Daniel Baumann

Based on the author's popular lecture notes, this graduate-level textbook provides an accessible and self-contained introduction to cosmology, ideal as a course companion or for self-study. Concepts are explained at an appropriate level of detail, with hundreds of worked examples and problems to facilitate a deeper understanding.

Cosmology

Kim Seob Boninsegni

a project by Spike art magazine ; images by Head ; fueled by OB

Images

Edward M. Gomez

American Folk Art Museum

Milwaukee Art Museum

Adolf Wölfli

Elka Spoerri

Despite being institutionalized for schizophrenia at age thirty-one, Adolf Wölfli (1864-1930) achieved artistic greatness in his cell at Waldau Mental Asylum near his native Bern, Switzerland. He has had a profound influence on modern art ever since; André Breton described his work as "one of the three or four most important oeuvres of the twentieth century." The Art of Adolf Wölfli offers a fresh vantage point on the artist's remarkably intricate drawings and astonishing collages, as well as his newly translated writings, which are justly celebrated for their dizzying blend of mythology and humor. Also included are illuminating essays by leading specialists on his art and life. Wölfli's youth was one of deprivation. His alcoholic father ran off when Wölfli was five, and his mother died soon after. Despite these travails, he managed to complete his education, acquiring the sophisticated literacy so evident in his later work. However, beginning at age twenty-six, his repeated attempts to molest young girls landed him first in jail and, in 1894, in the asylum. Though violent at first, by 1899 he calmed down--and began to draw. Working primarily in pencil on newsprint, Wölfli created a dense, stunningly detailed medley of wildly imaginative prose texts interwoven with poems, musical compositions, color illustrations, and collages. His five-part magnum opus, "St. Adolf-Giant-Creation," comprises 45 large volumes and 16 notebooks--25,000 pages in all--containing 1,620 drawings and 1,640 collages. Sure to be the authoritative resource for this remarkable oeuvre, this striking book represents compelling testimony that great torment does not preclude great art. EXHIBITION SCHEDULE American Folk Art Museum, New York February 25 - May 18, 2003 Milwaukee Art Museum September 18 - December 12, 2004

St. Adolf-Giant-Creation

The Art of Adolf Wölfli

Liam McAllister

This accessible volume provides a modern treatment of the cosmological and string-theoretic background necessary to understand inflation in string theory.

Inflation and String Theory

Beautifully designed and lavishly illustrated, this volume traces the path of Wolfli's art on its long road from the asylum to the museum.

Draftsman, Writer, Poet, Composer

Taryn Simon

In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel's lead character. He found it to be perfectly "ordinary", "brief", "Anglo-Saxon" and "masculine". This co-opting of names was the first replacement in a series of substitutions that would become central to the construction of the Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon (*1975 in New York) inventoried women, weapons and vehicles in Bond. The contents of these categories function as essential accessories to the narrative's myth of the seductive, powerful, and invincible western male. In Birds of the West Indies, Simon presents a visual database of interchangeable variables used in the production of fantasy, through which she examines the economic and emotional value generated by their repetition.Exhibition schedule: 2013 Carnegie International, Pittsburgh October 5, 2013-March 16, 2014

Birds of the West Indies

Christopher Lord

Tina Kukielski

"In this comprehensive monograph, Ramin Haerizadeh Rokni Haerizadeh Hesam Rahmanian, details the three artists' collaborative activities since 2009, from the chaotic creative centrifuge of the house they share in Dubai to their exhibitions that blur their individual practices and expand their sphere to incorporate friends, works by other artists and spontaneous interventions."--Publisher's website.

Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian. Ediz. Inglese

Christina Kukielski

Dan Byers

The 2013 Carnegie International at Carnegie Museum of Art celebrates art as play, experimentation and dissonance, welcoming difference as an alternative to the standardization of cultural production. A major exhibition of new international art, the survey also encompasses an experimental playground project, a display and examination of the museum's permanent collection of postwar art, and a pioneering engagement with the city of Pittsburgh, putting the 2013 Carnegie International at the forefront of contemporary art and thinking. Organized by the curatorial team of Daniel Baumann, Dan Byers and Tina Kukielski, the catalogue provides rich background on each of the exhibition's components--including never-before-published pictures of projects and artworks--with an expanded artist section that features original interviews and in-depth texts on specific works by 35 artists from 19 countries in Asia, North America, South America, Europe, Africa and the Middle East: Ei Arakawa/Henning Bohl, Phyllida Barlow, Yael Bartana, Sadie Benning, Bidoun Library, Nicole Eisenman, Lara Favaretto, Vincent Fecteau, Rodney Graham, Guo Fengyi, Wade Guyton, Rokni Haerizadeh, He An, Amar Kanwar, Dinh Q. Le, Mark Leckey, Pierre Leguillon, Sarah Lucas, Tobias Madison, Zanele Muholi, Paulina Olowska, Pedro Reyes, Kamran Shirdel, Gabriel Sierra, Taryn Simon, Frances Stark, Joel Sternfeld, Mladen Stilinovi, Zoe Strauss, Henry Taylor, Tezuka Architects, Transformazium, Erika Verzutti and Joseph Yoakum.

Daniel Baumann

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