David Kirby

Explores the ramifications of keeping killer whales in captivity through the story of marine biologist and animal advocate Naomi Rose, whose battle against SeaWorld reached a breaking point with the highly publicized 2010 death of trainer Dawn Brancheau.

Shamu and the Dark Side of Killer Whales in Captivity

Death at SeaWorld

Swine flu. Bird flu. Unusual concentrations of cancer and other diseases. Massive fish kills from flesh-eating parasites. Recalls of meats, vegetables, and fruits because of deadly E-coli bacterial contamination. Recent public health crises raise urgent questions about how our animal-derived food is raised and brought to market. In Animal Factory, bestselling investigative journalist David Kirby exposes the powerful business and political interests behind large-scale factory farms, and tracks the far-reaching fallout that contaminates our air, land, water, and food. In this thoroughly researched book, Kirby follows three families and communities whose lives are utterly changed by immense neighboring animal farms. These farms (known as “Concentrated Animal Feeding Operations,” or CAFOs), confine thousands of pigs, dairy cattle, and poultry in small spaces, often under horrifying conditions, and generate enormous volumes of fecal and biological waste as well as other toxins. Weaving science, politics, law, big business, and everyday life, Kirby accompanies these families in their struggles against animal factories. A North Carolina fisherman takes on pig farms upstream to preserve his river, his family’s life, and his home. A mother in a small Illinois town pushes back against an outsized dairy farm and its devastating impact. And a Washington State grandmother becomes an unlikely activist when her home is invaded by foul odors and her water supply is compromised by runoff from leaking lagoons of cattle waste. Animal Factory is an important book about our American food system gone terribly wrong---and the people who are fighting to restore sustainable farming practices and save our limited natural resources.

The Looming Threat of Industrial Pig, Dairy, and Poultry Farms to Humans and the Environment

Animal Factory

FROM THE NEW YORK TIMES BESTSELLING AUTHOR OF "DEATH AT SEAWORLD," NOW IN DEVELOPMENT FOR A MAJOR 10-PART NETWORK SERIES. Love, Life and Loss in the Upper Stratosphere of High Society New York. A comedy. Megan O'Malley is a working-class, aspiring journalist from Ypsilanti who moves to New York City and is unexpectedly hurled into the madness of uber-rich Manhattan, with its competitive consumption, preposterous pretensions, massive financial fiefdoms, and the over-indulged wealthy, whose hordes of help keep the silver polished, the chateaubriand perfectly cooked and the martinis exquisitely dry. Megan is soon swept off her feet by the city's most celebrated wealthy bachelor, Rexford Bainbridge, III, better known as "Sexy Rexy." When he proposes to her, Rex's stunned circle of friends, a cabal of Type-A socialites, reluctantly agree to take the decidedly down-market Midwesterner under their comically pompous wings and guide her through a massive makeover. As Megan pursues her dream of journalism, she must navigate a brave new life of ridiculous opulence, relentless snobbery and stinging ridicule, mostly directed at her. When everything comes crashing down, she is shunned by the ladies who lunch. Megan must now claw her way back to respectability and financial stability, while also delivering a fitting comeuppance to her mentors-turned-tormentors. This rags-to-riches-to-rags social satire unearths the dark, hilarious underbelly of class warfare in contemporary Manhattan. David Kirby spent considerable time rubbing elbows with the social elites who comprise the world of "Upper East Bride." As Press Secretary at the American Foundation for AIDS Research, he accompanied Elizabeth Taylor around the globe, mixing with movie stars, TV celebrities, royalty and other very rich people, most of whom were quite nice. He has written for The NY Times, Huffington Post, UPI, Discover, Glamour and others, and published four nonfiction books with St. Martin's Press. This is his first novel. He lives in NYC (of course).

Upper East Bride

Identifies a possible link between Thimerosal, a mercury-based preservative used in childhood vaccinations, and rising rates of such developmental disorders as autism and ADD, discussing the controversy from the perspectives of affected families, the FDA, drug companies, and Congress. Reader's Guide available. Reprint. 75,000 first printing.

Mercury in Vaccines and the Autism Epidemic: A Medical Controversy

Evidence of Harm

Barbara Hamby

Can serious poetry be funny? Chaucer and Shakespeare would say yes, and so do the authors of these 187 poems that address timeless concerns but that also include comic elements. Beginning with the Beats and the New York School and continuing with both marquee-name poets and newcomers, Seriously Funny ranges from poems that are capsized by their own tomfoolery to those that glow with quiet wit to ones in which a laugh erupts in the midst of terrible darkness. Most of the selections were made in the editors' battered compact car, otherwise known as the Seriously Funny Mobile Unit. During the two years in which Barbara Hamby and David Kirby made their choices, they'd set out with a couple of boxes of books in the back seat, and whoever wasn't driving read to the other. When they found that a poem made both of them think but laugh as well, they earmarked it. Readers will find a true generosity in these poems, an eagerness to share ideas and emotions and also to entertain. The singer Ali Farka Tour said that honey is never good when it's only in one mouth, and the editors of Seriously Funny hope its readers find much to share with others.

Poems about Love, Death, Religion, Art, Politics, Sex, and Everything Else

Seriously Funny

Neither, strictly, a critical analysis nor a biography, this study can be considered a biography of a career, an examination of the external events and internal development and motivations of Melville's life and work. Annotation copyright by Book News, Inc., Portland, OR

Herman Melville

A revealing book about how government, law enforcement, and bureaucratic interests are seizing our property, our children, our savings, and our fundamental American rights—and how to fight back. Liberty and justice for all is the bedrock of American democracy, but has America betrayed our founders' vision for the nation? In When They Come For You, New York Times bestselling author David Kirby exposes federal, state, and local violations of basic constitutional rights that should trouble every American, whether liberal, conservative, or libertarian. Free speech, privacy, protection from unreasonable search and seizure, due process, and equal protection under the law are rights that belong to every American citizen, but are being shredded at an alarming rate all across the country. Police and prosecutorial misconduct, overzealous bureaucrats with virtually unchecked power, unwarranted searches, SWAT-style raids on the homes of innocent Americans, crackdowns on a free press and the right to protest, removing children from their parents without cause, "debtors prisons," restricting freedom of health choice, seizing private assets for government profit, and much more demonstrate how deeply our rights and our national values are eroding. When They Come For You uses true stories of everyday citizens to reveal how our federal, state, and municipal governments, police, lawmakers, judges, revenue agents, unelected power brokers, and even government social workers are eviscerating our most fundamental liberties. And, it shows how people are fighting back—and winning.

How Police and Government Are Trampling Our Liberties—and How to Take Them Back

When They Come for You

Winner of the 1987 Brittingham Prize in Poetry

Saving the Young Men of Vienna

Mark Strand and the Poet's Place in Contemporary Culture

Henry James and Melodrama

The Portrait of a Lady and The Turn of the Screw

Poems

The House of Blue Light

In Ultra-Talk, David Kirby poses a simple question: What makes a cultural phenomenon truly great? Exploring a wide variety of "king-sized cultural monuments," Kirby argues that one qualification for greatness is that a phenomenon be embraced by both the elite and the general public. Further, he argues, it must be embraced repeatedly over time. Kirby turns his critical eye to subjects that have been studied and written about, sought after avidly, discussed passionately, and even resisted vigorously around the world. Auto racing, Dante, folk music, food, Leonardo da Vinci, films, poetry, religion, striptease, television, and the internet are just some of the topics he examines. In Rome, heads of state kneel before Bernini's statue of Saint Teresa in ecstasy, says Kirby, and so do people who can't read. And everyone watches TV. Ultra-Talk pays homage to the work of two towering writers and critics. Johann Wolfgang von Goethe and Giacomo Leopardi both stated that a book was valid only if it had been accepted by both an intellectual elite and a vast public. Kirby would have added a second requirement: that the book's--or cultural monument's--popularity must have traction over time. By standing on the shoulders of Goethe and Leopardi, Kirby offers a way to read, see, and savor a post-theoretical worldview that everybody can share.

Johnny Cash, the Mafia, Shakespeare, Drum Music, St. Teresa of Avila, and 17 Other Colossal Topics of Conversation

Ultra-talk

In What Is a Book? David Kirby addresses the making and consuming of literature by redefining the four components of the act of reading: writer, reader, critic, and book. He discusses his students, his work, and his practice as a teacher, writer, critic, and reader, and positions his theories and opinions as products of "real" life as much as academic exercise. Among the ideas animating the book are Kirby's beliefs that "devotion is more important than dissection" and "practice is more important than theory." Covering an impressive range of writers--from Emerson, Poe, and Melville to James Dickey, Charles Wright, Richard Howard, Susan Montez, and others--Kirby considers the evolution of critical theory from the nineteenth century to the late twentieth and explores the role of criticism in contemporary culture. Drawing from his experience writing poetry and reading to children at a local housing project, he answers two of his four central questions: "What is a reader?" and "What is a writer?" In the largest section of the book, "What Is a Critic?," Kirby demonstrates his passionate engagement with the function of the critic in literary culture and offers both overviews and close examinations of literary theory, book reviewing, and the historical background of criticism from its earliest beginnings. In the final section of the book, he addresses the question "What is a book?" with an examination of the reading preferences of older readers. Kirby's analysis of those responses, along with his own notions of the literary canon, is an insightful excursion into how books are valued. Deeply learned and wonderfully entertaining, What Is a Book? is a lucid look at the whole of literary culture. Kirby makes us think about the books we love and why we love them.

What is a Book?

Collects some of the author's humorous early poems, featuring such subjects as literature, history, personal life, death, and popular culture.

Selected Early Poems

I Think I Am Going to Call My Wife Paraguay

A feature of English landscape architecture, a ha-ha is a wall at the bottom of a ditch; its purpose is to allow the presence of cows and sheep on one's lawn, but at an agreeable distance and with none of the malodorous unsightliness that proximity would bring. Similarly, The Ha-Ha, the latest offering from poet David Kirby, is both an exploration of the ways in which the mind invites chaos yet keeps it at a distance and an apologia for humor, reflecting Irish poet Patrick Kavanagh's observation that tragedy is merely underdeveloped comedy. Embracing wit, wide-ranging scholarship, and an equal love of travel as well as the pleasures of home, The Ha-Ha depicts comedy as a radical form of intelligence, a way of thinking that just happens to be noisy and rumbustious. We are staying with Barbara's parents on Oahu, and the first night we're there, I notice an angry-looking man is staring at me out of the neighbor's upstairs window and mumbling something, but the second night I realize that it's that poster of Bo Diddley from the famous Port Arthur concert, and there's a phone wirein front of his face that bobs up and down when the trade winds blow, which they do constantly, making it seem as though Mr. Diddley is saying something to me. From "The Ha-Ha, Part I: The Tao of Bo Diddley" published in The Ha-Ha: Poems by David Kirby. Copyright © 2003 by David Kirby. All rights reserved. - See more at: http://lsupress.org/books/detail/the-ha-ha/#sthash.g8vUSeuN.dpuf

The Ha-ha

A brilliant new biography of the extraordinary, outrageous performer who helped open the floodgates of Rock 'n' Roll. In June, 2007, Little Richard's 1955 Specialty Records single, "Tutti Frutti," topped Mojo magazine's list of "100 Records That Changed the World." But back in the early 1950s, nobody gave Little Richard a second glance. It was a time in America where the black and white worlds had co-existed separately for nearly two centuries. After "Tutti Frutti," Little Richard began garnering fans from both sides of the civil rights divide. He brought black and white youngsters together on the dance floor and even helped to transform race relations. Little Richard: The Birth of Rock 'n' Roll begins by grounding the reader in the fertile soil from which Little Richard's music sprang. In Macon, Georgia, David Kirby interviews relatives and local characters, who knew Little Richard way back when, citing church and family as his true inspiration. His antics began as early as grade school, performing for his classmates every time the teacher would leave the room, connecting to an age-old American show biz tradition of charade and flummery. On the road, Little Richard faced competition from his peers, honing his stage show and making it, too, an act that could not be counterfeited. Kirby sees Little Richard as a foxy warrior, fighting with skill and cunning to take his place among the greats. In the words of Keith Richards (on hearing "Tutti Frutti" for the first time), "it was as though the world changed suddenly from monochrome to Technicolor." Those sentiments have consistently been echoed by the music-listening world, and the time is ripe for a reassessment of Little Richard's genius and legacy.

The Birth of Rock 'n' Roll

Little Richard

Big-leg Music

Three Poems

The Travelling Library

In the 1990s reported autism cases among American children began spiking, from about 1 in 10,000 in 1987 to a shocking 1 in 166 today. This trend coincided with the addition of several new shots to the nation's already crowded vaccination schedule, grouped together and given soon after birth or in the early months of infancy. Most of these shots contained a little-known preservative called thimerosal, which includes a quantity of the toxin mercury. Evidence of Harm explores the heated controversy over what many parents, physicians, public officials, and educators have called an "epidemic" of afflicted children. Following several families, David Kirby traces their struggle to understand how and why their once-healthy kids rapidly descended into silence or disturbed behavior, often accompanied by severe physical illness. Alarmed by the levels of mercury in the vaccine schedule, these families sought answers from their doctors, from science, from pharmaceutical companies that manufacture vaccines, and finally from the Center for Disease Control and the Food and Drug Administration-to no avail. But as they dug deeper, the families also found powerful allies in Congress and in the small community of physicians and researchers who believe that the rise of autism and other disorders is linked to toxic levels of mercury that accumulate in the systems of some children. An important and troubling book, Evidence of Harm reveals both the public and unsung obstacles faced by desperate families who have been opposed by the combined power of the federal government, health agencies, and pharmaceutical giants. From closed meetings of the FDA, CDC, and drug companies, to the mysterious rider inserted into the 2002 Homeland Security Bill that would bar thimerosal litigation, to open hearings held by Congress, this book shows a medical establishment determined to deny "evidence of harm" that might be connected with thimerosal and mercury in vaccines. In the end, as research is beginning to demonstrate, the questions raised by these families have significant implications for all children, and for those entrusted to oversee our national health.

David Kirby

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