David Bushman

Mark T. Givens

A brilliantly researched reinvestigation into the nearly forgotten century-old murder that inspired one of the most seductive mysteries in the history of television and film. In 1908, Hazel Drew was found floating in a pond in Sand Lake, New York, beaten to death. The unsolved murder inspired rumors, speculation, ghost stories, and, almost a century later, the phenomenon of Twin Peaks. Who killed Hazel Drew? Like Laura Palmer, she was a paradox of personalities--a young, beautiful puzzle with secrets. Perhaps the even trickier question is, Who was Hazel Drew? Seeking escape from her poor country roots, Hazel found work as a domestic servant in the notoriously corrupt metropolis of Troy, New York. Fate derailed her plans for reinvention. But the investigation that followed her brutal murder was fraught with red herrings, wild-goose chases, and unreliable witnesses. Did officials really follow the leads? Or did they bury them to protect the guilty? The likely answer is revealed in an absorbing true mystery that's ingeniously reconstructed and every bit as haunting as the cultural obsession it inspired.

Hazel Drew and the Mystery That Inspired Twin Peaks

Murder at Teal's Pond

Scott Ryan

Smart, quirky, female-centric, drenched in pop-culture references - Amy Sherman-Palladino's singular TV voice has won her legions of fans and critical appreciation over the past two decades, thanks to shows like Gilmore Girls, Bunheads, and The Marvelous Mrs. Maisel. Sherman-Palladino - the first woman ever to win Emmy Awards for both comedy writing and directing in a single year - may write about different decades and milieus, but her sensibility is unique and unmistakable throughout. Her greatest contribution may be her pantheon of unforgettable female characters, including Lorelai Gilmore (Lauren Graham), Rory Gilmore (Alexis Bledel), Sookie St. James (Melissa McCarthy), Michelle Simms (Sutton Foster), Susie Myerson (Alex Borstein), and Miriam "Midge" Maisel (Rachel Brosnahan). In The Women of Amy Sherman-Palladino, writers from different walks of live - scholars, critics, writers, comedians, dancers -- take us on a journey through the worlds of these characters, and how they have influenced their own lives. This is the second book in the Women of series, after The Women of David Lynch, published in June 2019. This unique series, covers great female characters in television and film.

Gilmore Girls, Bunheads and Mrs. Maisel

The Women of Amy Sherman-Palladino

Barnaby Edwards

"A World of Demons: The Villains of Doctor Who”“One may tolerate a world of demons for the sake of an angel”—Jean-Antoninette (“Reinette”) Poisson, aka Madame de Pompadour, “The Girl in the Fireplace”What a world of demons Doctor Who has presented us with over the past seven decades: from Daleks and Cybermen to Weeping Angels and the Silence, the greatest villains of the Who-niverse have achieved an iconic status all their own, cementing themselves in the minds of millions of viewers (why else would Parker Brothers have devised a version of Monopoly after them?). If, as the Seventh Doctor once said, "You can always judge a man by the quality of his enemies,” the Doctor is great indeed, rescuing the universe time and again from some of the most formidable and terrifying villains in science fiction history. Now, for the first time, an entire anthology of essays is dedicated to deconstructing this gallery of blackguards. Who are the greatest Who villains of all time? Why are they so frightening? And—apologies to Shakespeare—what do they tell us about the villainy of our own fears?Featuring essays by Joseph Dougherty (executive producer, Pretty Little Liars; producer, thirtysomething), Steven Ashby, Anton Binder, Sarah Corey, Ken Deep, Jan Fennick, Hannah Friedman, Mark Givens, Nancy Hutchins, Jennie Jarvis, Don Klees, Chris Kocher, Robin Koman, Charles Martin, Michael Robinson, Steve Sautter, and Shane Thomas.Edited by David Bushman (Conversations with Mark Frost) and Barnaby Edwards (president, Doctor Who New York)

The Villains of Doctor Who

A World of Demons

Mark Frost, cocreator of both the original Twin Peaks and The Return, is often lost in the shadow of cocreator David Lynch in the eyes of critics and scholars. In fact, Frost played at least as crucial a role in developing the narrative, mythology, and aesthetic of those groundbreaking, critically revered series. Conversations with Mark Frost deconstructs that legendary partnership, while at the same time exploring Frost's values, influences, thematic preoccupations, and approach to creating art--for the screen, the stage, and the printed page--as well as his thoughts on a wide variety of political, artistic, and social topics. Included, for example, are Frost's recollections of a bizarre encounter with Warren Beatty and Donald Trump in the mideighties, his days as a production assistant on Mister Roger's Neighborhood, his experiences working alongside the likes of David Milch in the legendarily competitive writers' room at Hill Street Blues, conversations about alien life and time travel with iconic film director Steven Spielberg, and much, much more.

Twin Peaks, Hill Street Blues, and the Education of a Writer

Conversations with Mark Frost

Mark Frost, co-creator of both the original Twin Peaks and The Return, is often lost in the shadow of co-creator David Lynch in the eyes of critics and scholars—one newspaper even called him the "Other Peak." In fact, Frost played at least as crucial a role in developing the narrative, mythology, and aesthetic of what has come to be revered as one of the most artful and influential shows ever to air on television. This book, comprising a series of interviews with Frost over the course of a single year, finally and fully acknowledges the extent of Frost's contributions not only to those series, but also to American television in general, as a writer/producer on Hill Street Blues and other shows, and as a mentor to numerous other writers. The book traces the arc of his entire life and career, from his boyhood days in New York, Los Angeles, and Minneapolis, to his nascent playwriting career in Pittsburgh, to his days as a writer at Universal TV's famed factory of the seventies, to his work on Hill Street Blues alongside such industry titans as Steven Bochco and David Milch, to his multiple collaborations with the famously enigmatic Lynch. Conversations with Mark Frost " deconstructs that legendary partnership, while at the same time exploring Frost's values, influences, thematic preoccupations, and approach to creating art — for the screen, the stage, and the printed page — as well as his thoughts about such topics as politics, extraterrestrial live, ethics, and the future of the human race. The book is presented in Q+A form, so that readers get to hear all this from Frost himself. So pull up a chair at the Double R and grab some coffee, pie, and conversation.

Conversations With Mark Frost

A World of Demons: The Villains of Doctor Who

Charlotte Stewart

Melanie McFarland

Lindsay Hallam

Philippa Snow

Lindsey Bowden

Hannah Klein

Marisa C. Hayes

Mädchen Amick

David Lynch has been accused for decades of sexism and even misogyny in his work, due largely to frequent depictions of violence against women. Yet others see in Lynch's work the deification of the female, and actresses like Laura Dern and Naomi Watts jump at every opportunity to work with him. "He is the master of the juxtaposition of the creepy and the sweet, the sexual and the chaste," wrote W's Lynn Hirschberg. "And at the heart of this tense, intriguing friction, you will always find Lynch's women." The Women of Lynch is a deep, provocative dive into this paradox, featuring ten essays, thought pieces and impressionistic interpretations of Lynch's depiction of women on screen, by an eclectic array of accomplished female critics, scholars, performers, and writers, each tackling this vexing conundrum in her own unique way. The book also contains an interview with actress Mädchen Amick (Shelly Johnson in Twin Peaks) where she gives first hand knowledge on what it is like to be a woman of Lynch. Lisa Hession interviews the original woman of Lynch, Charlotte Stewart (Eraserhead, Twin Peaks) about being the actress with longest active span of working with David Lynch. This is the first essay book about the work of David Lynch by all female writers. Readers will enjoy The Women of Lynch: A Collection of Essays. This book contains essays by: x. An Introduction by Philippa Snow 1. The Uncanny Electricity of David Lynch's Women by Leigh Kellmann Kolb 2. Women's Films: Melodrama and Women's Trauma in the Films of David Lynch by Lindsay Hallam 3. A Colorless Sky: On the Whiteness of Twin Peaks by Melanie McFarland 4. Warding off the Darkness with Coffee and Pie by Mallory O'Meara 5. "This is where we talk, Shelly." An Interview with Mädchen Amick by Lindsey Bowden 6. Welcome to the Bipolar Silencio Club! by Hannah Klein 7. The Triple Goddess by Lauren Fox 8. Isabella Rossellini: The Shocking "Real" in Blue Velvet by Kathleen Fleming 9. Tea And Sympathy: Mrs. Kendal and The Elephant Man by Rebecca Paller 10. Jade: Ornamental Gem or Protective Talisman? A Character Study by Marisa C. Hayes 11. "Mary X Marks The Spot." An Interview with Charlotte Stewart by Lisa Hession 12. Impressions of Lynch: Journaling a Requiem by Mya McBriar Edited by David Bushman Concept by Scott Ryan Front Cover by Blake Morrow Art by Wayne Barnes & Hannah Fortune

A Collection of Essays

The Women of David Lynch

Arthur Smith

(FAQ). Twin Peaks , the infamously strange, seductive, and confounding murder mystery that made network television safe for surrealism, is returning to the small screen after 25 years. Created by David Lynch and Mark Frost, the series enjoys a hallowed standing in popular culture and remains a touchstone in the evolution of TV as an artistic medium. For its many intensely devoted fans, Twin Peaks continues to beguile and disturb and delight; it's a bottomless well of allusions, symbols, conundrums to ponder and images to unpack, an endlessly engrossing puzzle box, an obsessive's dream. Twin Peaks FAQ will guide longtime fans and the newly initiated through the origins of the series, take them behind the scenes during its production, and transport readers deep into the rich mythology that made Twin Peaks a cultural phenomenon. The book features detailed episode guides, character breakdowns, and explorations of the show's distinctive music, fashion, and locations. With a sometimes snarky, always thoughtful (but never dry or academic) analysis of Twin Peaks ' myriad oddities, mysteries, references, and delicious insanity, Twin Peaks FAQ is a comprehensive, immersive, and irresistible reference for experts and newbies alike.

All That's Left to Know About a Place Both Wonderful and Strange

Twin Peaks FAQ

All That's Left to Know about a Place Both Wonderful and Strange

TWIN PEAKS FAQ:EVERYTHING LEFT TO KNOW ABOUT A PLACE BOTH WONDERFUL AND STRANGE

Smart, quirky, female-centric, drenched in pop-culture references—Amy Sherman-Palladino's singular TV voice has won her legions of fans and critical appreciation over the past two decades, thanks to shows like "Gilmore Girls," "Bunheads," and "The Marvelous Mrs. Maisel." Sherman-Palladino—the first woman ever to win Emmy Awards for both comedy writing and directing in a single year—may write about different decades and milieus, but her sensibility is unique and unmistakable throughout. Her greatest contribution may be her pantheon of unforgettable female characters, including Lorelai Gilmore (Lauren Graham), Rory Gilmore (Alexis Bledel), Sookie St. James (Melissa McCarthy), Michelle Simms (Sutton Foster), Susie Myerson (Alex Borstein), and Miriam "Midge" Maisel (Rachel Brosnahan). In The Women of Amy Sherman-Palladino, writers from different walks of life—scholars, critics, writers, comedians, dancers—take us on a journey through the worlds of these characters, and how they have influenced their own lives. This is the second book in "The Women of" series, after The Women of David Lynch, published in June 2019. This unique series, covers great female characters in television and film.

Deborah Cowley

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