Daniel Lea

Andrew Mangham

With the dawn of modern medicine there emerged a complex range of languages and methodologies for portraying the male body as prone to illness, injury and dysfunction. Using a variety of historical and literary approaches, this collection explores how medicine has interacted with key moments in literature and culture.

The Male Body in Medicine and Literature

Animal Farm : Nineteen Eighty-four

George Orwell

This book offers readings of five of the most interesting and original voices to have emerged in Britain since the millennium as they tackle the challenges of portraying the new century. Through close readings of the work of Ali Smith, Andrew O'Hagan, Tom McCarthy, Sarah Hall and Jon McGregor, Daniel Lea opens a window onto the formal and thematic concerns that characterise a literary landscape troubled by both familiar and unfamiliar predicaments. These include questions about the meaning of humanness in an age of digital intercourse; about the need for a return to authenticity in the wake of postmodernism; and about the dislocation of self from the other under neoliberal individualism. By relating its readings of these authors to the wider shifts in contemporary literary criticism, this book offers in-depth analysis of important landmarks of recent fiction and an introduction to the challenges of understanding the literature of our time.

Contemporary British voices

Twenty-first-century fiction

This book offers a comprehensive introduction to Booker Prize-winning novelist Graham Swift. Detailed analysis of his work provides an informative, lucid and accessible insight into the writing of one of Britain's most significant contemporary authors.

Graham Swift

Berthold Schoene-Harwood

The essays collected in Posting the Male examine representations of masculinity in post-war and contemporary British literature, focussing on the works of writers as diverse as John Osborne, Joe Orton, James Kelman, Ian Rankin, Carol Ann Duffy, Alan Hollinghurst, Ian McEwan, Graham Swift and Jackie Kay. The collection seeks to capture the current historical moment of 'crisis', at which masculinity loses its universal transparency and becomes visible as a performative gender construct. Rather than denoting just one fixed, polarised point on a hierarchised axis of strictly segregated gender binaries, masculinity is revealed to oscillate within a virtually limitless spectrum of gender identities, characterised not by purity and self-containment but by difference and alterity. As the contributors demonstrate, rather than a gender 'in crisis' millennial manhood is a gender 'in transition'. Patriarchal strategies of man-making are gradually being replaced by less exclusionary patterns of self-identification inspired by feminism. Men have begun to recognise themselves as gendered beings and, as a result, masculinity has been set in motion.

Masculinities in Post-war and Contemporary British Literature

Posting the Male

In this Readers' Guide, Daniel Lea takes a decisive path through the maze of interpretations that has accumulated around Orwell's best-known novels, examining critical reactions from the beginning of the Cold War through to the collapse of Communist Eastern Europe, and at the same time placing Orwell within a long tradition of dystopian writings. In exploring the artistic, cultural and social contexts of Orwell's work, it is an essential resource for students and general readers alike.

Daniel Lea

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