Bertolt Brecht

David Hare

Anna Fierling tries to hold her family together during the Thirty Years War.

Mother Courage and Her Children

Skylight premiered at the National Theatre in 1995 and then went on to become one of the most internationally successful plays of recent years. This is the definitive edition of Skylight.

A Play

Skylight

Drama counterpointing experiences of English-woman helping the French Resistance during World War II with her life in the following twenty years. Music, 12 scenes, 9 men, 5 women, 4 interiors, 2 exteriors.

Plenty

A play about two crucial moments in Oscar Wilde's life: the day he decides to stay in England and face imprisonment, and the night after his release when the lover for whom he risked and lost everything betrays him

The Judas Kiss

Fanshen

1979. Esme Allen is a well-known West End actress at just the moment when the West End is ceasing to offer actors a regular way of life. The visit of her young daughter, Amy, with a new boyfriend sets in train a series of events which only find their shape sixteen years later. David Hare's new play, which mixes love, death, and the theatre in a heady and original way, was sold out at the National Theatre, and transferred to the West End in January 1998. This is the definitive version of Amy's View.

Amy's View

'David Hare's great quality has always been his refusal to accept the division between fact and imagination. His creative invention is fired by public realities and in turn he makes those realities feel deeply personal. That same quality is wonderfully at work in his essays and poems. Whether he is writing about Tony Blair or Joan Didion, whether he is writing out of love or rage, evoking the intimate moments of his own life or the great moral questions of our times, he brings his subjects to life with an irresistible immediacy. All the wit, combativeness, energy and edge he has brought to the stage are present here on the page.' Fintan O'Toole I can't remember if I had any plans for the twenty-first century. I was already 52 when it arrived. But events raced off in such unexpected directions that any possible ideas must have gone out the window. Many of us shared the sensation that history was speeding up. Recording dizzying changes in culture and politics, these elegant essays range in subject from the photographer Lee Miller to the Archbishop of Canterbury, from the actress Sarah Bernhardt to the rapist Jimmy Saville, from a celebration of Mad Men to a diagnosis of the incoherence of Conservatism in the new century. The poems, in contrast, are private: tender meditations, filled with love, memory, vulnerability and the melancholy of ageing. This is a powerful compilation of prose and poetry by one of the distinctive thinkers of our time.

Essays and Poems

We Travelled

In conflict with government, torn with internal dissension on matters of doctrine and practice, the Church of England finds itself enjoying unwelcome publicity. David Hare's play, which details the struggle of four clergymen to make sense of their mission in South London, opened to universal acclaim.

Racing Demon

Stuff happens ... And it's untidy, and freedom's untidy, and free people are free to make mistakes and commit crimes and do bad things.' The famous response of Donald Rumsfeld, American Secretary of Defense, to the looting of Baghdad, at a press conference on 11 April 2003, provides the title for a new play, specially written for the Olivier Theatre, about the extraordinary process leading up to the invasion of Iraq. How does the world settle its differences, now there is only one superpower? What happens to leaders risking their credibility with skeptical publics? From events which have dominated international headlines for the last two years David Hare has fashioned both a historical narrative and a human drama about the frustrations of power and the limits of diplomacy. Stuff Happens premiered at the National Theatre, London, in 2004 season and has subsequently been performed around the world. In April 2006, it was given its New York premiere at the Public Theater in this new, slightly updated text. - Amazon.

Stuff Happens

Do you want to be happier? Find inner calm? Enjoy a rich and rewarding life? Here's how... "The Buddha in Me, the Buddha in You" combines the tried-and-tested wisdom of Nichiren Buddhism with the best of popular psychology and personal development, making this a brilliant guide to how life works, and how to get the most from it. Nichiren Buddhism differs from other Buddhist schools in its focus on the here-and-now, and places great importance on individual growth as the starting point for a better world. This, combined with powerful techniques such as NLP, mindfulness, journalling and coaching, makes "The Buddha in Me, the Buddha in You" the quintessential handbook for happiness. 'Buddha' simply means someone who is awakened - yet while Nichiren Buddhists will find fascinating insights into their practice, there is no need to follow a spiritual path to benefit from this book. Through his experience as an internationally acclaimed life coach and practising Buddhist, author David Hare shows us how to wake up to our own potential and that of those around us to discover everyday enlightenment."

A Handbook for Happiness

The Buddha in Me, the Buddha in You

Susan Traherne returns to her home in post-war Britain haunted by her experiences as a resistance fighter in occupied France.

In 1929, Virginia Woolf is starting to write her novel, 'Mrs. Dalloway, ' under the care of doctors and family. In 1951, Laura Brown is planning for her husband's birthday, but is preoccupied with reading Woolf's novel. In 2001, Clarrisa Vaughn is planning an award party for her friend, an author dying of AIDS. Taking place over one day, all three stories are interconnected with the novel: one is writing it, one is reading it, and one is living it.

THE HOURS

Michael Cunningham

A Screenplay

The Hours

Nothing is more important to a modern political party than fund-raising. But the values of the donors can't always coincide with the professed beliefs of the party. And family scandal within the cabinet has the potential to throw both the money-raisers and the money-spenders into chaos. This richly imagined ensemble play about British public life looks at the way business, media and politics are now intertwined to nobody's advantage, as, in an unforgiving world, one character after another passes through Gethsemane. Gethsemane, David Hare's fourteenth original play for the National Theatre, London, premiered in November 2008.

Gethsemane

The Absence of War offers a meditation on the classic problems of leadership, and is the third part of a critically acclaimed trilogy of plays (Racing Demon, Murmuring Judges) about British institutions. Its unsparing portrait of a Labour Party torn between past principles and future prosperity, and of a deeply sympathetic leader doomed to failure, made the play hugely controversial and prophetic when it was first presented at the National Theatre, London, in 1993.

The Absence of War

A searing account of seventeen days during the pandemic. Covid-19 seems to be a sort of dirty bomb, thrown into the body to cause havoc. On the same day that the UK government finally made the first of two decisive interventions that led to a conspicuously late lockdown, David Hare contracted Covid-19. Nobody seemed to know much about it then, and many doctors are not altogether sure they know much more today. Suffering a pageant of apparently random symptoms, Hare recalls the delirium of his illness, which mixed with fear, dream, honest medicine and dishonest politics to create a monologue of furious urgency and power.

A Covid Monologue

Beat the Devil

Together, the pieces collected here form both a concealed professional autobiography and a commentary on British cultural life.

Writing Left-handed

Oscar Wilde's philosophy leads him on a path to destruction. The Judas Kiss describes two pivotal moments: the day Wilde decides to stay in England and face imprisonment, and the night when the lover for whom he risked everything betrays him. With a burning sense of outrage, David Hare presents the consequences of an uncompromisingly moral position in a world defined by fear and conformity. Originally produced in the West End and on Broadway, this new edition coincides with a 2012 revival. 'Superbly written... Hare has taken a history and pieced it together with heroic grace... Vastly rich, sophisticated and heartbreaking.' Time Out, New York

When, in 2000, the National Theatre published its poll of the hundred best plays of the 20th century, David Hare had written five of them. Yet he was born in 1947 into an anonymous suburban street in Hastings. It is a world he believes to be as completely vanished as Victorian England. Now in his first panoramic work of memoir, ending as Margaret Thatcher comes to power in 1979, David Hare describes his childhood, his Anglo-Catholic education and his painful apprenticeship to the trade of dramatist. He sets the progress of his own life against the history of a time in which faith in hierarchy, deference, religion, the empire and finally politics all withered away. Only belief in private virtue remains. In his customarily dazzling prose and with great warmth and humour, David Hare explores how so radical a shift could have occurred, and how it is reflected in his own lifelong engagement with two disparate art forms - film and theatre. In The Blue Touch Paper David Hare describes a life of trial and error: both how he became a writer and the high price he and those around him paid for that decision.

A Memoir

The Blue Touch Paper

Howard Brenton

The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart, and democracy itself cannot function. Pravda (which means "truth") is a satire written at the height of Thatcherism when huge political changes were afoot. The play essentially studies, through black humour and close scrutiny, the tabloid ethic and the media industry as a get-rich-quick-fix. In the programme for the original 1985 production of Pravda, Brenton wrote: "Pravda means 'the truth'. English newspapers aren't propaganda sheets. The question is, why do so many of them choose to behave as if they are?" The character of Lambert Le Roux is a South African newspaper tycoon and the owner of several companies, striding his way through the regional papers en route to Fleet Street. Turning broadsheets tabloid, dumbing down the message, and stretching the truth, Le Roux takes no prisoners as he manipulates politicians and creates a media monopoly out of a once-respected industry. Le Roux is bent on dominating England's press as he has elsewhere in the world. As we see Le Roux accomplish his aims, we see also how the press is not the organ of truth we like to think it is. The dissemination of the truth is no longer its primary goal under the 'Lambert Le Rouxs' of our world. What is important now is what sells. The play is an epic satire on the media in the Thatcher era; a morality tale about how Andrew, a young liberal journalist, finally succumbs to Le Roux, who makes him editor of a tabloid; and – allegedly – the play is a direct representation of Rupert Murdoch who, even in 1985, was a major force in media ownership. Howard Brenton's and David Hare's first collaboration since Brassneck in 1973, Pravda was premiered at the National Theatre in May 1985, starring Anthony Hopkins and directed by David Hare, and was awarded the London Standard Best Play Award, the City Limits Best Play Award, and the Plays and Players Best Play Award. This Modern Classics edition features an introduction by Philip Roberts, Emeritus Professor of Drama and Theatre Studies at the University of Leeds, and a foreword by Jonathan Church.

David Hare

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