David Watkin

• Comprehensive overview of architecture as an evolving continuum • Packed with images of the greatest triumphs of Western architecture • Replaces ISBN 0-8230-2273-0 This highly acclaimed reference work traces the history of Western architecture from its earliest days in Mesopotamia and Egypt to the dramatic impact of computer-aided design at the beginning of this century. Looking at architectural history as a living continuum rather than a museum of neatly labeled styles, the author emphasizes the vitality of the Classical language of architecture. Twenty pages of text and twenty-five new pictures have been added to bring this new edition of an authoritative classic completely up to date.

A History of Western Architecture

Morality and architecture has been described variously as brave, mischievous, brilliant, reactionary, and a 'time bomb'. It is undoubtedly controversial--a frank and at times fearlessly polemical exposure of progressivist ideology in architectural criticism.

The Development of a Theme in Architectural History and Theory from the Gothic Revival to the Modern Movement

Morality and Architecture

Preface p. 6 1 Mesopotamia and Egypt p. 9 Mesopotamia p. 9 Egypt p. 13 2 The Classical Foundation: Greek, Hellenistic, Roman p. 19 The Bronze Age Heritage p. 19 The Hellenistic Background p. 41 The Rise of Rome p. 57 3 Early Christian and Byzantine p. 89 4 Carolingian and Romanesque p. 107 5 The Gothic Experiment p. 149 France p. 150 England p. 168 Germany and Central Europe, Belgium, Italy, Spain, Portugal p. 185 Town Planning p. 207 6 Renaissance Harmony p. 211 The Birth of the Renaissance p. 211 High Renaissance p. 223 The Renaissance Outside Italy p. 251 Town Planning p. 279 7 Baroque Expansion p. 283 Italy p. 283 Baroque Outside Italy p. 314 Town Planning p. 362 8 Eighteenth-Century Classicism p. 369 The Impact of Rome p. 369 The Rise of Neo-Classicism in France p. 391 The Classical Tradition Elsewhere in Europe p. 410 The Rise of Classicism in the USA p. 424 Town Planning p. 434 9 The Nineteenth Century p. 439 France p. 439 Britain p. 459 Germany, Austria and Italy p. 477 Scandinavia, Russia and Greece p. 497 Belgium and Holland p. 509 USA p. 512 Town Planning p. 530 10 Art Nouveau p. 537 Belgium and France p. 537 Scotland and England p. 543 Germany, Austria and Italy p. 546 Spain p. 556 11 The Twentieth Century p. 565 USA Up to 1939 p. 565 Europe Up to 1939 p. 582 Modernism After 1945 p. 648 Post-Modernism p. 660 Town Planning p. 668 Architecture for the Millennium p. 670 Glossary p. 685 Further Reading p. 688 Acknowledgements p. 693 Index p. 694.

Often described as Prince Charles's favorite architect, Quinlan Terry is at home in every traditional style, from Classical Greek to Roman, Gothic to Renaissance, and Baroque to Neo-classical. With intense new interest in classical design, there is a high demand for a compilation of Terry's work, a volume that showcases the ideas and creations of one of the world's most daring traditionalist designers. At the pinnacle of his career--this year's winner of the Driehaus Prize, classical architecture's highest honor--Quinlan Terry is one of the most celebrated practitioners of the form and also perhaps the most radical. Radical Classicism contains hundreds of lavish color illustrations and thirty of Terry's designs, including state rooms at #10 Downing Street, a library and residential building at Cambridge University, a cathedral in Essex, a church in Bishopsgate, four buildings in Williamsburg, Va., townhouses in London, and ten large country houses in England, Germany, and the U.S. Buildings featured include Juniper Hill in Buckinghamshire; Ionic Villa, Corinthian Villa, and Regency Villa in Regents Park, London; Abercrombie House in Kentucky; Latourette Farm, New Jersey; Highland Park House, Dallas, Texas.

The Architecture of Quinlan Terry

Radical Classicism

A fully documented study of the architect Sir John Soane, with the text of his principal lectures.

Enlightenment Thought and the Royal Academy Lectures

Sir John Soane

One of the most visited sites in Italy, the Roman Forum is also one of the best-known wonders of the Roman world. Though a highpoint on the tourist route around Rome, for many visitors the site can be a baffling disappointment. Several of the monuments turn out to be nineteenth- or twentieth-century reconstructions, while the rubble and the holes made by archaeologists have an unclear relationship to the standing remains, and, to all but the most skilled Romanists, the Forum is an unfortunate mess. David Watkin sheds completely new light on the Forum, examining the roles of the ancient remains while revealing what exactly the standing structures embodyÑincluding the rarely studied medieval, Renaissance, and Baroque churches, as well as the nearby monuments that have important histories of their own. Watkin asks the reader to look through the veneer of archaeology to rediscover the site as it was famous for centuries. This involves offering a remarkable and engaging new vision of a well-visited, if often misunderstood, wonder. It will be enjoyed by readers at home and serve as a guide in the Forum.

The Roman Forum

In The Classical Country House architectural historian David Watkin takes a fresh and innovative look at the traditional British country house and shows how Classicism has been a seminal influence on British architecture since the seventeenth century. He demonstrates how the antecedents of the British Classical house, which lie in both Greek and Roman antiquity, were vigorously revived in the masterpieces of the Italian Renaissance, and enjoyed new life when transplanted to Britain by Inigo Jones, after his Grand Tour of the Continent in 1613–14. The book consists of five parts. The first looks at the birth of English Classicism in the seventeenth century, when houses such as Wilton House in Wiltshire (where Jones and John Webb designed the celebrated Double Cube Room) and Coleshill in Berkshire, reflect a rejection of contemporary styles in favour of a Renaissance-influenced design. The second part shows how the flowering of Classic design in the eighteenth century led to the creation of some of the most celebrated houses of the period: Chiswick House, Holkham Hall, Sir John Soane's Pitzhanger Manor, and the Grecian templar house, Grange Park. The third part recounts how the austerity of many buildings designed in the 18th century gave way to the richer styles of the Italian Renaissance Revival in the 19th century – seen, for example, in Kingston Lacy, Dorset and Brodsworth Hall, Yorkshire. The final two chapters, on the twentieth century and beyond, reveal how even as individual an architect as Sir Edwin Lutyens immersed himself in a Classical language of design, in houses as diverse as Nashdom, Gledstone and the British Embassy in Washington D.C; and how, as the influence of Modernist design has waned, Classical styles have been revived – most notably in the houses of Raymond Erith after the Second World War, and more recently by architects such as Quinlan Terry. David Watkin has selected over 150 of the finest images from the Country Life archive to illustrate an incisive study of 26 major houses and their architects. This highly informative and enlightening survey of Classicism through the centuries is a major addition to architectural history.

From the Archives of Country Life

The Classical Country House

David Bindman

Jeannie Chapel

Martin Chapman

Philip Hewat-Jaboor

Daniella Ben-Arie

Bard graduate center for studies in the decorative arts (New York, N.Y.).

This title presents a comprehensive study of Thomas Hope, focusing on his multifaceted role as designer and patron. The contributors examine his wide-ranging and intriguing contribution to the arts as well as his extensive writings.

Regency Designer

Thomas Hope

The Picturesque in Architecture, Landscape, and Garden Design

The English Vision

Thomas Hope 1769-1831 and the Neo-Classical Idea

David Watkin, David

One of the most visited sites in Italy, the Roman Forum is also one of the best-known wonders of the Roman world. David Watkin sheds completely new light on the Forum, examining the roles of the ancient remains while revealing what exactly the standing structures embody - including the rarely studied medieval, Renaissance, and Baroque churches, as well as the nearby monuments that have important histories of their own.

A thought-provoking architectural monograph on one of the most renowned and original classicist practices today. Quinlan and Francis Terry Architects is a British firm that specializes in new Classical architecture. Their work is a delightful expression--in plaster and marble, in brick and wood, in stone--of exuberant timelessness, where fluted columns rise beside doorways to explode in Corinthian capitals of exquisite craftsmanship and structural integrity. Throughout the work, attention to detail, to craftsmanship, and to reasoned proportions is apparent. Quinlan Terry is at home in every traditional style, from Classical Greek and Roman to the many forms of Gothic and Renaissance. Terry's son and partner, Francis, is recognized as a brilliant talent in his own right and is as highly regarded for his thoughtful design as for his breath taking architectural drawings. Together, the duo are at the heart of a resurgent interest in an architecture and design that is both liveable and inspiring. This book features the firm's work from 2005 to 2015, and includes Kilboy, a country house in County Tipperary, Ireland; Kingsham Farm in Sussex, England; and ongoing work, such as Locuston Estate in Kentucky. It also showcases more than forty master drawings by Francis Terry, renderings that are at once beautiful and expressive of one of the highest aims of architecture--they elevate the soul--much like the houses and spaces built by this extraordinary firm.

The Architecture of Quinlan and Francis Terry, 2005-2015

The Practice of Classical Architecture

Good,No Highlights,No Markup,all pages are intact, Slight Shelfwear,may have the corners slightly dented, may have slight color changes/slightly damaged spine.

The Rise of Architectural History

Surveys the history of Western architecture from its roots in ancient Mesopotamia and Egypt to the present day.

Marc Walter

Depicts the grandest hotels in Europe, past and present

The Golden Age of Palace Hotels : an Architectural and Social History

Grand Hotel

Léon Krier

Leon Krier's most important essays and all his projects, including his proposals for Poundbury near Dorchester, and masterplans for Luxemburg's New Quarter and Washington DC, and the new town of Atlantis on the island of Tenerife have been brought together in this work.

Architecture and Urban Design, 1967-1992

Leon Krier

The Life and Work of C. R. Cockerell

Giacomo Barozzi da Vignola

John Leeke

"This Dover edition, first published in 2010, is an unabridged republication of The Regular Architect: or the General Rule of the Five Orders of Architecture, printed for William Sherwin, London, in 1669."

Canon of the Five Orders of Architecture

"The broad, interdisciplinary approach of Professor Watkin's wide-ranging text suggests new lines of enquiry for historians of architecture and art and offers valuable insights for student of landscape design, court studies and political history."--Jacket.

George III and the Culture of the Enlightenment

The Architect King

When Morality and Architecture was first published in 1977, it received passionate praise and equally passionate criticism. An editorial in Apollo, entitled "The Time Bomb," claimed that "it deserved to become a set book in art school and University art history departments," and the Times Literary Supplement savaged it as an example of "that kind of vindictiveness of which only Christians seem capable." Here, for the first time, is the story of the book's impact. In writing his groundbreaking polemic, David Watkin had taken on the entire modernist establishment, tracing it back to Pugin, Viollet-le-Duc, Corbusier, and others who claimed that their chosen style had to be truthful and rational, reflecting society's needs. Any critic of this style was considered antisocial and immoral. Only covertly did the giants of the architectural establishment support the author. Watkin gives an overview of what has happened since the book's publication, arguing that many of the old fallacies still persist. This return to the attack is a revelation for anyone concerned architecture's past and future.

David Watkin

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