Danzig Baldaev

Russian Criminal Tattoo Volume 1

Russian Criminal Tattoo Encyclopedia Volume II

Sergei Vasiliev

Soviets features unpublished drawings from the archive of Danzig Baldaev. They satirize the Communist Party system, exposing the absurdities of Soviet life from drinking (Alcoholics and Shirkers) to the Afghan war (The Shady Enterprise), via dissent (Censorship, Paranoia and Suspicion) and religion (Atheism as an Ideology). Baldaev reveals the cracks in the crumbling socialist structure, detailing the increasing hardships tolerated by a population whose leaders are in pursuit of an ideal that will never arrive. Dating from 1950s to the period immediately before the fall of the Soviet Union in 1991, his caricatures depict communisms winners and losers: the corruption of its politicians, the stagnation of the system, and the effect of this on the ordinary soviet citizen. Baldaevs drawings are contrasted with classic propaganda style photographs taken by Sergei Vasiliev for the newspaper Vercherny Chelyabinsk. These photographs portray a world the Party leaders dreamed of: where workers fulfilled their five-year plans as parades of soldiers and weapons rumbled through Red Square. This book examines both broadly and in minute detail the official fiction and the austere, bleak reality, of living under such a system.

Soviets

Focusing on the Russian criminal tattoos, this second volume features drawings and photographs, which depict an extraordinary world where a criminal's rank, history, and sexual preference are indelibly displayed on their bodies.

Russian Criminal Tattoo Encyclopedia

Damon Murray

Dant︠s︡ik Sergeevich Baldaev

Drawings from the Gulag consists of 130 drawings by Danzig Baldaev describing the history, horror and peculiarities of the Gulag system from its inception in 1918. Baldaev's father, a respected ethnographer, taught him techniques to record the tattoos of criminals in St Petersburg's notorious Kresty prison, where he worked as a guard. He was reported to the KGB who unexpectedly supported his work, allowing him the opportunity to travel across the former USSR.Witnessing scenes of everyday life in the Gulag, he chronicled this previously closed world from both sides of the wire. With every vignette, Baldaev brings the characters he depicts to vivid life: from the lowest zek (inmate) to the most violent tattooed vor (thief), all the practices and inhabitants of the Gulag system are depicted here in incredible, and often shocking, detail. In documenting the attitude of the authorities to those imprisoned, and the transformation of those citizens into survivors or victims of the Gulag system, this 'graphic novel' vividly depicts methods of torture and mass murder undertaken by the administration, as well as the atrocities committed by criminals on their fellow inmates.

Danzig Baldaev

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