David Hinton

A major anthology of classical works, presented by a forefront poet and translator, offers insight into the Chinese poetic tradition and includes nearly five hundred pieces spanning the genre's first three millennia.

An Anthology

Classical Chinese Poetry

The Four Chinese Classics

A deep and radically original exploration of Taoist and Ch'an (Zen) Buddhist wisdom through the lens of the life and work of Tu Fu, widely considered China's greatest classical poet. What is consciousness but the Cosmos awakened to itself? This question is fundamental to the Taoist and Ch'an (Zen) Buddhist worldview that shapes classical Chinese poetry. A uniquely conceived biography, Awakened Cosmos illuminates that worldview through the life and work of Tu Fu (712-770 C.E.), China's greatest classical poet. Tu Fu's writing traces his life from periods of relative normalcy to years spent as an impoverished refugee amid the devastation of civil war. Exploring key poems to guide the reader through Tu Fu's dramatic life, Awakened Cosmos reveals Taoist/Ch'an insight deeply lived across the full range of human experience. Each chapter presents a poem in three stages: first, the original Chinese; then, an English translation in Hinton's masterful style; and finally, a lyrical essay that discusses the untranslatable philosophical dimensions of the poem. The result is nothing short of remarkable: a biography of the Cosmos awakened to itself in the form of a magisterial poet alive in T'ang Dynasty China. Thirty years ago, David Hinton published America's first full-length translation of Tu Fu's work. Awakened Cosmos is published simultaneously with a newly translated and substantially expanded version of that landmark translation: The Selected Poems of Tu Fu: Expanded and Newly Translated (New Directions).

The Mind of Classical Chinese Poetry

Awakened Cosmos

Offers insight on everything from the mountain landscape to the origins of consciousness and the cosmos, from geology to Chinese landscape painting, from parenting to pictographic oracle-bone script, to a family chutney recipe--a profoundly ancient and resoundingly contemporary spiritual ecology.

A Field Guide to Mind and Landscape

Hunger Mountain

This is the story of existence, and it begins with a painting. Join David Hinton, the premier modern translator of the Chinese classics, as he stands before a single landscape painting, discovering in it the wondrous story of existence--and as part of that story, the magical nature of consciousness. What he coaxes from the image is nothing less than a revelation: the dynamic interweaving of mind and Cosmos, and the glorious dance of Absence and Presence that is the secret of that Cosmos.

A Story

Existence

The earliest and most extensive literary engagement with wilderness in human history, Mountain Home is vital poetry that feels utterly contemporary. China's tradition of "rivers-and-mountains" poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to China's grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hinton's rich and accessible translations. Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chu-i and Tu Fu. The "rivers-and-mountains" tradition covers a remarkable range of topics: comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness.

Mountain Home: The Wilderness Poetry of Ancient China

The first collection of original poetry by the renowned nature writer and highly lauded translator of the Chinese classics. Traveling today I found a river somewhere inside me, wondered how far it wanders there and how much sky it mirrors. All day long, wind and desert light, I followed that river’s distances . . . Weaving mind and landscape together in meditations on sky and wind, ridgeline and horizon, existence and self, Desert marks David Hinton’s first collection of original poetry in over a decade. Hinton’s poetic art has long shined brilliantly through his widely acclaimed Chinese translations—and here speaks for itself in his contemporary voice as he turns his attention to the transcendent landscape of the American West. Updating the philosophical insights of ancient China that Hinton has explored so deeply, these poems bring the wonder and ancient mystery of the desert landscape to light. Hinton demonstrated in The Wilds of Poetry how those ancient Chinese insights shaped the innovative American poetry of our time, and here he extends that tradition in poems that are spare and spacious, as vast and open as the desert itself.

Poems

Desert

Meng Hao-jan

The Mountain Poems of Meng Hao-Jan

Tao Te Ching, Analects, Chuang Tzu, Mencius

Four Chinese Classics

The Analects of Confucius

Exploring the confluence of ancient Chinese spirituality and modern Western environmental thought, Wild Mind, Wild Earth reveals the unrecognized kinship of mind and nature that must be reanimated if we are to end our destruction of the planet. Earth is embroiled in its sixth major extinction event—this time caused not by asteroids or volcanos, but by us. At bottom, preventing this sixth extinction is a spiritual/philosophical problem, for it is the assumptions defining us and our relation to earth that are driving the devastation. Those assumptions insist on a fundamental separation of human and earth that devalues earth and enables our exploitative relation to it. In Wild Mind, Wild Earth, David Hinton explores modes of seeing and being that could save the planet by reestablishing a deep kinship between human and earth: the insights of primal cultures and the Ch’an (Zen) Buddhism of ancient China. He also shows how these insights have become well-established in the West over the last two hundred years, through the work of poets and philosophers and scientists. This offers marvelous hope and beauty—but like so many of us, Hinton recognizes the sixth extinction is now an inexorable and perhaps unstoppable tragedy. And he reveals how those primal/Zen insights enable us to inhabit even the unfurling catastrophe as a profound kind of liberation. Wild Mind, Wild Earth is a remarkable and revitalizing journey.

Our Place in the Sixth Extinction

Wild Mind, Wild Earth

A new translation of one of the great koan collections--by the premier translator of the Chinese classics--that reveals it to be a literary and philosophical masterwork beyond its association with Chan/Zen. A monk asked: “A dog too has Buddha-nature, no?” And with the master’s enigmatic one-word response begins the great No-Gate Gateway (Wu-Men Kuan), ancient China’s classic foray into the inexpressible nature of mind and reality. For nearly eight hundred years, this text (also known by its Japanese name, Mumonkan) has been the most widely used koan collection in Zen Buddhism—and with its comic storytelling and wild poetry, it is also a remarkably compelling literary masterwork. In his radical new translation, David Hinton places this classic for the first time in the philosophical framework of its native China, in doing so revealing a new way of understanding Zen—in which generic “Zen perplexity” is transformed into a more approachable and earthy mystery. With the poetic abilities he has honed in his many translations, Hinton brilliantly conveys the book’s literary power, making it an irresistible reading experience capable of surprising readers into a sudden awakening that is beyond logic and explanation.

The Original Wu-Men Kuan

No-Gate Gateway

China's tradition of ``rivers-and-mountains'' poetry stretches across millennia.

The Wilderness Poetry of Ancient China

Mountain Home

Avant-garde epic poem, lyrical map, work of conceptual art.

Fossil Sky

When Buddhism arrived in China during the first century of the current era, it was fundamentally reinterpreted and reshaped by Taoist thought, its more abstract metaphysical sensibility becoming grounded in an earthly and empirically based vision. What resulted was Ch'an Buddhism--the precursor to Zen as it would later appear in Japan, other Asian countries, and the West. In this fascinating volume, David Hinton renders a beautiful deep-literary analysis of early Ch'an to recover aspects of the tradition lost in its transmission from China to Japan and in the later spread of the teachings to Europe and the Americas. Each chapter explores a core Zen concept--such as meditation, mind, Tao, or Buddha--as it was originally understood in China. Organized as a straightforward handbook, China Root illuminates the most critical aspects of the original Zen philosophy and practice, including emptiness, koans, language skepticism, and everyday mind. Taking this journey on the wings of Hinton's remarkable insight and powerful writing, contemporary Zen practitioners will never see the conceptual framework of their practice in the same way again.

Taoism, Chan, and Original Zen

China Root

"An exploration of the emerging Western consciousness of the mystery of existence, as seen through the work of the great American poets from Walt Whitman to Gary Snyder --a thrilling journey with today's premier translator of the Chinese classics. David Hinton sees in the West beginning in the nineteenth century the dawning of a larger consciousness such as seemed to happen in Asia much longer ago: an opening up of mind and heart to something infinitely more mysterious and inexpressible than previous concepts allowed. It's an understanding that went against the grain of Western religion and philosophy up till that point, and for which Western models just didn't apply. Because this perception didn't fit the usual Western models, those who came up against it grappled with ways to express it. David holds that the first expressions of this dawning consciousness emerged among the great American poets, whose expression of the mystery often has an experimental freshness to it, as it comes from the period before things get conceptualized and codified. He takes us on a journey through the work of fifteen American poets in whose work he sees the Great Matter expressed, providing with each chapter a sampling of their work"--

Adventures in Mind and Landscape

The Wilds of Poetry

Lingyun Xie

Hsieh Ling-yun

In our own time the "wilderness" has emerged as a source of spiritual renewal, both as idea and in actual practice. But Hsieh Ling-yun (385-433 C. E.) was there before us. During the last decade of his life, living as a recluse high in the mountains of southeast China, he initiated a tradition of "rivers-and-mountains" (shan-shui) poetry that stretches across the millennia in China, a tradition that represents the earliest and most extensive literary engagement with "the wild" in human history. These poems were hugely popular in Hsieh's own time and established him as one of the most innovative and influential poets in the history of Chinese poetry as well as a founder of Ch'an (Zen) Buddhism. Once again David Hinton, a recipient of fellowships from The National Endowment for the Arts and The National Endowment for the Humanities and the winner of a Harold Morton Landon Translation Award from The Academy of American Poets, has produced a fluid and supple translation that does full justice to the rivers-and-mountains of Hsieh Ling-yun's inspiration.

The Mountain Poems of Hsieh Ling-yün

Li Po

Bai Li

Po Li

Li Po (A.D., 701-762) lived in T’ang Dynasty China, but his influence has spanned the centuries: the pure lyricism of his poems has awed readers in China and Japan for over a millennium, and through Ezra Pound’s translations, Li Po became central to the modernist revolution in the West. His work is suffused with Taoism and Ch’an (Zen) Buddhism, but these seem not so much spiritual influences as the inborn form of his life. There is a set-phrase in Chinese referring to the phenomenon of Li Po: “Winds of the immortals, bones of the Tao.” He moved through this world with an unearthly freedom from attachment, and at the same time belonged profoundly to the earth and its process of change. However ethereal in spirit, his poems remain grounded in the everyday experience we all share. He wrote 1200 years ago, half a world away, but in his poems we see our world transformed. Legendary friends in eighth-century T’ang China, Li Po and Tu Fu are traditionally celebrated as the two greatest poets in the Chinese canon. David Hinton’s translation of Li Po’s poems is no less an achievement than his critically acclaimed The Selected Poems of Tu Fu, also published by New Directions. By reflecting the ambiguity and density of the original, Hinton continues to create compelling English poems that alter our conception of Chinese poetry.

The Selected Poems

This is the story of existence, and it begins with a painting. Join David Hinton, the premier modern translator of the Chinese classics, as he stands before a single landscape painting, discovering in it the wondrous story of existence—and as part of that story, the magical nature of consciousness. What he coaxes from the image is nothing less than a revelation: the dynamic interweaving of mind and Cosmos, and the glorious dance of Absence and Presence that is the secret of that Cosmos.

David Hinton

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