)_x000D_ Sister Carrie (Theodore Dreiser)_x000D_ Sisters (Ada Cambridge)_x000D_ Hagar (Mary Johnston)_x000D_ Samantha on the Woman Question (Marietta Holley)_x000D_ The Precipice (Elia Wilkinson Peattie)_x000D_ To the Lighthouse (Virginia Woolf)_x000D_ Miss Lulu Bett (Zona Gale)_x000D_ Lady Chatterley's Lover (D. H. Lawrence)_x000D_ The Enchanted April (Elizabeth von Arnim)_x000D_ Gone with the Wind (Margaret Mitchell)_x000D_ Emily of New Moon (Lucy Maud Montgomery)_x000D_ Memoirs:_x000D_ Madame Vigée Lebrun _x000D_ Jane Austen_x000D_ Caroline Herschel_x000D_ Mrs. Seacole_x000D_ Elizabeth Cady Stanton_x000D_ Emmeline Pankhurst_x000D_ Biographies:_x000D_ Lucretia_x000D_ Sappho_x000D_ Aspasia of Cyrus_x000D_ Portia_x000D_ Octavia_x000D_ Cleopatra_x000D_ Julia Domna_x000D_ Zenobia_x000D_ Valeria_x000D_ Hypatia_x000D_ Roswitha the Nun_x000D_ Marie de France_x000D_ Mechthild of Magdeburg_x000D_ Joan of Arc _x000D_ Catharine of Arragon_x000D_ Anne Boleyn_x000D_ Queen Elizabeth_x000D_ Mary, Queen of Scots_x000D_ Queen Anne_x000D_ Maria Theresa_x000D_ Marie Antoinette_x000D_ Madame de Stael_x000D_ Augustina Saragoza_x000D_ Charlotte Brontë_x000D_ Florence Nightingale_x000D_ Harriet Tubman

Including 100+ Biographies & Memoirs of the Most Influential Women in History

The Essential Feminist Collection – 60 Powerful Classics in One Volume

A sequel to his earlier novel The Rainbow, this novel of D.H Lawrence again, makes a daring departure from traditional English novels. This controversial novel is set in the British society during the First World war and it depicts the tragic love live of the Brangwen sisters, Ursula and Gudrun. Gudrun is an artist who falls into a violent, destructive relationship with the industialist Gerald Crishy. In contrast is the love between Ursula and Rupert Birkin, an intellectual. How these couples are constantly in a struggle within themselves, with each other and all the constrints in life forms the story. The novel ends, just as the fierce passion of Gerald for Dudrun, with the suicide of Gerald. In its liberal description on sexuality and other daring topics, the novel in deed presents the life, character and environment in society in the new age.

Not a lot happens in D H Lawrence's 'A Collier's Friday Night' which is one of its chief glories. Eschewing the neat plot-turns and engineered debates of the writers he called the 'rule and measure mathematical folk' (Shaw, Galsworthy, Barker), the 24-year-old Lawrence effectively threw away the rulebook, and created out of the habitual Friday night activities of a miner's family (counting out the pay, courting, baking bread, etc) a lovely sense of the inconsequential drift of ordinary experience.

A Collier's Friday Night

D. H. Lawrence

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