Daniel Briggs

Luísa Veloso

David Cairns

Valentina Cuzzocrea

This book explores various forms of highly skilled mobility in the European Union, assessing the potential for this movement to contribute to individual and societal development. In doing so, the authors illustrate some of the issues arising from the opening up of Europe’s borders, and exposing its education systems and labour markets to international competition. While acknowledging the potentially positive aspects of mobility, they also reveal many of the negative consequences arising from flaws in mobility governance and inequalities in access to opportunities, arguing that when the management of mobility goes ‘wrong’, we are left with a heightened level of precariousness and the reproduction of social inequality. This discussion will be of interest to those working within Europe’s mobility infrastructure, as well as policymakers in the mobility field and students and scholars from across the social sciences.

Reflexivity, Social Inequality and the Reproduction of Precariousness in Highly Qualified Migration

The Consequences of Mobility

The Image of God in Man

Berlioz, Volume I, previously published only in Britain, is now available to American readers in a revised edition, together with the eagerly awaited, new Volume II. These two volumes together comprise a monumental biographical achievement, sure to stand as the definitive Berlioz biography.

Volume One: The Making of an Artist, 1803-1832

Berlioz

Barry A. R. Cooper

Lindsay Kemp

Richard Wigmore

Edward Bhesania

BBC NOW and WNO Orchestra Present Beethoven, the 1808 Concert ...

No artist's achievement connects more directly with early experience than that of Berlioz. David Cairns draws on a wealth of family papers to recreate in authentic and intimate detail the provincial milieu of Berlioz's boyhood, showing how the son of a village doctor was already transforming himself into the composer of the Fantastic Symphony. Berlioz's desperate attempts to win his father's approval for his vocation, his struggles to establish himself on the Parisian musical scene, and his passionate pursuit of love are all brought vividly to life in this first volume of David Cairn's award-winning biography.

The Making of an Artist 1803-1832

Covers the life of the French composer, including his struggle to establish himself in Paris and how his work was created.

Servitude and Greatness, 1832-1869

Shaun Richards

"Writing Ireland is a provocative and wide-ranging examination of culture, literature and identity in nine-teenth- and twentieth-century Ireland. Moving beyond the reductionist reading of the historical moment as a backdrop to cultural production, the authors deploy contemporary theories of discourse and the constitution of the colonial subject to illuminate key texts in the cultural struggle between the colonizer and the colonized. The book opens with a consideration of the originary moment of the colonial relationsip of England and Ireland through re-reading of works by Shakespeare and Spenser. Cairns and Richards move then to the constitution of the modern discourse of Celticism in the nineteenth century. A fundamental re-reading of the period of the Literary Revival through the works of Yeats, Synge, Joyce and O'Casey locates them in a social moment illuminated by detailed considerations of poems, playwrights and polemicists such as D. P. Moran, Arthur Griffith, Patrick Pearse and Thomas MacDonagh. Writing Ireland examines the psychic, sexual and social costs of the decolonisation struggle in the society and culture of the Irish Free State and its successor. Beckett, Kavanagh and O'Faolain registered the enervation and paralysis consequent upon sustaining a repressive view of Irish identity. The book concludes in the contemporary moment, as Ireland's post-colonial culture enters crisis and writers like Seamus Heaney, Brian Friel, Tom Murphy and Seamus Deane grapple with the notion of alternative identities. Writing Ireland provides students of literature, history, cultural studies and Irish studies with a lucid analysis of Ireland's colonial and post-colonial situation on which an innovative methodology transcends disciplinary divisions."--

Colonialism, Nationalism, and Culture

Writing Ireland

David Cairns weaves a brilliantly engaging narrative which puts Mozart’s operas in the context of his life, showing how they illuminate his creativity as a whole. Mozart’s unusual childhood as a musical prodigy touring Europe as a performer from an early age is well known. But even more remarkable is that the genius grew up, surviving his unnatural early years and producing works of increasing maturity and originality. Using the operas as his guide, Cairns traces the steady deepening of Mozart’s musical style from his beginnings as a child prodigy, through his coming of age with what Cairns sees as the most Romantic and forward-looking of all Mozart’s operas, Idomeneo, the later genius displayed in the three comic operas, The Marriage of Figaro, Don Giovanni, and Così fan tutte, and in The Magic Flute, the final and greatest triumph of his career.

David Cairns

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