David Bromwich

"David Bromwich is the most penetrating cultural critic in contemporary America. No one writes more shrewdly or eloquently about the pathologies of our public discourse. His essays are grounded in a firm grasp of modern intellectual history, but he wears his learning lightly. Moral Imagination reveals Bromwich's extraordinary combination of aesthetic elegance and ethical seriousness, as he dissects the insidious alliance of identity politics, publicity culture, and imperial fantasy--even while he reminds us of the forgotten strengths of our own political tradition. This is a book to treasure for its prose as well as for the power of its insights."--Jackson Lears, author of Rebirth of a Nation "If multiculturalism were to shed its aspirations to mere correctness, if it were to get an elaboration that kept faith with the liberal vitalities of individual conscience and fulfillment, it would need to give moral imagination a more central role. That is the integration that David Bromwich seeks to attain in these essays as he shrewdly and eloquently gazes upon the past and present of American politics, the speeches and actions of figures ranging from Burke through Lincoln to King and Gandhi, and the prose and poetry of Wordsworth and Dickinson, Woolf and Whitman, and Emerson and Thoreau. Politics is made a loftier subject by such a humane literary scrutiny, even as literature is made more deeply central to our thinking lives."--Akeel Bilgrami, Columbia University "David Bromwich is one of the most incisive writers in America today. In his rapid, straightforward, and convincing style, he has written an intellectually powerful and morally compelling book, one that is not only urgently needed in the current climate but also has permanent value."--Edward Mendelson, author of The Things That Matter "For several decades, David Bromwich has stood out among American critics as one of the most daring and knowledgeable challengers of received opinion and orthodoxies. This fresh and timely selection of essays effectively conveys the values which inform Bromwich's provocative cultural and political criticism, and will introduce his bold and cogent moral imagination to a wide readership."--Margery Sabin, Wellesley College

Moral Imagination

This biography of statesman Edmund Burke (1729-1797), covering three decades, is the first to attend to the complexity of Burke's thought as it emerges in both the major writings and private correspondence. David Bromwich reads Burke's career as an imperfect attempt to organize an honorable life in the dense medium he knew politics to be.

The Intellectual Life of Edmund Burke

Explore the tradition of the political essay with this brilliant anthology. David Bromwich is one of the most well-informed, cogent, and morally uncompromising political writers on the left today. He is also one of our finest intellectual historians and literary critics. In Writing Politics, Bromwich presents twenty-seven essays by different writers from the beginning of the modern political world in the seventeenth century until recent times, essays that grapple with issues that continue to shape history—revolution and war, racism, women’s rights, the status of the worker, the nature of citizenship, imperialism, violence and nonviolence, among them—and essays that have also been chosen as superlative examples of the power of written English to reshape our thoughts and the world. Jonathan Swift, Edmund Burke, Henry David Thoreau, Harriet Taylor, Abraham Lincoln, George Eliot, W. E. B. Du Bois, Mohandas Gandhi, Virginia Woolf, Martin Luther King, and Hannah Arendt are here, among others, along with a wide-ranging introduction.

An Anthology

Writing Politics

The Mind of a Critic

Hazlitt

Irving Howe

The classic investigation of the role of revolutionary ideas in fiction. Mr. Howe establishes the role of the political novel and traces its growth into the twentieth century; he explains why American novels failed to integrate ideology; and he discusses political fiction after World War II. "An intelligent, penetrating, lucid, graceful, persuasive, and altogether splendid book." New Republic. With an Introduction by David Bromwich."

Politics and the Novel

"American Breakdown is the brilliant political diary of one of America's leading essayists, David Bromwich, whose work has drawn wide appreciation for its incisive portraits and accurate prognosis. From his analysis of the Cheney-Bush co-presidency, in which foreign policy was reduced to permanent war, and Barack Obama's practice of reconciliation without truth, Bromwich chronicles the emergence of Donald Trump--the demagogue of a culture of corruption from which all traces of political interest and candor have dropped away. An unsparing account of the degradation of American democracy, the book leads off with a new introduction on the prospects for change during the new Democratic Congress"--

The Trump Years and How They Befell Us

American Breakdown

How Words Make Things Happen

PrefaceIntroduction 1: Alienation and Belonging to Humanity 2: Political Justice in The Borderers 3: The French Revolution and "Tintern Abbey" 4: Moral Relations in the Preface and Two Ballads 5: The Trial of Individuality 6: Historical Catastrophe and Personal Memory Conclusion Index Copyright © Libri GmbH. All rights reserved.

Wordsworth's Poetry of the 1790s

Disowned by Memory

David Lee Bromwich

Skeptical Music collects the essays on poetry that have made David Bromwich one of the most widely admired critics now writing. Both readers familiar with modern poetry and newcomers to poets like Marianne Moore and Hart Crane will relish this collection for its elegance and power of discernment. Each essay stakes a definitive claim for the modernist style and its intent to capture an audience beyond the present moment. The two general essays that frame Skeptical Music make Bromwich's aesthetic commitments clear. In "An Art without Importance," published here for the first time, Bromwich underscores the trust between author and reader that gives language its subtlety and depth, and makes the written word adequate to the reality that poetry captures. For Bromwich, understanding the work of a poet is like getting to know a person; it is a kind of reading that involves a mutual attraction of temperaments. The controversial final essay, "How Moral Is Taste?," explores the points at which aesthetic and moral considerations uneasily converge. In this timely essay, Bromwich argues that the wish for excitement that poetry draws upon is at once primitive and irreducible. Skeptical Music most notably offers incomparable readings of individual poets. An essay on the complex relationship between Hart Crane and T. S. Eliot shows how the delicate shifts of tone and shading in their work register both affinity and resistance. A revealing look at W. H. Auden traces the process by which the voice of a generation changed from prophet to domestic ironist. Whether discussing heroism in the poetry of Wallace Stevens, considering self-reflection in the poems of Elizabeth Bishop, or exploring the battle between the self and its images in the work of John Ashbery, Skeptical Music will make readers think again about what poetry is, and even more important, why it still matters.

Essays on Modern Poetry

Skeptical Music

Liberal education has been under siege in recent years. Far-right ideologues in journalism and government have pressed for a uniform curriculum that focuses on the achievements of Western culture. Partisans of the academic left, who hold our culture responsible for the evils of society, have attempted to redress imbalances by fostering multiculturalism in education. In this eloquent and passionate book a distinguished scholar criticizes these positions and calls for a return to the tradition of independent thinking that he contends has been betrayed by both right and left. Under the guise of educational reform, says David Bromwich, these groups are in fact engaging in politics by other means. Bromwich argues that rivals in the debate over education have one thing in common: they believe in the all-importance of culture. Each assumes that culture confers identity, decides the terms of every moral choice, and gives a meaning to life. Both sides therefore see education as a means to indoctrinate students in specific cultural and political dogmas. By contrast, Bromwich contends that genuine education is concerned less with culture than with critical thinking and independence of mind. This view of education is not a middle way among the political demands of the moment, says Bromwich. Its earlier advocates include Mill and Wollstonecraft, and its roots can be traced to such secular moralists as Burke and Hume. Bromwich attacks the anti-democratic and intolerant premises of both right and left--premises that often appear in the conservative guise of "preserving the tradition" on the one hand, or the radical guise of "opening up the tradition" on the other. He discusses the new academic "fundamentalists" and the politically correct speech codes they have devised to enforce a doctrine of intellectual conformity; educational policy as articulated by conservative apologists George Will and William Bennett; the narrow logic of institutional radicalism; the association between personal reflection and social morality; and the discipline of literary study, where the symptoms of cultural conflict have appeared most visibly. Written with the wisdom and conviction of a dedicated teacher, this book is a persuasive plea to recover a true liberal tradition in academia and government--through independent thinking, self-knowledge, and tolerance of other points of view.

Higher Education and Group Thinking

Politics by Other Means

When American poets turn to the sonnet, they invest it with a glamour and intensity equal to anything they have to show in more flamboyant, new-minted shapes. Like a symphony by Copland or a nude by de Kooning, an American sonnet marries European artistic tradition to New World innovation and expansiveness. Something old and familiar—the themes and schemes and history of the 14-line lyric—becomes something new, vital, and characteristically American. This unique anthology presents one critic’s selection from two centuries of American sonnets. Some of David Bromwich’s choices—Hart Crane’s tribute to Emily Dickinson, for example, or Emma Lazarus’s dedication of Lady Liberty to the world’s tired and poor—are classics cast in bronze. Others—Elizabeth Bishop’s short-lined “Sonnet” or any sonnet typed by Cummings—are hammers that shatter the mold. The heart of the book is in the clusters of sonnets by Longfellow, Very, Tuckerman, Robinson, Frost, Stickney, Wylie, and Millay. Here are our Petrarchs and Shakespeares, the American masters who, by living within the strictures of the octave and the sestet, found full voice, enlarged a tradition, and changed the sonnet forever. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

(American Poets Project #25)

American Sonnets: an Anthology

Romantic Critical Essays

A tribute to the traditional verse form compiles 180 varied works by approximately 120 poets including Longfellow, Poe, and Frost, in a volume that offers insight into the sonnet's reflection of emotion and inspiration.

American Sonnets

Tom Paulin

Duncan Wu

Stanley Jones

Roy Park

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

The Selected Writings of William Hazlitt Vol 5

The Selected Writings of William Hazlitt Vol 9

Sooner or later, our words take on meanings other than we intended. How Words Make Things Happen suggests that the conventional idea of persuasive rhetoric (which assumes a speaker's control of calculated effects) and the modern idea of literary autonomy (which assumes that 'poetry makes nothing happen') together have produced a misleading account of the relations between words and human action. Words do make things happen. But they cannot be counted on to produce the result they intend. This volume studies examples from a range of speakers and writers and offers close readings of their words. Chapter 1 considers the theory of speech-acts propounded by J.L. Austin. 'Speakers Who Convince Themselves' is the subject of chapter 2, which interprets two soliloquies by Shakespeare's characters and two by Milton's Satan. The oratory of Burke and Lincoln come in for extended treatment in chapter 3, while chapter 4 looks at the rival tendencies of moral suasion and aestheticism in the poetry of Yeats and Auden. The final chapter, a cause of controversy when first published in the London Review of Books, supports a policy of unrestricted free speech against contemporary proposals of censorship. Since we cannot know what our own words are going to do, we have no standing to justify the banishment of one set of words in favour of another.

David Bromwich

About

Books

Join the club