David Stubbs

West Germany following the Second World War was a country in shock: estranged from its recent history, and adrift from the rest of Europe. But this disorientating landscape proved fertile ground for a generation of musicians who, from the 1960s onwards, would develop the experimental and various sounds that became known as Krautrock. Eschewing the Anglo-American jazz/blues tradition, they took their inspiration from elsewhere: the mysticism of the East; the fractured classicism of Stockhausen; the pneumatic repetition of industry and the dense forests of the Rhineland; the endless winding of Autobahns. Faust, Neu!, Cluster, Ash Ra Tempel, Amon Duul II, Can and Kraftwerk. These may not all be household names, but the influence of their ruminative, expansive compositions upon Western popular music is incalculable. These groups were key to the development of postpunk, electronica and ambient music. Without them Bowie would not have made his Berlin trilogy, Talking Heads would have been a straight-ahead rock band, and the Pet Shop Boys would have a completely different stage act. Future Days is an in-depth study of this meditative, sometimes abstract, often very beautiful music and the groups that made it, throwing light on the social and political context that informed them. It's an indispensable book for those wanting to understand how much of today's music came about, and to discover a wealth of highly influential and pioneering musicians.

Krautrock and the Building of Modern Germany

Future Days

Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant garde. But how did we get here? In Mars by 1980, David Stubbs charts the evolution of synthesised tones, from the earliest mechanical experiments in the late nineteenth century, through the musique concrete of the Futurists and radical composers such as Pierre Schaeffer and Karl Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream, be it through the BBC Radiophonic Workshop, grandiose prog rock or the DIY approach of electronica, house and techno. Stubbs tells a tale of mavericks and future dreamers, malfunctioning devices and sonic mayhem. But above all, he describes an essential story of authenticity: is this music? Mars by 1980 is the definitive account that answers this question.

The Story of Electronic Music

Mars by 1980

This book examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded with bewilderment, as noisy, random nonsense perpetrated by, and listened to by the inexplicably crazed. It draws on interviews and often highly amusing anecdotal evidence in order to find answers to the question: Why do people get Rothko and not Stockhausen?

Why People Get Rothko But Don't Get Stockhausen

Fear of Music

Welcome lawbreakers! Injured on the job? Involved in a traffic accident? Confessed to a homicide? "Better Call Saul!" Call risk free now! (505) 503-4455 This is your official guide to the world of Saul Goodman

The World According to Saul Goodman

Better Call Saul

Since 2006, under the guise of the Wing Commander, a somewhat xenophobic veteran of numerous campaigns including the Boer War, David Stubbs has written reports on every major England fixture. These lay stress just not on the inestimable virtues of the England team, who merely by being English hold an advantage over the opposition, but on the shabby deficiencies of their hapless foreign opponents. They're larded with historical reference and cultural speculation as to the frightfulness of the swarthy foe. England, as ever, expects in the run-up to the 2010 World Cup. These reports capture the essence of fervent, St George cross flag waving optimism as footballing fever grips the nation.

England's Path to Glory 2006-2010

Send Them Victorious

"First published in Great Britain in 2014 by Faber and Faber Ltd"--Title page verso.

Krautrock and the Birth of a Revolutionary New Music

In this new work, Jimi Hendrix's songs are examined in depth.

The Stories Behind Every Song

Jimi Hendrix

Peter Frankopan

Anthony Clavane

Jonathan Wilson

Nick Ames

First published in March 2017, Issue Twenty Four contains 19 articles in 7 sections, including: Anthony Clavane on the decline of heavy industry and the sad logic of Brexit in Yorkshire; Peter Frankopan looking at how in politics, economics and football the role of Asia is becoming more significant; and David Stubbs on the glorious summer of 1996 when all things seemed possible.

The Blizzard - The Football Quarterly: Issue Twenty Four

Roger Haslam

Readable and authoritative, Understanding and Preventing Falls provides a guide to the nature and extent of the problem of falls. Drawing on the latest research, the authors outline the combination of environmental factors that commonly lead to falls and explore how to prevent them. The case is made for a multifaceted approach to falls prevention,

An Ergonomics Approach

Understanding and Preventing Falls

1996 And The End of History examines the year as it panned out in the UK not just in politics but in music, light entertainment and sport. It was the zenith of a decade which will go down as remarkably untroubled by modern standards; following the collapse of the Berlin Wall, prior to 9/11, in which political conditions of peace and apparent economic prosperity created an overall mood of frivolity, postmodern anti-seriousness and a desire to get back to sunnier times before the grim onset of the strife-ridden 70's and 80's.

David Stubbs

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