Daša Drndic

*WINNER OF THE BEST TRANSLATED BOOK AWARD USA* *SHORTLISTED FOR THE EBRD PRIZE* *SHORTLISTED FOR THE OXFORD-WEIDENFELD PRIZE* "A writer and thinker of ever greater relevance, a voice whoSe wide-ranging screeds we ignore at our peril" CLAIRE MESSUD "Her work is of such power and scope that had she remained alive, she would have been a contender for the Nobel Prize in Literature" JOSIP NOVAKOVICH, Los Angeles Review of Books An urgent new novel about death, war and memory, and a bristling follow-on from Belladonna. In this extraordinary final work, Daša Drndic's combative, probing voice reaches new heights. In her relentless search for truth she delves into the darkest corners of our lives. And as she chastises, she also atones. Andreas Ban failed in his suicide attempt. Even as his body falters and his lungs constrict, he taps on the glass of history - an impenetrable case filled with silent figures - and tries to summon those imprisoned within. Mercilessly, fearlessly, he continues to dissect society and his environment, shunning all favours as he goes after the evils and hidden secrets of others. History remembers the names of perpetrators, not of the victims. Ban travels from Rijeka to Rovinj in nearby Istria, from Belgrade to Toronto to Tirana, from Parisian avenues to Italian palazzi. Ghosts follow him wherever he goes: chess grandmasters who disappeared during WWII; the lost inhabitants of Latvia; war criminals who found work in the C.I.A. and died peacefully in their beds. Ban's family is with him too: those he has lost and those with one foot in the grave. As if left with only a few pieces in a chess game, Andreas Ban plays a stunning last match against Death. Translated from the Croatian by Celia Hawkesworth

"Belladonna is brutal, beautiful, and unforgettable . . . One of the truly outstanding novels of recent years" EILEEN BATTERSBY, Los Angeles Review of Books Now shortlisted for the inaugural E.B.R.D. Prize for literature - an excoriating work of fiction that references the twentieth century's darkest hours Andreas Ban is a writer and a psychologist, an intellectual proper, but his world has been falling apart for years. When he retires with a miserable pension and finds out that he is ill, he gains a new perspective on the debris of his life and the lives of his friends. In defying illness and old age, Andreas Ban is cynical and powerful, and in his unravelling of his own past and the lives of others, he uncompromisingly lays bare a gamut of taboos. Andreas Ban stands for a true hero of our times; a castaway intellectual of a society which subdues every critical thought under the guise of political correctness. Belladonna addresses some of the twentieth century's worst human atrocities in a powerful fusion of fiction and reality, the hallmark of one of Europe's finest contemporary writers. Translated from the Croatian by Celia Hawkesworth

Belladonna

Financial Times Book of the Year An urgent new novel about death, war, and memory from the highly acclaimed Croatian writer In this breathtaking final work, Daša Drndic reaches new heights. Andreas Ban’s suicide attempt has failed. Though very ill, he still finds the will to tap on the glass of history to summon those imprisoned within. Mercilessly, he dissects society and his environment, shunning all favors as he goes after the evils and hidden secrets of our times. History remembers the names of the perpetrators, not the victims—Ban remembers and honors the lost. He travels from Rijeka to Zagreb, from Belgrade to Tirana, from Parisian avenues to Italian castles. Ghosts follow him wherever he goes: chess grandmasters who disappeared during WWII; the lost inhabitants of Latvia; war criminals who found work in the CIA and died peacefully in their beds. Ban’s family is with him too, those already dead and those with one foot in the grave. As if left with only a few pieces in a chess game, Andreas Ban—and Daša Drndic—play a stunning last match against Death.

EEG: A Novel

Longlisted for the Republic of Consciousness Prize 2019, a swift, biting novel from the late Croatian master, Dasa Drndic Two elderly people, Artur and Isabella, meet and have a passionate sexual encounter on New Year’s Eve. Details of the lives of Artur, a retired Yugoslav army captain, and Isabella, a Holocaust survivor, are revealed through police dossiers. As they fight loneliness and aging, they take comfort in small things: for Artur, a collection of 274 hats; for Isabella, a family of garden gnomes who live in her apartment. Later, we meet the ill-fated Pupi, who dreamed of becoming a sculptor but instead became a chemist and then a spy. As Eileen Battersby wrote, “As he stands, in the zoo, gazing at a pair of rhinos, in a city most likely present-day Belgrade, this battered Everyman feels very alone: ‘I would like to tell someone, anyone, I’d like to tell someone: I buried Mother today.’” Pupi sets out to correct his family’s crimes by returning silverware to its original Jewish owners through the help of an unlikely friend, a pawnbroker. Described by Dasa Drndic as “my ugly little book,” Doppelgänger was her personal favorite.

Doppelgänger

This is like a fairy tale, all this. A woman meets a stranger who tells her her identity is a lie. 772 (or 789) children's brains rest silently in jars. A traveller comes to a quotidian city, unknowingly approaching her past. From the author of Trieste (shortlisted for the Independent Foreign Fiction Prize) comes this bedazzling kaleidoscopic novel, stitching together fact and fiction, history and memory, words and images into a heart-breaking collage that manages to look askance at the blinding horror of history. Ranging across themes of memory, loss, inheritance and storytelling, Drndic borrows from every tradition of writing to weave together a fragmented narrative of love and disease, in a novel that's very format raises penetrating and unanswerable questions about history, and the processes by which we describe and remember it.

Daša Drndic

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