David Dowling

Provides specific teaching strategies for each chapter and classroom-tested oral, written, drawing, and dramatic activities that help students make meaning out of the novel and engage them in its thematic and affective elements.

Searching for the American Dream

The Great Gatsby in the Classroom

In the 1840s and 1850s, as the market revolution swept the United States, the world of literature confronted for the first time the gaudy glare of commercial culture. Amid growing technological sophistication and growing artistic rejection of the soullessness of materialism, authorship passed from an era of patronage and entered the clamoring free market. In this setting, romantic notions of what it meant to be an author came under attack, and authors became professionals. In lively and provocative writing, David Dowling moves beyond a study of the emotional toll that this crisis in self-definition had on writers to examine how three sets of authors—in pairings of men and women: Harriet Wilson and Henry David Thoreau, Fanny Fern and Walt Whitman, and Rebecca Harding Davis and Herman Melville—engaged with and transformed the book market. What were their critiques of the capitalism that was transforming the world around them? How did they respond to the changing marketplace that came to define their very success as authors? How was the role of women influenced by these conditions? Capital Letters concludes with a fascinating and daring transhistorical comparison of how two superstar authors—Herman Melville in the nineteenth century and Stephen King today—have negotiated the shifting terrain of the literary marketplace. The result is an important contribution to our understanding of print culture and literary work.

Authorship in the Antebellum Literary Market

Capital Letters

Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

Mapping Streams of Consciousness

Mrs. Dalloway

Bloomsbury Aesthetics and the Novels of Forster and Woolf

In the late 1830s, Ralph Waldo Emerson, American essayist, poet, lecturer, and leader of the Transcendentalist movement, publicly called for a radical nationwide vocational reinvention, and an idealistic group of collegians eagerly responded. Assuming the role of mentor, editor, and promoter, Emerson freely offered them his time, financial support, and anti-materialistic counsel, and profoundly shaped the careers of his young acolytes—including Henry David Thoreau, renowned journalist and women’s rights advocate Margaret Fuller, and lesser-known literary figures such as Samuel Ward and reckless romantic poets Jones Very, Ellery Channing, and Charles Newcomb. Author David Dowling’s history of the professional and personal relationships between Emerson and his protégés—a remarkable collaboration that alternately proved fruitful and destructive, tension-filled and liberating—is a fascinating true story of altruism, ego, influence, pettiness, genius, and the bold attempt to reshape the literary market of the mid-nineteenth century.

Mentoring and Marketing Transcendentalism's Future

Emerson's Protégés

In Literary Partnerships and the Marketplace, David Dowling examines an often-overlooked aspect of the history of publishing -- relationships, of both a business and a personal nature. The book focuses on several intriguing duos of the nineteenth century and explores the economics of literary partnerships between author/publisher, student/mentor, husband/wife, and parent/child. These literary companions range from Emerson's promotion of Thoreau -- a relationship fraught with pitfalls and misjudgments -- to "Davis, Inc.," the seamless joining of the literary and legal minds of Rebecca Harding Davis and her husband, L. Clarke Davis. Dowling also considers and analyzes the teams of Washington Irving and his publisher, John Murray; Herman Melville and his editor, Evert Duyckinck; E. D. E. N. Southworth and Robert Bonner, the publisher who serialized her sentimental novels; Fanny Fern both with her brother/publisher, Nathaniel Parker Willis, and with Robert Bonner, the latter a more successful pairing; and the famous fraternal relationship between Ernest Hemingway and Gertrude Stein. Throughout, Dowling demonstrates the intrinsic irony of authors projecting their labors of the mind as autonomous even as they relied heavily on their "literary partners" to aid them in navigating the business side of writing.

Writers and Mentors in Nineteenth-Century America

Literary Partnerships and the Marketplace

Martina Mackova

Tomas Macek

This volume represents an excellent description of the hottest topics in the field of phyto- and rhizoremediation. The book shows especially the importance of cooperation between plant and microorganisms, there is practically no phytoremediation without rhizoremediation. Newest approaches based on methods of molecular biology and genetic engineering are described, as well as plant science achievements.

Phytoremediation and Rhizoremediation

A deep dive into the world of online and multimedia longform storytelling, this book charts the renaissance in deep reading, viewing and listening associated with the literary mind, and the resulting implications of its rise in popularity. David O. Dowling argues that although developments in media technology have enabled the ascendance of nonfictional storytelling to new heights through new forms, it has done so at the peril of these intensely persuasive designs becoming deployed for commercial and political purposes. He shows how traditional boundaries separating genres and dividing editorial from advertising content have fallen with the rise of media hybridity, drawing attention to how the principle of an independent press can be reformulated for the digital ecosystem. Immersive Longform Storytelling is a compelling examination of storytelling, covering multimedia features, on-demand documentary television, branded digital documentaries, interactive online documentaries, and podcasting. This book’s focus on both form and effect makes it a fascinating read for scholars and academics interested in storytelling and the rise of new media.

Media, Technology, Audience

Immersive Longform Storytelling

Tim McCarthy

Roger Hadgraft

Anna Carew

Doug Hargreaves

Caroline Baillie

Sally Male

Dowling’s Engineering Your Future: An Australasian Guide, Fourth Edition is used for first year, core subjects across all Engineering disciplines. Building on the previous editions, this text has been updated with new references, while still maintaining a strong and practical emphasis on skills that are essential for problem solving and design. Numerous topical and locally focused examples of projects across engineering disciplines help demonstrate the role and responsibilities of a professional engineer. Themes of sustainability, ethical practice and effective communication are a constant throughout the text. This full-coloured print with interactive e-text resource has a variety of digital media embedded at the point of learning such as videos and knowledge-check questions to engage students and to help consolidate their learning.

An Australasian Guide

Engineering Your Future

"Effects of Emerson's professional guidance as mentor, marketer, editor, and promoter for 8 young writers: Margaret Fuller, Henry Thoreau, Christopher Cranch, Samuel Gray Ward, Jones Very, Ellery Channing, Charles Newcomb, and Ellen Sturgis Hooper"--

Places the novel in the context of its times, discusses its style, characters, and themes, and describes its role in the development of the techniques of stream-of-consciousness writing

Fictions of Nuclear Disaster

The twenty-five-hour nonstop reading of Melville’s titanic epic has inspired this fresh look at Moby-Dick in light of its most devoted followers at the moment of their high holy day, January 3, 2009. With some trepidation, Dowling joined the ranks of the Melvillians, among the world’s most obsessive literary aficionados, to participate in the event for its full length, from “Call Me Ishmael” to the destruction of the Pequod. Dowling not only survived to tell his tale, but does so with erudition, humor, and a keen sense for the passions of his fellow whalers.

David Dowling

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