David Stricklin

Between the Civil War and the turn of the last century, Southern Baptists gained prominence in the religious life of the South. As their power increased, they became defenders of the racial, political, social, and economic status quo. By the beginning of this century, however, a feisty tradition of dissent began to appear in Southern Baptist life as criticism of the center increased from both the left and the right. The popular belief in a doctrine of "once saved, always saved" led progressive Baptists to claim that moderates, once saved, did not address the serious social and political problems that faced many in the South. These Baptist dissenters claimed that they could not be "at ease in Zion." Led by the radical Walter Nathan Johnson in the 1920s and 1930s, progressive Baptists produced civil rights advocates, labor organizers, women's rights advocates, and proponents of disarmament and abolition of capital punishment. They challenged some of the most fundamental aspects of southern society and of Baptist ecclesiastical structure and practice. For their efforts and beliefs, many of these men and women suffered as they lost jobs, experienced physical danger and injury, and endured character assassination. In A Genealogy of Dissent, David Stricklin traces the history of these progressive Baptists and their descendants throughout the twentieth century and shows how they created an active culture of protest within a highly traditional society.

Southern Baptist Protest in the Twentieth Century

A Genealogy of Dissent

Rebecca Sharpless

Essays on Oral History

The Past Meets the Present

Bill C. Malone

The South -- an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians -- plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.

Southern Music/American Music

Explores Louis Armstrong's life concentrating on his musical talent, identity as an African American, and the creativity and exuberance he shared with the world.

David Stricklin

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