David Keuning

Tjeerd Dijkstra (1931) speelde een belangrijke rol in de Nederlandse architectuur en cultuur tijdens de tweede helft van de twintigste eeuw en het begin van deze eeuw. Zijn architectonische productie is zelfbewust en doordacht. Zijn invloed reikt echter veel verder. Hij schreef over architectonische kwaliteit en het beoordelen daarvan. Als hoogleraar aan de TU Delft voerde hij belangrijke onderwijsvernieuwingen door. Hij was lange tijd Rijksbouwmeester, maar ook als supervisor betrokken bij een aantal belangrijke projecten op het gebied van architectuur en stedenbouw, onder andere bij de nieuwbouw voor de Leidse Universiteit en de ontwikkeling van de Amsterdamse IJ-oevers. Als bestuurder van de Groene Amsterdammer wist hij dit vrijzinnige opinieweekblad door roerige tijden heen te leiden.

Architect, rijksbouwmeester, hoogleraar

Tjeerd Dijkstra (1931)

Fifteen-year-old Maya Donovan is trying to make the best of her new life in Tokyo, but it hasn't been easy. Lately, mythical creatures seem to be walking out of the pages of Japanese folklore right into Maya's life....and they haven't been friendly. Maya is savagely attacked by one of the mythical creatures. She narrowly survives thanks to a pair of sword-wielding samurai who come to her aid. Now Maya has only three days before the creature returns. And this time it has a taste for Maya. If she's going to survive, she'll need to enlist help. The samurai are Maya's best chance for survival, but will these mysterious warriors be able to help her in time? Can they be trusted? Or do they have an agenda of their own?

All the World We Never See

Arthur Wortmann

Mark: Another Architecture is a bi-monthly international trade journal featuring exceptional architecture projects. Launched nine years ago by the makers of Frame, Mark takes a radical and international approach to architecture, showcasing the best new work from every corner of the world. Viewing the magazine as a visual medium, Mark attempts to avoid jargon and academicism, opting instead for direct communication. Ever curious, Mark wants to uncover architects’ motivations and use them to inspire. We dare you to try and find an international architecture journal that fills more of its pages with interviews than Mark. Mark shines its spotlight on starchitects and new talent alike. Mark explores the boundaries of architecture and anticipates what's heating up around the next corner. What readers find in each issue of Mark: Notice Board: Visions of projects yet to be realized from the drawing boards of architects all over the world Cross Section: Cutting-edge articles whisk readers to the outer reaches of architecture and beyond Perspective: A theme section discussing the state of architecture in a specific city, region, or country Long Section: Articles on new buildings, portraits of architecture practices, and reports on fascinating phenomena from cosmic architecture to treetop living Tools: Reports from manufacturers and information about new building materials

Mark #55

Kanae Hasegawa

Lilia Glanzmann

Leo Gullbring

Monica Zerboni

Izabela Anna Moren

Jill Diane Pope

Anna Sansom

Jeannette Petrik

Shonquis Moreno

Enya Moore

Floor Kuitert

Jeroen Junte

Melanie Mendelewitsch

Matthew Hurst

Tim Groen

Penny Craswell

Inspirational interviews with 28 world-renowned designers and architects shed light on the experiences that have influenced their lives and work. The regular feature What I’ve Learned in Frame magazine opens the door for readers to discover more about their favourite designers and architects. In candid interviews, these individuals reflect on the path their careers have taken them and the industry at large, offering the reader the possibility to take a shortcut and learn from their experiences. Revisiting a selection of these interviews for compilation into this new book, What I’ve Learned includes new material and further insights. The book also features the most important projects or products with which these established creatives made their name, but in a personal way, with the intricacies of real-life woven in. The creative conversations illustrated in this title demonstrate the strengths and inspirational vision of personalities such as Tadao Ando, Jaime Hayon, Hella Jongerius, Daniel Libeskind, Bernard Tschumi and Patricia Urquiola. Features - What I’ve Learned is based on the eponymous section in Frame magazine. - Established designers and architects reflect on their lives, careers and the industry, with their stories presented in the first person. - The book shows not just portraits of the creatives but also an overview of their best work, and the challenges they face. - Featured are personalities such as Tadao Ando, Jaime Hayon, Hella Jongerius, Daniel Libeskind, Bernard Tschumi and Patricia Urquiola.

28 Creatives Share Career-defining Insights

What I’ve Learned

Koen Olthuis

Float shows how urban environments can expand to surrounding undeveloped water areas.

Building on Water to Combat Urban Congestion and Climate Change

Float!

David Keuning

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