Dai Sijie

After years of studying Freud in Paris, Mr. Muo returns home to bring the benefits of psychoanalysis to twenty-first-century China and to somehow free his college sweetheart, now a political prisoner, a quest that leads him to the sadistic local magistrate, Judge Di, who demands a virgin maiden in exchange for clemency. Reprint. 35,000 first printing.

A Novel

Mr. Muo's Travelling Couch

Sijie Dai

Beguiling and ambitious, this new novel by the author of Balzac and the Little Chinese Seamstress , is ostensibly a search for an ancient text, and a love story. But beneath that is a haunting tale about language and identity, about the shifting layers of history under the confusing surface of Chinese life and politics, with a final Buddhist twist. A young French woman in Peking in the late 1970s interprets between Chinese professors and Bertolucci for his film The Last Emperor. Afterwards, she follows a disgruntled old professor who tells her about a text believed to be taken directly from Buddha's teachings and inscribed on silk cloth centuries ago. It was written in a now-dead language called Tumchooq (coincidentally, the name of a young Chinese man she has just met), so beautiful in its simplicity it is almost impossible to render accurately in translation.Puyi, the last emperor and last owner of this relic, allegedly tore the silk in two with his teeth while being flown to Manchuria by the Japanese, and threw the fragments from the plane. Only half of the mutilated manuscript was recovered, and the reader, like the narrator, must wait till the end of the novel to discover the rest. When the complete text is finally pieced together, its message is devastatingly simple, and all the more poignant because it has taken such sacrifice and effort to decipher. Comprising ancient texts and fables, stories within stories, and a young man's desperate search for his father's legacy, this brilliant novel, covering almost a century of China's history, has the modernity and tenderness of the film, Lost in Translation.

Once on a Moonless Night

1971: Mao's cultural Revolution is at its peak. Two sons of doctors, sent to 're-education' camps, forced to carry buckets of excrement up and down mountain paths, have only their sense of humour to keep them going. Although the attractive daughter of the local tailor also helps to distract them from the task at hand. The boys' true re-education starts, however, when they discover a hidden suitcase packed with the great Western novels of the nineteenth century. Their lives are transformed. And not only their lives: after listening to the stories of Balzac, the little seamstress will never be the same again.

Balzac and the Little Chinese Seamstress

Once on a moonless night

بالزاك والخياطة الصينية الصغيرة

A precious scroll inscribed with a lost Buddhist sutra—once owned by Pu Yi, the last emperor of China—is illicitly sold to an eccentric French linguist, Paul d’Ampere, who is imprisoned as a result. In jail, he devotes himself to studying its ancient text. A young Western scholar in China hears this account from the grocer Toomchooq, whose name mysteriously connects him to the document. She falls in love with both teller and tale, but when d’Ampere is killed in prison, Toomchooq disappears, and she, pregnant with his child, embarks on a search for her lost love and the scroll that begins, “Once on a moonless night . . .”

Tras el fenomenal éxito de Balzac y la joven costurera china, la nueva novela de Dai Sijie narra, en un tono divertido e irreverente, las andanzas de un aprendiz de psicoanalista en China. A sus cuarenta años, sin más bienes que sus gafas de miope y los cuadernos donde apunta cuidadosamente sus sueños, Muo vuelve a China tras haber pasado once años en París estudiando psicoanálisis. Lo empuja una misión tan noble como arriesgada: liberar de la cárcel a la mujer de sus sueños, Volcán de la Vieja Luna, que languidece en prisión por haber suministrado a la prensa europea fotografías de policías torturando a detenidos. Para salvarla, el corrupto juez Di exige una joven virgen en pago de su favor. Así pues, devoto del espíritu caballeresco, Muo se monta en una vieja bicicleta para salir en busca de una doncella, en lo que será una fascinante excursión psicoanalítica por la China actual, donde las costumbres feudales conviven con un régimen comunista descafeinado y la pujante invasión del paraíso capitalista. La corrupción, pero también la ingenuidad y la alegría de sus gentes, la picaresca y la solidaridad, serán las caras contrastadas que se irán perfilando en una sucesión de aventuras tragicómicas y de escenas tan hilarantes como inolvidables. Reseñas: «Endiablada sutileza y (...) atractivo misterio de su literatura». Culturas «Sijie se apoya en el sexo para propugnar la rebelión en pos de nuevas libertades y construye una novela que es una fiesta de la imaginación, luminosa y espléndida». Qué leer «El complejo de Di es, además de una muy divertida y apasionante novela, una prueba del buen hacer literario de Dai Sijie. (...) humor corrosivo a raudales, sostenido por un sutil malabarismo verbal cifrado en unas imágenes tan prodigiosas como desternillantes. (...) Imponente» ABC de las Letras

El complejo de Di

A young woman hears the tale of a sacred text, written in an ancient language and inscribed on silk cloth many centuries ago. Puyi, the last emperor and owner of the relic, allegedly tore the silk in pieces with his teeth and threw it from a plane when he was taken by the Japanese to Manchuria. A search for this lost text and its poignant, devastatingly simple message begins... This is a beguiling tale of fables, stories within stories, a young man's desperate search for his father's legacy and a young woman's search for the man she loved. Covering almost a century of China's history, this haunting novel combines mystery, harsh reality and tenderness with astonishing insight.

A young French woman in Peking in the late 1970s interprets between Chinese professors and Bertolucci for his film The Last Emperor. Afterwards, she follows a disgruntled old professor who tells her about a text believed to be taken directly from Buddha's teachings and inscribed on silk cloth centuries ago. It was written in a now-dead language called Tumchooq (coincidentally, the name of a young Chinese man she has just met), so beautiful in its simplicity it is almost impossible to render accurately in translation. Puyi, the last emperor and last owner of this relic, allegedly tore the silk in two with his teeth while being flown to Manchuria by the Japanese, and threw the fragments from the plane. Only half of the mutilated manuscript was recovered, and the reader, like the narrator, must wait till the end of the novel to discover the rest. When the complete text is finally pieced together, its message is devastatingly simple, and all the more poignant because it has taken such sacrifice and effort to decipher.

Dai Sijie

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