David Scott Kastan

William Shakespeare

Shakespeare's rich exploration of kingship, politics and war and of fathers, sons and coming of age.

Third Series

King Henry IV Part 1

Stephen Farthing

Our lives are saturated by color. We live in a world of vivid colors, and color marks our psychological and social existence. But for all color's inescapability, we don't know much about it. Now authors David Scott Kastan and Stephen Farthing offer a fresh and imaginative exploration of one of the most intriguing and least understood aspects of everyday experience. Kastan and Farthing, a scholar and a painter, respectively, investigate color from numerous perspectives: literary, historical, cultural, anthropological, philosophical, art historical, political, and scientific. In ten lively and wide-ranging chapters, each devoted to a different color, they examine the various ways colors have shaped and continue to shape our social and moral imaginations. Each individual color becomes the focal point for a consideration of one of the extraordinary ways in which color appears and matters in our lives. Beautifully produced in full color, this book is a remarkably smart, entertaining, and fascinating guide to this elusive topic.

On Color

David Bevington

Joseph Papp

James Hammersmith

Robert Kean Turner

Includes Hamlet, Othello, King Lear, and Macbeth.

Shakespeare: Four Tragedies: Hamlet/Othello/King Lear/Macbeth

On 19 December 1601, John Croke, then Speaker of the House of Commons, addressed his colleagues: "If a question should be asked, What is the first and chief thing in a Commonwealth to be regarded? I should say, religion. If, What is the second? I should say, religion. If, What the third? I should still say, religion." But if religion was recognized as the "chief thing in a Commonwealth," we have been less certain what it does in Shakespeare's plays. Written and performed in a culture in which religion was indeed inescapable, the plays have usually been seen either as evidence of Shakespeare's own disinterested secularism or, more recently, as coded signposts to his own sectarian commitments. Based upon the inaugural series of the Oxford-Wells Shakespeare Lectures in 2008, A Will to Believe offers a thoughtful, surprising, and often moving consideration of how religion actually functions in them: not as keys to Shakespeare's own faith but as remarkably sensitive registers of the various ways in which religion charged the world in which he lived. The book shows what we know and can't know about Shakespeare's own beliefs, and demonstrates, in a series of wonderfully alert and agile readings, how the often fraught and vertiginous religious environment of Post-Reformation England gets refracted by the lens of Shakespeare's imagination.

Shakespeare and Religion

A Will to Believe

H. R. Woudhuysen

Ann Thompson

Richard Proudfoot

This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes the complete plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623. With a simple alphabetical arrangement the Complete Works are easy to navigate, and the reader's understanding and enjoyment are enhanced by the general introduction, short individual introductions to each text, a glossary and a bibliography. This handsome volume is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.

Arden Shakespeare Third Series Complete Works

Peter Stallybrass

The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Catherine Belsey, Jonathan Goldberg, Marjorie Garber, Lisa Jardine, and Jonathan Dollimore-- demonstrating the variety and vitality not only of contemporary criticism, but of Renaissance drama itself.

Staging the Renaissance

The Oxford encyclopedia of British literature. 1. Abbey Theatre - Caryl Churchill

Colley Cibber - Harley Lyrics

The Oxford Encyclopedia of British Literature

Shakespeare and the Shapes of Time

A Companion to Shakespeare is an indispensable book for students and teachers of Shakespeare, indeed for anyone with an interest in his plays. Contains 28 newly commissioned essays written by the most distinguished historians and literary scholars Situates Shakespeare in the historical and cultural conditions in which he wrote

A Companion to Shakespeare

George M Bodman Professor of English David Scott Kastan

An account of Shakespeare's plays as they were transformed from scripts into books.

Shakespeare and the Book

From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant. An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers. For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl

5-Volume Set

A comprehensive reference presents over five hundred full essays on authors and a variety of topics, including censorship, genre, patronage, and dictionaries.

A Will to Believe is a revised version of Kastan's 2008 Oxford Wells Shakespeare Lectures, providing a provocative account of the ways in which religion animates Shakespeare's plays.

John Milton

A revision of the Prentice Hall edition of 1962.David Scott Kastan preserves the quality and character of Hughes's richly annotated edition in this masterful revision, which includes a thorough updating of the text, notes, and bibliographies to reflect the scholarship of the last half-century. Kastan's new introductory essay engages the pressing questions the poem raises for contemporary readers, focusing on the literary, religious, and political dimensions of Paradise Lost that have made its reading a demanding yet always exhilarating experience.

David Scott Kastan

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