David Dawson

Making Walking Sticks for a Hobby

Martin Gayford

The young Lucian Freud was described by his friend Stephen Spender as totally alive, like something not entirely human, a leprechaun, a changeling child, or, if there is a male opposite, a witch. All that magnetism and brilliance is displayed in the letters assembled here, many published for the first time. From schoolboy messages to his parents, though letters to friends, lovers, and confidants, to correspondence with patrons and associates as he became established as a professional painter, they are peppered with wit, affection and irreverence. Collectively, they provide a powerful insight into his early life and art. Co-authored by David Dawson, Freuds longstanding personal assistant and now Director of the Lucian Freud Archive, and Martin Gayford, author, critic, and friend of the artist, this is the first published collection of Freuds correspondence. Reproduced in facsimile alongside reproductions of Freuds artwork, the letters are linked by a narrative that weaves them into the story of his life and relationships through his formative first three decades.

The Letters of Lucian Freud 19391954

Love Lucian

This text offers a contribution to one of Christianity's central problems: the understanding and interpretation of scripture specifically, the relationship between the Old Testament and the New.

Christian Figural Reading and the Fashioning of Identity

Philippe de Montebello

Intimate portraits from one of the most innovative figurative artists of the twentieth century and the master of painted flesh. Curated by the artist's longtime studio assistant and friend, David Dawson, this important volume features twenty major and rarely seen paintings by Lucian Freud (1922-2011). The book begins with works from 1990, when Freud began painting the performance artist Leigh Bowery: these large-scale portraits of Bowery ushered in a new sense of monumentality in the artist's oeuvre. Inspired by Bowery's impressive physique, Freud began working on a larger scale, which emphasized the physical presence of his subjects. Despite their grand scale, Freud's subjects are still depicted with a sense of intimacy, penetrating honesty, and psychological depth. The naked body is a subject that has special significance in Freud's oeuvre. Nakedness was a way for Freud to get a more truthful portrait. Freud's probing oils get fresh consideration in this monograph and Dawson provides insights and stories about Freud working on these portraits, giving an intriguing behind-the-scenes look at the life of a contemporary master of representational art.

Monumental

Lucian Freud

The artist stripped bare by himself: Lucian Freud's self-portraits redefine the genre In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them "revealing, telling, believable ... really shameless." It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits chart his biography and give us an insight into the development of his style. These paintings provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Freud's exploration of the self-portrait is unexpected and wide-ranging. In this volume, essays by leading authorities, including those who knew him, explore Freud's life and work, and analyze the importance of self-portraiture in his practice. Lucian Freud was born in Germany in 1922, and permanently relocated to London in 1933 during the ascent of the Nazi regime. After seeing brief service during World War II, Freud had his first solo exhibition in 1944 at the Alex Reid & Lefevre Gallery in London. Despite exhibiting only occasionally over the course of his career, Freud's 1995 portrait Benefits Supervisor Sleeping was sold at auction, at Christie's New York in May 2008, for $33.6 million, setting a world record for sale value of a painting by a living artist. Freud died in London in 2011.

Jean Parker Edwards

A Source Book about Down's Syndrome and a Personal Story about Friendship

My Friend David

The third volume in The God Slayer's Quartet, the earth-shattering young adult dystopian series. The journey to London is paved with revelations, betrayals and heartbreak. Will Ben succumb to Bad Brother's attempts to turn him into a god? Will the Order of Power catch up with Ben? And what evil forces are lurking, waiting for the God Cannon to be used? Everything changes here...

Book 3 of the God Slayers Quartet

Chasm

Nima Moghaddam

When people seek psychological support, formulation is the theory-driven methodology used by many practitioners to guide identification of the processes, mechanisms, and patterns of behaviour that appear to be contributing to the presenting difficulties. However, the process of formulating – or applying psychological theory to practice – can often seem unclear. In this volume, we present multiple demonstrations of formulation in action – written by applied psychologists embedded in clinical training, research, and practice. The volume covers a range of contemporary approaches to formulation and therapy that have not been considered in extant works, and includes unique sections offering critical counter-perspectives and commentaries on each approach (and its application) by authors working from alternative theoretical positions.

Applying Psychological Theory to Clinical Practice

Formulation in Action

Since its coinage in a sixteenth-century translation of Leviticus, the term “scapegoat” has become widely used. A groundbreaking search for the origins of this expression, Flesh Becomes Word traces the scapegoat to its origins in Mesopotamian ritual across centuries of typological interpretation and religious reflection, to its first informal uses in the pornographic and plague literature of the 1600s, and finally into the modern era.

David Dawson

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