David Peters Corbett

Familiar narratives about the nature of English modernism, &"tradition,&" and &"periodization,&" together with the &"literary&" character of English art from the mid-nineteenth to the early twentieth centuries, are abandoned in this innovative and important book. In their stead, David Peters Corbett proposes a new way of looking at this painting from the Pre-Raphaelites to the Vorticists. Arguing that art history has been too reluctant to confront the fundamental question of how and what the consistency and application of paint signifies, Corbett investigates the work of English artists&—among them Rossetti, Burne-Jones, Leighton, Watts, Whistler, Sickert, and the modernists of 1914 &—through a historical examination of the meanings of the visual in English culture. By revealing that for many artists and thinkers the visual promised to deliver a more profound understanding of the world than language, the book offers a new reading of the art of the period between 1848 and the First World War.

Modern Art and Visuality in England, 1848-1914

The World in Paint

Wyndham Lewis

Reproduces the text and original artwork of the Modernist publication, founded, edited, illustrated and published by Lewis between 1927 and 1929

A Review of Art and Literature

The Enemy

Christopher Riopelle

Katherine M. Bourguignon

Catalog of an exhibition held at the National Gallery, London, Mar. 3-May 30, 2011.

George Bellows and the Ashcan Painters

An American Experiment

This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world

1600 to the Present

A Companion to British Art

In this book, David Peters Corbett proposes a new way of looking at English painting from the Pre-Raphaelites to Wyndham Lewis and the Vorticists.

Inspired by medieval, classical and biblical themes, Edward Burne-Jones's paintings of graceful women, angels, gods and heroes, often in pensive or sad poses or asleep, are dreamlike, romantic and sentimental. One of the most successful of the late Victorian painters his art defined the 'dream world' of late nineteenth-century Aestheticism and the role of art as an alternative to the vulgar and disturbing world of the everyday. This study throws light on the inspiration and working practices of this romantic artist.

David Peters Corbett

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