Jean-Paul Sartre

David Caute

Jean-Paul

Eric Sutton

Satre

Set in the volatile Paris summer of 1938, The Age of Reason follows two days in the life of Mathieu Delarue, a philosophy teacher, and his circle in the cafes and bars of Montparnasse. Mathieu has so far managed to contain sex and personal freedom in conveniently separate compartments. But now he is in trouble, urgently trying to raise 4,000 francs to procure a safe abortion for his mistress, Marcelle. Beyond all this, filtering an uneasy light on his predicament, rises the distant threat of the coming of the Second World War.

The Age of Reason

Frantz Fanon

David Cautes wide-ranging study examines how outstanding novelists of the Cold War era conveyed the major issues of contemporary politics and history. In the United States and Western Europe the political novel flourished in the 1930s and 1940s, the crisis years of economic depression, fascism, the Spanish Civil War,the consolidation of Stalinism, and the Second World War. Starting with the high hopes generated by the Spanish Civil War, Caute then explores the god that failed pessimism that overtook the Western political novel in the 1940s. The writers under scrutiny include Hemingway, Dos Passos, Orwell, Koestler, Malraux, Serge, Greene, de Beauvoir, and Sartre. Strikingly different approaches to the burning issues of the time are found among orthodox Soviet novelists such as Sholokhov, Fadeyev, Kochetov, and Pavlenko. Soviet official culture continued to choke on modernism, formalism, satire, and allegory. In Russia and Eastern Europe dissident novelists offered contesting voices as they engaged in the fraught re-telling of life under Stalinism. The emergence of the New Left in the 1960s generated a new wave of fiction challenging Americas global stance. Mailer, Doctorow, and Coover brought fresh literary sensibilities tobear on such iconic events as the 1967 siege of the Pentagon and the execution of the Rosenbergs.

Politics and the Novel During the Cold War

The Decline of the West

Traces the political history of Zimbabwe from 1976 to 1980 and examines the development of the country's racial strife

The Death of White Rhodesia

Under the Skin

From his earliest years, Gamal Rahman was a troublemaker. By the time The Devil: an Interview is published, Gamal is living in exile in England. Publicly damned and burned by incensed Muslims in the Yorkshire city of Bruddersford, his book generates communal upheaval. Racial tensions erupt. Muslim girls, inspired by the fourteen-year-old Fatima, embark on a bitter strike to defend their right to wear the scarf of modesty in school. While the claims of women fuel the flames, young men embrace the Sons of Allah, dedicated to the execution of the apostate author Gamal Rahman. What should a writer owe to himself, and what to society?

Fatima's Scarf

A gripping history of the Security Service and its covert surveillance on British writers and intellectuals in the twentieth century. In the popular imagination MI5, or the Security Service, is know chiefly as the branch of the British state responsible for chasing down those who pose a threat to the country's national security--from Nazi fifth columnists during the Second World War, to Soviet spies during the Cold War and today's domestic extremists. Yet, aided by the release of official documents to the National Archives, David Caute argues in this radical and revelatory history of the Security Service in the twentieth century, suspicion often fell on those who posed no threat to national security. Instead, this 'other history' of MI5, ignored in official accounts, was often as not fuelled by the political prejudices of MI5's personnel, and involved a huge programme of surveillance against anyone who dared question the status quo. Caute, a prominent historian and expert on the history of the Cold War, tells the story of the massive state operation to track the activities of a range of journalists, academics, scientists, filmmakers, writers and others who, during the twentieth century, the Security Service perceived as a threat to the national interest. Those who were tracked include such prominent figures as Kingsley Amis, George Orwell, Doris Lessing, John Berger, Benjamin Britten, Eric Hobsbawm, Michael Foot, Harriet Harman, and others.

MI5 and British Intellectuals in the Twentieth Century

Red List

Comrade Jacob

DIV Two high-voltage scholars engage in a bitter conflict in this irresistible tale of principle and politics in the Cold War years /div

The Covert Punishment of a Cold War Heretic

Isaac and Isaiah

At Fever Pitch

Fanon

David Caute's wide-ranging study examines how outstanding novelists of the Cold War era conveyed the major issues of contemporary politics and history. In the United States and Western Europe the political novel flourished in the 1930s and 1940s, the crisis years of economic depression, fascism, the Spanish Civil War, the consolidation of Stalinism, and the Second World War. Starting with the high hopes generated by the Spanish Civil War, Caute then explores the "god that failed" pessimism that overtook the Western political novel in the 1940s. The writers under scrutiny include Hemingway, Dos Passos, Orwell, Koestler, Malraux, Serge, Greene, de Beauvoir, and Sartre. Strikingly diff erent approaches to the burning issues of the time are found among orthodox Soviet novelists such as Sholokhov, Fadeyev, Kochetov, and Pavlenko. Soviet official culture continued to choke on modernism, formalism, satire, and allegory. In Russia and Eastern Europe dissident novelists offered contesting voices as they engaged in the fraught re-telling of life under Stalinism. Studies of Pasternak, Grossman, Chukovskaya, Wolf, Johnson, Kundera, and Vladimov lead on to Aleksandr Solhenitsyn, viewed as a uniquely gifted critic of the Soviet system. A sequence of thematic commentaries compare Western and Soviet fictional responses to the Moscow trials, terror, forced labor, and the nature of totalitarianism. The figures of Stalin and Lenin are shown to have fascinated novelists. The emergence of the New Left in the 1960s generated a new wave of fiction challenging America's global stance. Mailer, Doctorow, and Coover brought fresh literary sensibilities to bear on such iconic events as the 1967 siege of the Pentagon and the execution of the Rosenbergs. David Caute is a former Fellow of All Souls College, Oxford, and Henry Fellow at Harvard. A visiting professor at Columbia, NYU and University of California, Irvine, his most recent work is The Dancer Defects: The Struggle for Cultural Supremacy During the Cold War.

Losey's career began with experimental theatre in N.Y. and on to the Hollywood blacklists. In addition to appraising his thirty-one features, provides a compelling portrait of a hugely driven talent, honoured in Europe but ignored in Hollywood, whose creative generosity, alcohol addiction and sometimes brutal egoism excited equally fierce reactions.

A Revenge on Life

Joseph Losey

A Novel

The K-factor

The cultural Cold War between the Soviet Union and the West was without precedent. At the outset of this original and wide-ranging historical survey, David Caute establishes the nature of the extraordinary cultural competition set up post-1945 between Moscow, New York, London and Paris, with the most intimate frontier war staged in the city of Berlin. Using sources in four languages, the author of The Fellow-Travellers and The Great Fear explores the cultural Cold War as it rapidly penetrated theatre, film, classical music, popular music, ballet, painting and sculpture, as well as propaganda by exhibition. Major figures central to Cold War conflict in the theatre include Brecht, Miller, Sartre, Camus, Havel, Ionesco, Stoppard and Konstantin Simonov, whose inflammatory play, The Russian Question, occupies a chapter of its own based on original archival research. Leading film directors involved included Eisenstein, Romm, Chiarueli, Aleksandrov, Kazan, Tarkovsky and Wajda. In the field of music, the Soviet Union in the Zhdanov era vigorously condemned 'modernism', 'formalism', and the avant-garde. A chapter is devoted to the intriguing case of Dmitri Shostakovich, and the disputed authenticity of his 'autobiography' Testimony. Meanwhile in the West the Congress for Cultural Freedom was sponsoring the modernist composers most vehemently condemned by Soviet music critics; Stravinsky, Schoenberg, Hindemith among them. Despite constant attempts at repression, the Soviet Party was unable to check the appeal of jazz on the Voice of America, then rock music, to young Russians. Visits to the West by the Bolshoi and Kirov ballet companines, the pride of the USSR, were fraught with threats of cancellation and the danger of defection. Considering the case of Rudolf Nureyev, Caute pours cold water on overheated speculations about KGB plots to injure him and other defecting dancers. Turning to painting, where socialist realism prevailed in Russia, and the impressionist heritage was condemned, Caute explores the paradox of Picasso's membership of the French Communist Party. Re-assessing the extent of covert CIA patronage of abstract expressionism (Pollock, De Kooning), Caute finds that the CIA's role has been much exaggerated, likewise the dominance of the New York School. Caute challenges some recent, one-dimensional, American accounts of 'Cold War culture', which ignore not only the Soviet performance but virtually any cultural activity outside the USA. The West presented its cultural avant-garde as evidence of liberty, even through monochrome canvases and dodecaphonic music appealed only to a minority audience. Soviet artistic standards and teaching levels were exceptionally high, but the fear of freedom and innovation virtually guaranteed the moral defeat which accelerated the collapse of the Soviet Union.

The Struggle for Cultural Supremacy during the Cold War

The Dancer Defects

The Anti-Communist Purge Under Truman and Eisenhower

The Great Fear

Rancorous and highly public disagreements between Isaiah Berlin and Isaac Deutscher escalated to the point of cruel betrayal in the mid-1960s, yet surprisingly the details of the episode have escaped historians’ scrutiny. In this gripping account of the ideological clash between two of the most influential scholars of Cold War politics, David Caute uncovers a hidden story of passionate beliefs, unresolved antagonism, and the high cost of reprisal to both victim and perpetrator. Though Deutscher (1907–1967) and Berlin (1909–1997) had much in common—each arrived in England in flight from totalitarian violence, quickly mastered English, and found entry into the Anglo-American intellectual world of the 1950s—Berlin became one of the presiding voices of Anglo-American liberalism, while Deutscher remained faithful to his Leninist heritage, resolutely defending Soviet conduct despite his rejection of Stalin’s tyranny. Caute combines vivid biographical detail with an acute analysis of the issues that divided these two icons of Cold War politics, and brings to light for the first time the full severity of Berlin’s action against Deutscher.

David Caute

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